To Die in Spring. Sylvia Maultash Warsh

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To Die in Spring - Sylvia Maultash Warsh A Rebecca Temple Mystery

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       To Die in Spring

      To Jerry, with love

      In memory of my father, Ludwig Maultash

       Acknowledgements

      I am indebted to the following people: my husband, Jerry Warsh, for answering my interminable medical questions; my mother, Gena Maultash, for sharing with me her experiences during World War II; my children, Nathaniel and Jessica, for their help according to their talents; my writing groups for their continuing constructive criticism and support through many drafts; my editor, Marc Côté, for his faith in the book.

      TO DIE IN

      SPRING

       Sylvia Maultash Warsh

      A Castle Street Mystery

      Copyright © Sylvia Maultash Warsh 2000

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval

      system, or transmitted in any form or by any means, electronic, mechanical, photocopying,

      recording, or otherwise (except for brief passages for purposes of review) without the prior

      permission of Dundurn Press. Permission to photocopy should be requested from the

      Canadian Copyright Licensing Agency.

      Editor: Marc Côté

      Copy Editor: Don McLeod

      Design: Jennifer Scott

      Printer: Webcom

       Canadian Cataloguing in Publication Data

      Warsh, Sylvia Maultash

      To die in spring

      ISBN 0-88882-216-2

      I. Title

      PS8595.A7855T6 2000 C813’.54 C00-930046-5 PR9199.3.W367T6 2000

      1 2 3 4 5 04 03 02 01 00

      We acknowledge the support of the Canada Council for the Arts for our publishing

      program. We also acknowledge the support of the Ontario Arts Council and we

      acknowledge the financial support of the Government of Canada through the Book

      Publishing Industry Development Program (BPIDP) for our publishing activities.

      Care has been taken to trace the ownership of copyright material used in this book. The

      author and the publisher welcome any information enabling them to rectify any references or credit in subsequent editions.

       J. Kirk Howard, President

      CHAD GADYA, by Rabbi Nathan Goldberg

      © 1993 Asher Scharpstien

      All Rights Reserved Used by Permission

      KTAV PUBLISHIING HOUSE, INC. Hoboken, NJ. 07030-7205

      Printed and bound in Canada.

      Printed on recycled paper.

Dundurn Press8 Market StreetSuite 200Toronto, Ontario, CanadaM5E 1M6 Dundurn Press73 Lime WalkHeadington, Oxford,England OX3 7AD Dundurn Press2250 Military RoadTonawanda NYU.S.A. 14150

      One little goat, one little goat That Father bought for two zuzim. One little goat, one little goat.

      chapter one

      Rebecca

       Tuesday, March 27, 1979

      Every time Rebecca drove to the office that first week back she saw David’s face in the rear-view mirror. At first it alarmed her, seeing a dead person’s face. But then she realized it wasn’t his face at all. It was the reflection of his face in her own eyes she was seeing. An image she carried around with her like other people carry photos in their wallets.

      The sun floated pale in the sky after the long winter as she drove David’s Jaguar coupe to the medical building. Spring was ironic this year. What good was the stirring of buds on maple branches to her, or the pointed daffodil shoots reaching through the soil? David would not come back this spring. She would have to stop looking in the rear-view mirror.

      She turned down Beverley Street, luminous and still, in a haze of Victorian manor-houses built in the 1870s. Immigrant semi-detached homes had sprung up in between. She always felt like she was coming home when she turned down this street. She’d spent her happiest years as an undergrad at the University of Toronto barely two blocks away. In her second year she’d met David in an art history course she’d chosen as a breadth requirement for science students. Lanky and red-haired then, he attracted her notice with his irreverent ongoing commentary about the slides of famous paintings the professor was projecting on the screen. It wasn’t till he graduated that he took his art seriously. By then she was in medical school. Their lives had stretched before them then like a landscape — she thought of the muted colours, the Impressionist attention to light in his early work. If only she’d been paying attention. Maybe he would be alive. If only she’d noticed the change in his palette, it would’ve been a clue.

      Through her windshield she could see Beverley Mansions, a series of pale brick double-houses, once grand, now renovated by the city into flats. Second Empire they were called, trying to make an impression. Their sculptured ornamental style captured the air of optimism and ambition for money in the time following Confederation. The cladding was cream yellow brick topped with mansard roofs.

      The sun warmed her through the window as she pulled into the little parking lot behind the building. April was the month that bred lilacs out of the dead land. It should’ve been a time to re-invent herself, like the season; they had both gone through a death. The earth was accustomed to rising from the debris of winter; she didn’t know if she had the strength.

      In February, the Eglinton Avenue building that housed her former office had been evacuated for extensive renovations. Instead of relocating to a temporary office where she could continue to see her patients, she closed up shop altogether. It was a sudden decision that surprised everyone — including her. She had always put on a strong face, didn’t show her pain, often denying it herself. But she knew she had come to the end of her rope. Her stamina and concentration were gone and she worried about making a mistake. She wouldn’t jeopardize the welfare of her patients. She would have to concede that she, too, was human and couldn’t always cope.

      She found the vacancy on Beverley Street with her last ounce of energy, then retreated into herself, leaving

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