The Passport
I
The fierce heat of the mid-day hours was waning, and the leaves stirred in the first faint breath of the evening breeze stealing over the Roman Campagna from the sea that lay like a golden streak along the western horizon. It was the month of the sollione-of the midsummer sun "rejoicing as a giant to run his course." From twelve o'clock till four the little town of Montefiano, nestling among the lower spurs of the Sabine Hills, had been as a place from which all life had fled. Not a human creature had been visible in the steep, tufa-paved street leading up to the square palace that looked grimly down on the little township clustering beneath it-not even a dog; only some chickens dusting themselves, and a strayed pig.
The cicale, hidden among the branches of a group of venerable Spanish chestnuts on the piazza in front of the church, had never ceased their monotonous rattle; otherwise silence had reigned at Montefiano since the church bells had rung out mezzogiorno– that silence which falls on all nature in Italy during the hours when the sollione blazes in the heavens and breeds life on the earth.
But now, with the first coming of the evening breeze, casements were thrown open, green shutters which had been hermetically closed since morning were flung back and Montefiano awoke for the second time in the twenty-four hours.
A side door of the church opened, and Don Agostino, the parish priest, emerged from it, carrying his breviary in one hand and an umbrella tucked under the other arm. Crossing the little square hurriedly, for the western sun still beat fiercely upon the flag-stones, he sought the shade of the chestnut-trees, under which he began pacing slowly backwards and forwards, saying his office the while.
A tall, handsome man, Don Agostino was scarcely the type of priest usually to be met with in hill villages such as Montefiano. His black silk soutane was scrupulously clean and tidy; and its button-holes stitched with red, as well as the little patch of violet silk at his throat, proclaimed him to be a monsignore. Nobody at Montefiano called him so, however. To his parishioners he was simply Don Agostino; and, in a district in which priests were none too well looked upon, there was not a man, woman, or child who had not a good word to say for him.
This was the more remarkable inasmuch as Don Agostino was evidently of a very different social grade from even the most well-to-do among his flock. At first sight, a stranger would have thought that there could not be much in common between him and the peasants and farmers who stood in a little crowd at the doors of his church on a festa while he said mass, and still less with the women and children who knelt within the building. There was, however, the most important thing of all in common between them, and that was sympathy – human sympathy – so simple a thing, and yet so rare.
This, again, was remarkable; for no one could glance at Don Agostino's countenance without at once realizing that it belonged to a man who was probably intellectual and certainly refined. It would not be imagined, for instance, that there could be any fellow-feeling between him and the woman a few yards down the street who, indifferent as to the scantiness of the garments by way of clothing a well-developed bust, was leaning out of a window screaming objurgations at a small boy for chasing the strayed pig. Nevertheless, Don Agostino would doubtless have entered into the feelings of both the woman and the boy – and, probably, also into those of the pig – had he noticed the uproar, which, his thoughts being concentrated for the moment on the saying of his office, he did not do.
He had been at Montefiano some years now, and the stories current at the time of his arrival in the place as to the reason why he had been sent there from Rome were wellnigh forgotten by his parishioners. At first they held aloof from him suspiciously, as from one who was not of their condition in life, and who had only been sent to Montefiano because – well, because of some indiscretion committed at Rome. Some said it was politics, others that it was women, and others, again, that it was neither the one nor the other. All agreed that an instruito like Don Agostino, with his air of a gran signore, and money behind that air, too, was not sent to a place like Montefiano for nothing.
Don Agostino, however, had not troubled himself as to what was said or thought, but had taken up his duties with that unquestioning obedience which spiritual Rome has incorporated with the rest of her heritage from the Cæsars. He neither offered any explanations nor made any complaints concerning the surroundings to which he found himself relegated. For two or three years after his first coming to Montefiano strangers had sometimes visited him, and once or twice a cardinal had come from Rome to see him – but that was ten years ago and more, and now nobody came. Probably, the Montefianesi said, the Vatican had forgotten him; and they added, with a shrug of the shoulders, that it was better for a priest to be forgotten in Montefiano than remembered in a cup of chocolate in Rome.
As to any little affair of morals – well, it was certain that twenty, nay, even fifteen, years ago Don Agostino must have been a very good-looking young man, priest or no priest; and shoulders were shrugged again.
Whatever had been the cause of it, morals or politics, Monsignor Agostino was parroco of Montefiano, a Sabine village forty miles from Rome, with a population of some three thousand souls – a gray mass of houses clustering on a hill-side, crowned by the feudal fortress of its owners who had not slept a night within its walls since Don Agostino had taken over the spiritual interests of their people.
To be sure, Montefiano was a commune, and petty officialism was as rampant within its bounds as in many a more important place. But the princes of Montefiano were lords of the soil, and lords also of its tillers, as they were of other possessions in the Agro Romano. There had been a time, not so very many years ago, when a prince of Montefiano could post from Rome to Naples, passing each night on one of the family properties; but building-contractors, cards, and cocottes had combined to reduce the acreage in the late prince's lifetime, and Montefiano was now one of the last of the estates left to his only child, a girl of barely eighteen summers.
The Montefiano family had been singularly unlucky in its last two generations. The three younger brothers of the late prince had died – two of them when mere lads, and the third as a married but childless man. The prince himself had married early in life the beautiful daughter of a well-known Venetian house, who had brought a considerable dowry with her, and whom he had deceived and neglected from the first week of his marriage with her until her death, which had occurred when the one child born of the union was but a few months old.
Then, after some years, the prince had married again. He had taken to religion in later life, when health had suddenly failed him.
His second wife was a Belgian by birth, and had gained a considerable reputation for holiness in "black" circles in Rome. Indeed, it was generally supposed that it was a mere question of time before Mademoiselle d'Antin should take the veil. Other questions, however, apparently presented themselves for her consideration, and she took the Principe di Montefiano instead. It appeared that, after all, this, and not the cloister, was her true vocation; for she piloted the broken-down roué skilfully, and at the same time rapidly to the entrance, at all events, to purgatory, where she left the helm in order to enjoy her widow's portion, and to undertake the guardianship of her youthful step-daughter Donna Bianca Acorari, now princess of Montefiano in her own right.
Some people in Rome said that the deceased Montefiano was bored and prayed to death by his pious wife and the priests with whom she surrounded him. These, however, were chiefly the boon companions of the prince's unregenerate days, whose constitutions were presumably stronger than his had proved itself to be.
Rome – respectable Rome – was edified at the ending that the Prince of Montefiano had made, at the piety of his widow, and also at the fact that there was more money in the Montefiano coffers than anybody had suspected could be the case.
The portion left to the widowed princess was, if not large, at least considerably larger than had been anticipated
