Journalism and Emotion. Stephen Jukes

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Journalism and Emotion

      Journalism and Emotion

       Stephen Jukes

SAGE imprint

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      © Stephen Jukes 2020

      First published 2020

      Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may be reproduced, stored or transmitted in any form, or by any means, only with the prior permission in writing of the publishers, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers.

       Library of Congress Control Number: 2019955643

       British Library Cataloguing in Publication data

      A catalogue record for this book is available from the British Library

      ISBN 978-1-5264-9798-7

      ISBN 978-1-5264-9797-0 (pbk)

      Editor: Michael Ainsley

      Editorial assistant: Amber Turner-Flanders

      Production editor: Imogen Roome

      Proofreader: Leigh C. Smithson

      Marketing manager: Susheel Gokarakonda

      Cover design: Lisa Harper-Wells

      Typeset by: C&M Digitals (P) Ltd, Chennai, India

      Printed in the UK

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      Contents

      1  Acknowledgements

      2  About the Author

      3  Introduction: How Emotion Lies at the Heart of Today’s News and Journalism Practice

      4  1 Objectivity and Emotion

      5  2 Journalism and the Rise of Emotion in a Post-truth Society

      6  3 Journalism Practice and Affect

      7  4 Interviewing and Emotion

      8  5 The Herd Instinct

      9  6 Journalism and Trauma

      10  7 Journalists and User-generated Content

      11  Conclusion: The Taboo Has Been Broken, What Next?

      12  References

      13  Index

      Acknowledgements

      They say there is a novel buried deep in every journalist waiting to get out. This volume is certainly no novel, but it is a book that I have been carrying around in my head for at least the past two decades. Its roots lie in more than 20 years of work as a journalist and foreign correspondent around the world for the news agency Reuters. But it is only in the past few years, from the detached vantage point of the academic world, that I have been able to draw my ideas and reflections together into what is hopefully a coherent shape. I still passionately believe in journalism as a force for good, but it is clear, with hindsight, that the events of September 11, 2001, triggered in me a critical distance from the profession. That can only be healthy in today’s tumultuous media landscape, in which many of the certainties of the past have been thrown into question. The Introduction to this book describes how September 11 was a pivotal moment that drove me to stand back and explore the complex relationship between journalism, norms of objectivity and emotion. I would like to express my deep gratitude to all my friends and colleagues at Reuters with whom I covered so many summits, crises and, more often than not, the routine day-to-day stories that we call the news. I owe a particular debt to two – my first editor in the Middle East, the late François Duriaud, the ultimate professional and a legendary figure at Reuters; and his colleague as news editor and later successor as Middle East Editor, Graham Stewart. I learnt the trade from both and look back on those days with great affection. I also owe a debt of gratitude to two outstanding academics at Goldsmiths, University of London: Professors Natalie Fenton and Lisa Blackman.

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