A Geography of Blood. Candace Savage

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      Contents

       Title

       Map

       Prelude

       {one} Getting There

       {two} The Stegner House

       {three} Digging In

       {four} Ravenscrag Road

       {five} Stone Circles

       {six} Chimney Coulee

       {seven} Modern Times

       {eight} Fort Walsh

       {nine} The Hunger Camp

       {ten} Creation Stories

       {eleven} Home Truth

       Acknowledgments

       Notes

       Bibliography

       Index

       Copyright

       The David Suzuki Foundation

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      Prelude

      We see them as a raven might see

      them, from a distance.

      The men walk single file, dark strokes etched

      against an infinite plain of snow.

      Behind them, a day’s straggling march to the south,

      lie a cold prison cell and the grim

      accusing faces of the Great Father’s blue-coated soldiers.

      Ahead of them, if the spirits prove willing,

      are friends and family, and the uncertain

      embrace of the Great Mother and her red-coated police.

      It is late November 1881, already

      the dead of winter.

      The men walk with the ghosts of the buffalo.

      They are almost ghosts themselves.

      The soldiers have taken their rifles and ammunition,

      their torn lodges, their moccasins.

      They are hungry. The snow stings their skin.

      The police: it is hard to tell what the red coats

      have taken, are taking. The truth.

      Otapanihowin, the means of survival.

      Black wings rasp against the frigid air.

      Two men stumble, get up, fall.

      The leader of the travelers, that Nekaneet

      looks up, then looks ahead to the blue smudge

      of hills on the horizon. That means, just like

      if we walk, if you are ahead, you are

      kani’kanit, the leader. Nekaneet is walking

      north, walking home, walking into another day.

      Somewhere up there in the distance,

      you and I are waiting, hungry for stories.

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      {one} Getting There

      . . . conceive a space that is filled with moving, a space of time that is filled always filled with moving . . .

      GERTRUDE STEIN, “The Gradual Making of The Making of Americans,” 1935

      Let’s just say that it all began when Keith and I took a trip. Keith is Keith Bell, my companion of going on twenty years, and it’s largely thanks to his love of travel that I’ve seen a bit of the world: the wild-and-woolly moors of Yorkshire, the plains of Tanzania, the barren reaches of Peninsula Valdés in Argentina. Yet the journey I want to tell you about was not a grand excursion to some exotic, faraway destination but a trip that brought us closer home. A nothing little ramble to nowheresville.

      Remember what Thoreau once said about having “traveled a good deal in Concord,” that insignificant market town in which he was born and mostly lived? In an unintended riff on this Thoreauvian concept, Keith and I find that we have traveled a good deal in and around another insignificant dot on the map, a town called Eastend in our home province of Saskatchewan.

      Eastend, population six hundred, lies about a thumb’s breadth north of the Canada–U.S. border and more or less equidistant from any place you’re likely to have heard of before. It’s in the twilight zone where the plains of northern Montana meet and morph into the prairies of southern Saskatchewan,

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