Ten Years Later. Dumas Alexandre

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Ten Years Later - Dumas Alexandre

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      Ten Years Later

      Transcriber’s Notes:

      As you may be aware, Project Gutenberg has been involved with the writings of both the Alexandre Dumases for some time now, and since we get a few questions about the order in which the books should be read, and in which they were published, these following comments should hopefully help most of our readers.

      The Vicomte de Bragelonne is the final volume of D’Artagnan Romances: it is usually split into three or four parts, and the final portion is entitled The Man in the Iron Mask. The Man in the Iron Mask we’re familiar with today is the last volume of the four-volume edition. [Not all the editions split them in the same manner, hence some of the confusion…but wait…there’s yet more reason for confusion.]

      We intend to do ALL of The Vicomte de Bragelonne, split into four etexts entitled The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in the Iron Mask; you WILL be getting The Man in the Iron Mask.

      One thing that may be causing confusion is that the etext we have now, entitled Ten Years Later, says it’s the sequel to The Three Musketeers. While this is technically true, there’s another book, Twenty Years After, that comes between. The confusion is generated by the two facts that we published Ten Years Later BEFORE we published Twenty Years After, and that many people see those titles as meaning Ten and Twenty Years “After” the original story…however, this is why the different words “After” and “Later”…the Ten Years “After” is ten years after the Twenty Years later…as per history. Also, the third book of the D’Artagnan Romances, while entitled The Vicomte de Bragelonne, has the subtitle Ten Years Later. These two titles are also given to different volumes: The Vicomte de Bragelonne can refer to the whole book, or the first volume of the three or four-volume editions. Ten Years Later can, similarly, refer to the whole book, or the second volume of the four-volume edition. To add to the confusion, in the case of our etexts, it refers to the first 104 chapters of the whole book, covering material in the first and second etexts in the new series. Here is a guide to the series which may prove helpful:

      The Three Musketeers: Etext 1257 – First book of the D’Artagnan Romances. Covers the years 1625-1628.

      Twenty Years After: Etext 1259 – Second book of the D’Artagnan Romances. Covers the years 1648-1649. [Third in the order that we published, but second in time sequence!!!]

      Ten Years Later: Etext 1258 – First 104 chapters of the third book of the D’Artagnan Romances. Covers the years 1660-1661.

      The Vicomte de Bragelonne: Etext 2609 (first in the new series) – First 75 chapters of the third book of the D’Artagnan Romances. Covers the year 1660.

      Ten Years Later: Etext 2681 (our new etext) – Chapters 76-140 of that third book of the D’Artagnan Romances. Covers the years 1660-1661. [In this particular editing of it]

      Louise de la Valliere: forthcoming (our next etext) – Chapters 141-208 of the third book of the D’Artagnan Romances. Covers the year 1661.

      The Man in the Iron Mask: forthcoming (following) – Chapters 209-269 of the third book of the D’Artagnan Romances. Covers the years 1661-1673.

      If we’ve calculated correctly, that fourth text SHOULD correspond to the modern editions of The Man in the Iron Mask, which is still widely circulated, and comprises about the last 1/4 of The Vicomte de Bragelonne.

      Here is a list of the other Dumas Etexts we have published so far:

      Sep 1999 La Tulipe Noire, by Alexandre Dumas[Pere#6/French][tlpnrxxx.xxx]1910 This is an abridged edition in French, also see our full length English Etext Jul 1997 The Black Tulip, by Alexandre Dumas[Pere][Dumas#1][tbtlpxxx.xxx] 965 Jan 1998 The Count of Monte Cristo by Alexandre Dumas[Pere][crstoxxx.xxx]1184

      Many thanks to Dr. David Coward, whose editions of the D’Artagnan Romances have proved an invaluable source of information.

      Introduction:

      In the months of March-July in 1844, in the magazine Le Siecle, the first portion of a story appeared, penned by the celebrated playwright Alexandre Dumas. It was based, he claimed, on some manuscripts he had found a year earlier in the Bibliotheque Nationale while researching a history he planned to write on Louis XIV. They chronicled the adventures of a young man named D’Artagnan who, upon entering Paris, became almost immediately embroiled in court intrigues, international politics, and ill-fated affairs between royal lovers. Over the next six years, readers would enjoy the adventures of this youth and his three famous friends, Porthos, Athos, and Aramis, as their exploits unraveled behind the scenes of some of the most momentous events in French and even English history.

      Eventually these serialized adventures were published in novel form, and became the three D’Artagnan Romances known today. Here is a brief summary of the first two novels:

      The Three Musketeers (serialized March-July, 1844): The year is 1625. The young D’Artagnan arrives in Paris at the tender age of 18, and almost immediately offends three musketeers, Porthos, Aramis, and Athos. Instead of dueling, the four are attacked by five of the Cardinal’s guards, and the courage of the youth is made apparent during the battle. The four become fast friends, and, when asked by D’Artagnan’s landlord to find his missing wife, embark upon an adventure that takes them across both France and England in order to thwart the plans of the Cardinal Richelieu. Along the way, they encounter a beautiful young spy, named simply Milady, who will stop at nothing to disgrace Queen Anne of Austria before her husband, Louis XIII, and take her revenge upon the four friends.

      Twenty Years After (serialized January-August, 1845): The year is now 1648, twenty years since the close of the last story. Louis XIII has died, as has Cardinal Richelieu, and while the crown of France may sit upon the head of Anne of Austria as Regent for the young Louis XIV, the real power resides with the Cardinal Mazarin, her secret husband. D’Artagnan is now a lieutenant of musketeers, and his three friends have retired to private life. Athos turned out to be a nobleman, the Comte de la Fere, and has retired to his home with his son, Raoul de Bragelonne. Aramis, whose real name is D’Herblay, has followed his intention of shedding the musketeer’s cassock for the priest’s robes, and Porthos has married a wealthy woman, who left him her fortune upon her death. But trouble is stirring in both France and England. Cromwell menaces the institution of royalty itself while marching against Charles I, and at home the Fronde is threatening to tear France apart. D’Artagnan brings his friends out of retirement to save the threatened English monarch, but Mordaunt, the son of Milady, who seeks to avenge his mother’s death at the musketeers’ hands, thwarts their valiant efforts. Undaunted, our heroes return to France just in time to help save the young Louis XIV, quiet the Fronde, and tweak the nose of Cardinal Mazarin.

      The third novel, The Vicomte de Bragelonne (serialized October, 1847 – January, 1850), has enjoyed a strange history in its English translation. It has been split into three, four, or five volumes at various points in its history. The five-volume edition generally does not give titles to the smaller portions, but the others do. In the three-volume edition, the novels are entitled The Vicomte de Bragelonne, Louise de la Valliere, and The Man in the Iron Mask. For the purposes of this etext, I have chosen to split the novel as the four-volume edition does, with these titles: The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in the Iron Mask. In the last etext:

      The Vicomte de Bragelonne (Etext 2609): It is the year 1660, and D’Artagnan, after thirty-five years of loyal service, has become disgusted with serving King Louis XIV while the real power resides with the Cardinal Mazarin, and has tendered his resignation. He embarks on his own project, that of restoring Charles II to the throne of England, and, with the help of Athos, succeeds, earning himself quite a fortune in the process. D’Artagnan returns to Paris to live the life of a rich citizen, and Athos, after negotiating the marriage

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