Notes on Novelists, with Some Other Notes. Henry Foss James

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Notes on Novelists, with Some Other Notes - Henry Foss James

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       Henry James

      Notes on Novelists, with Some Other Notes

      Published by Good Press, 2019

       [email protected]

      EAN 4057664172976

       ROBERT LOUIS STEVENSON

       ÉMILE ZOLA

       GUSTAVE FLAUBERT

       HONORÉ DE BALZAC 1902

       I

       II

       III

       IV

       HONORÉ DE BALZAC 1913

       GEORGE SAND 1897

       I

       II

       III

       GEORGE SAND 1899

       GEORGE SAND 1914

       I

       II

       III

       GABRIELE D’ANNUNZIO 1902

       MATILDE SERAO

       THE NEW NOVEL 1914

       I

       II

       III

       IV

       DUMAS THE YOUNGER 1895

       THE NOVEL IN “THE RING AND THE BOOK” [8] 1912

       AN AMERICAN ART-SCHOLAR: CHARLES ELIOT NORTON 1908

       LONDON NOTES January 1897

       LONDON NOTES June 1897

       LONDON NOTES July 1897

       LONDON NOTES August 1897

      NOTES ON NOVELISTS

      WITH SOME OTHER NOTES

      NOTES ON NOVELISTS

       Table of Contents

      It was the happy fortune of Robert Louis Stevenson to have created beyond any man of his craft in our day a body of readers inspired with the feelings that we for the most part place at the service only of those for whom our affection is personal. There was no one who knew the man, one may safely assert, who was not also devoted to the writer—conforming in this respect to a general law (if law it be) that shows us many exceptions; but, naturally and not inconveniently, it had to remain far from true that all devotees of the writer were able to approach the man. The case was nevertheless that the man somehow approached them, and that to read him—certainly to read him with the full sense of his charm—came to mean for many persons much the same as to “meet” him. It was as if he wrote himself outright and altogether, rose straight to the surface of his prose, and still more of his happiest verse; so that these things gave out, besides whatever else, his look and motions and voice, showed his life and manners, all that there was of him, his “tremendous secrets” not excepted. We grew in short to possess him entire, and the example is the more curious and beautiful as he neither made a business of “confession” nor cultivated most those forms through which the ego shines. His great successes were supposititious histories of persons quite different from himself, and the objective, as we have learned to call it, was the ideal to which he oftenest sacrificed.

      The effect of it all none the less was such that his Correspondence has only seemed to administer delightfully a further push to a door already half open and through which we enter with an extraordinary failure of any sense of intrusion. We feel indeed that we are living with him, but what is that but what we were doing before? Through his Correspondence certainly the ego does, magnificently, shine—which is much the best thing that in any correspondence it can ever do. But even the “Vailima Letters,” published by Mr. Sidney Colvin in 1895, had already both established that and allayed our diffidence. “It came over me the other day suddenly that this diary of mine to you would make good pickings after I am dead, and a man could make some kind of book out of it without

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