Ernest William
The Boss of Taroomba
CHAPTER I
THE LITTLE MUSICIAN
They were terribly sentimental words, but the fellow sang them as though he meant every syllable. Altogether, the song was not the kind of thing to go down with a back-block audience, any more than the singer was the class of man.
He was a little bit of a fellow, with long dark hair and dark glowing eyes, and he swayed on the music-stool, as he played and sang, in a manner most new to the young men of Taroomba. He had not much voice, but the sensitive lips took such pains with each word, and the long, nervous fingers fell so lightly upon the old piano, that every one of the egregious lines travelled whole and unmistakable to the farthest corner of the room. And that was an additional pity, because the piano was so placed that the performer was forced to turn his back upon his audience; and behind it the young men of Taroomba were making great game of him all the time.
In the moderate light of two kerosene lamps, the room seemed full of cord breeches and leather belts and flannel collars and sunburnt throats. It was not a large room, however, and there were only four men present, not counting the singer. They were young fellows, in the main, though the one leaning his elbow on the piano had a bushy red beard, and his yellow hair was beginning to thin. Another was reading The Australasian on the sofa; and a sort of twist to his mustache, a certain rigor about his unshaven chin, if they betrayed no sympathy with the singer, suggested a measure of contempt for the dumb clownery going on behind the singer's back. Over his very head, indeed, the red-bearded man was signalling maliciously to a youth who with coarse fat face and hands was mimicking the performer in the middle of the room; while the youngest man of the lot, who wore spectacles and a Home-bred look, giggled in a half-ashamed, half-anxious way, as though not a little concerned lest they should all be caught. And when the song ended, and the singer spun round on the stool, they had certainly a narrow escape.
"Great song!" cried the mimic, pulling himself together in an instant, and clapping out a brutal burlesque of applause.
"Shut up, Sandy," said the man with the beard, dropping a yellow-fringed eyelid over a very blue eye. "Don't you mind Mr. Sanderson, sir," he added to the musician; "he's not a bad chap, only he thinks he's funny. We'll show him what funniment really is in a minute or two. I've just found the very song! But what's the price of the last pretty thing?"
"Of 'Love Flees before the Dawn?'" said the musician, simply.
"Yes."
"It's the same as all the rest; you see – "
Here the mimic broke in with a bright, congenial joke.
"Love how much?" cried he, winking with his whole heavy face. "I don't, chaps, do you?"
The sally was greeted with a roar, in which the musician joined timidly, while the man on the sofa smiled faintly without looking up from his paper.
"Never mind him," said the red-bearded man, who was for keeping up the fun as long as possible; "he's too witty to live. What did you say the price was?"
"Most of the songs are half a crown."
"Come, I say, that's a stiffish price, isn't it?"
"Plucky stiff for fleas!" exclaimed the wit.
The musician flushed, but tossed back his head of hair, and held out his hand for the song.
"I can't help it, gentlemen. I can't afford to charge less. Every one of these songs has been sent out from Home, and I get them from a man in Melbourne, who makes me pay for them. You're five hundred miles up country, where you can't expect town prices."
"Keep your hair on, old man!" said the wit, soothingly.
"My what? My hair is my own business!"
The little musician had turned upon his tormentor like a knife. His dark eyes were glaring indignantly, and his nervous fingers had twitched themselves into a pair of absurdly unserviceable white fists. But now a freckled hand was laid upon his shoulder, and the man with the beard was saying, "Come, come, my good fellow, you've made a mistake; my friend Sanderson meant nothing personal. It's our way up here, you know, to chi-ak each other and our visitors too."
"Then I don't like your way," said the little man, stoutly.
"Well, Sandy meant no offence, I'll swear to that."
"Of course I didn't," said Sanderson.
The musician looked from one to the other, and the anger went out of him, making way for shame.
"Then the offence is on my side," said he, awkwardly, "and I beg your pardon."
He took a pile of new music from the piano, and was about to go.
"No, no, we're not going to let you off so easily," said the bearded man, laughing.
"You'll have to sing us one more song to show there's no ill feeling," put in Sanderson.
"And here's the song," added the other. "The very thing. I found it just now. There you are – 'The World's Creation!'"
"Not that thing!" said the musician.
"Why not?"
"It's a comic song."
"The very thing we want."
"We'll buy up your whole stock of comic songs," said Sanderson.
"Hear, hear," cried the silent youth who wore spectacles.
"I wish you would," the musician said, smiling.
"But we must hear them first."
"I hate singing them."
"Well, give us this one as a favor! Only this one. Do."
The musician wavered. He was a very sensitive young man, with a constitutional desire to please, and an acute horror of making a fool of himself. Now the whole soul of him was aching with the conviction that he had done this already, in showing his teeth at what had evidently been meant as harmless and inoffensive badinage. And it was this feeling that engendered the desperate desire at once to expiate his late display of temper, and to win the good opinion of these men by fairly amusing them after all. Certainly the song in demand did not amuse himself, but then it was equally certain that his taste in humor differed from theirs. He could not decide in his mind. He longed to make these men laugh. To get on with older and rougher men was his great difficulty, and one of his ambitions.
"We must have this," said the man with the beard, who had been looking over the song. "The words are first chop!"
"I can't stand them," the musician confessed.
"Why, are they too profane?"
"They are too silly."
"Well, they ain't for us. Climb down to our level, and fire away."
With a sigh and a smile, and a full complement of those misgivings which were a part of his temperament, the little visitor sat down and played with much vivacity a banjo accompaniment which sounded far better than anything else had done on the antiquated, weather-beaten bush piano. The jingle struck fire with the audience, and the performer knew it, as he went on to describe himself as "straight
