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Juana
CHAPTER I. EXPOSITION
Notwithstanding the discipline which Marechal Suchet had introduced into his army corps, he was unable to prevent a short period of trouble and disorder at the taking of Tarragona. According to certain fair-minded military men, this intoxication of victory bore a striking resemblance to pillage, though the marechal promptly suppressed it. Order being re-established, each regiment quartered in its respective lines, and the commandant of the city appointed, military administration began. The place assumed a mongrel aspect. Though all things were organized on a French system, the Spaniards were left free to follow “in petto” their national tastes.
This period of pillage (it is difficult to determine how long it lasted) had, like all other sublunary effects, a cause, not so difficult to discover. In the marechal’s army was a regiment, composed almost entirely of Italians and commanded by a certain Colonel Eugene, a man of remarkable bravery, a second Murat, who, having entered the military service too late, obtained neither a Grand Duchy of Berg nor a Kingdom of Naples, nor balls at the Pizzo. But if he won no crown he had ample opportunity to obtain wounds, and it was not surprising that he met with several. His regiment was composed of the scattered fragments of the Italian legion. This legion was to Italy what the colonial battalions are to France. Its permanent cantonments, established on the island of Elba, served as an honorable place of exile for the troublesome sons of good families and for those great men who have just missed greatness, whom society brands with a hot iron and designates by the term “mauvais sujets”; men who are for the most part misunderstood; whose existence may become either noble through the smile of a woman lifting them out of their rut, or shocking at the close of an orgy under the influence of some damnable reflection dropped by a drunken comrade.
Napoleon had incorporated these vigorous beings in the sixth of the line, hoping to metamorphose them finally into generals, – barring those whom the bullets might take off. But the emperor’s calculation was scarcely fulfilled, except in the matter of the bullets. This regiment, often decimated but always the same in character, acquired a great reputation for valor in the field and for wickedness in private life. At the siege of Tarragona it lost its celebrated hero, Bianchi, the man who, during the campaign, had wagered that he would eat the heart of a Spanish sentinel, and did eat it. Though Bianchi was the prince of the devils incarnate to whom the regiment owed its dual reputation, he had, nevertheless, that sort of chivalrous honor which excuses, in the army, the worst excesses. In a word, he would have been, at an earlier period, an admirable pirate. A few days before his death he distinguished himself by a daring action which the marechal wished to reward. Bianchi refused rank, pension, and additional decoration, asking, for sole recompense, the favor of being the first to mount the breach at the assault on Tarragona. The marechal granted the request and then forgot his promise; but Bianchi forced him to remember Bianchi. The enraged hero was the first to plant our flag on the wall, where he was shot by a monk.
This historical digression was necessary, in order to explain how it was that the 6th of the line was the regiment to enter Tarragona, and why the disorder and confusion, natural enough in a city taken by storm, degenerated for a time into a slight pillage.
This regiment possessed two officers, not at all remarkable among these men of iron, who played, nevertheless, in the history we shall now relate, a somewhat important part.
The first, a captain in the quartermaster’s department, an officer half civil, half military, was considered, in soldier phrase, to be fighting his own battle. He pretended bravery, boasted loudly of belonging to the 6th of the line, twirled his moustache with the air of a man who was ready to demolish everything; but his brother officers did not esteem him. The fortune he possessed made him cautious. He was nicknamed, for two reasons, “captain of crows.” In the first place, he could smell powder a league off, and took wing at the sound of a musket; secondly, the nickname was based on an innocent military pun, which his position in the regiment warranted. Captain Montefiore, of the illustrious Montefiore family of Milan (though the laws of the Kingdom of Italy forbade him to bear his title in the French service) was one of the handsomest men in the army. This beauty may have been among the secret causes of his prudence on fighting days. A wound which might have injured his nose, cleft his forehead, or scarred his cheek, would have destroyed one of the most beautiful Italian faces which a woman ever dreamed of in all its delicate proportions. This face, not unlike the type which Girodet has given to the dying young Turk, in the “Revolt at Cairo,” was instinct with that melancholy by which all women are more or less duped.
The Marquis de Montefiore possessed an entailed property, but his income was mortgaged for a number of years to pay off the costs of certain Italian escapades which are inconceivable in Paris. He had ruined himself in supporting a theatre at Milan in order to force upon a public a very inferior prima donna, whom he was said to love madly. A fine future was therefore before him, and he did not care to risk it for the paltry distinction of a bit of red ribbon. He was not a brave man, but he was certainly a philosopher; and he had precedents, if we may use so parliamentary an expression. Did not Philip the Second register a vow after the battle of Saint Quentin that never again would he put himself under fire? And did not the Duke of Alba encourage him in thinking that the worst trade in the world was the involuntary exchange of a crown for a bullet? Hence, Montefiore was Philippiste in his capacity of rich marquis and handsome man; and in other respects also he was quite as profound a politician as Philip the Second himself. He consoled himself for his nickname, and for the disesteem of the regiment by thinking that his comrades were blackguards, whose opinion would never be of any consequence to him if by chance they survived the present war, which seemed to be one of extermination. He relied on his face to win him promotion; he saw himself made colonel by feminine influence and a carefully managed transition from captain of equipment to orderly officer, and from orderly officer to aide-de-camp on the staff of some easy-going marshal. By that time, he reflected, he should come into his property of a hundred thousand scudi a year, some journal would speak of him as “the brave Montefiore,” he would marry a girl of rank, and no one would dare to dispute his courage or verify his wounds.
Captain Montefiore had one friend in the person of the quartermaster, – a Provencal, born in the neighborhood of Nice, whose name was Diard. A friend, whether at the galleys or in the garret of an artist, consoles for many troubles. Now Montefiore and Diard were two philosophers, who consoled each other for their present lives by the study of vice, as artists soothe the immediate disappointment of their hopes by the expectation of future fame. Both regarded the war in its results, not its action; they simply considered those who died for glory fools. Chance had made soldiers of them; whereas their natural proclivities would have seated them at the green table of a congress. Nature had poured Montefiore into the mould of a Rizzio, and Diard into that of a diplomatist. Both were endowed with that nervous, feverish, half-feminine organization, which is equally strong for good or evil, and from which may emanate, according to the impulse of these singular temperaments, a crime or a generous action, a noble deed or a base one. The fate of such natures depends at any moment on the pressure, more or less powerful, produced on their nervous systems by violent and transitory passions.
Diard was considered a good accountant, but no soldier would have trusted him with his purse or his will, possibly because of the antipathy felt by all real soldiers against the bureaucrats. The quartermaster was not without courage and a certain juvenile generosity, sentiments which many men give up as they grow older, by dint of reasoning or calculating. Variable as the beauty of a fair woman, Diard was a great boaster and a great talker, talking of everything. He said he was artistic, and he made prizes (like two celebrated generals) of works of art, solely, he declared, to preserve them for posterity. His military comrades would have been puzzled indeed to form a correct judgment of him. Many of them, accustomed to draw upon his funds when occasion obliged them, thought him rich; but in truth, he was a gambler, and gamblers may be said to have nothing of their own. Montefiore was also a gambler, and all the officers of the regiment played with the pair; for, to the shame of men be it said, it is not a rare thing to see persons gambling together around a green table who, when the game is finished, will not bow to their
