Little Ship of Fools. Charles Wilkins L.

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      OTHER BOOKS BY

       CHARLES WILKINS

      In the Land of Long Fingernails

      Walk to New York

      A Wilderness Called Home

      The Circus at the Edge of the Earth

      The Wild Ride

      Breakfast at the Hoito

      High on the Big Stone Heart

      Breakaway

      After the Applause

      Vancouver/Berkeley

      Copyright © 2013 by Charles Wilkins

      All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a license from The Canadian Copyright Licensing Agency (Access Copyright). For a copyright license, visit www.accesscopyright.ca or call toll free to 1-800-893-5777.

      Greystone Books

       343 Railway Street, Suite 201

       Vancouver BC V6A 1A4

       www.greystonebooks.com

      Cataloguing data available from Library and Archives Canada

       ISBN 978-1-55365-878-8 (pbk.)

       ISBN 978-1-55365-879-5 (ebook)

      Editing by Lucy Kenward

       Copyediting by Peter Norman

       Cover design by Peter Cocking and Jessica Sullivan

       Cover photographs (top) courtesy of Charles Wilkins and (bottom) iStockphoto.com

       Interior photographs courtesy of Charles Wilkins

       Map by Eric Leinberger

      We gratefully acknowledge the financial support of the Canada Council for the Arts, the British Columbia Arts Council, the Province of British Columbia through the Book Publishing Tax Credit, and the Government of Canada through the Canada Book Fund for our publishing activities.

      To be complete

       one must hold the whole sun

       wholly

       in the marrow of the bone

      One must celebrate

       how to be one

       with everyone

       yet forever alone

      DOROTHY LIVESAY

      It began on a boat, like The Tempest, like Moby Dick, a finite enclosure of floating space, a model of the world in little.

      JEANETTE WINTERSON

      Big Blue’s Transatlantic Crossing

      PROLOGUE

      WEEKS LATER WHEN I spoke to my buddy Steve Roedde, who had been a mainstay of the voyage, he was still rattled, still aggrieved about it all. He said among other things that he had been unable to free himself of the specter of what might have been: better discipline, better cargo control, a lighter boat, a better chosen departure date, more confident and forthright leadership—in all a more Homeric journey and, as imagined in the palmy days of the project, perhaps a world record.

      What he got—what we all got—was something botched and bastardized, something at times almost biblical in its run of torments and dark forces. We got failure, we got fuckup, we got farce. And I, more than some, was a contributor to that failure and farce.

      And yet I don’t regret a minute of it, for the simple reason that what we got besides—what we got because—was something weirdly and wildly beautiful; for some of us something magnificent; for a few even romantic, and in the ensnarement of romance I include myself. For amidst the strain and privation and exhaustion, I grew to love that botched journey; to love the boat, to love the people, the little ship of fools, as I came to think of them, a crew fancifully and farcically, and always it seemed fatefully, intertwined.

      What Steve got finally that none of the rest of us got was himself, a man bent to an all-but-impossible standard—to ambition, to truth, to exactitude; to discipline and excellence.

      And he got Margaret—incorrigible, shape-shifting Margaret, a woman who if she had paid her dues and done her time and been a half turn more circumspect might have been his ally instead of his nemesis.

      And he got Angela—sweet, wounded Angela, whom he liked well as a human being but whose disinclinations as a commander he couldn’t abide.

      And he got me—brought me to the expedition, as he did so many others; encouraged me; mentored me; laughed with me on the long night watches; poured out his history hour after hour (his boyhood, his insecurities, his marriage).

      Over the long weeks of the voyage, he showed me not just his commitment and sensitivities but his hypocrisies and shortcomings. He showed me his rage.

      And I showed him mine.

      And how different they turned out to be. And how integral to the pages that follow.

      Whereas Steve championed ideals—ascendancy, superiority, a will to win—I was juiced by what was; by the boat and sea and by the other wastrels aboard.

      All of which is at the heart of the story I am about to tell. To which honest end, I wish to say that I no longer think of our epic travels as a journey in the strictest sense of the word. I recall them rather as a kind of fable, a nuthouse opera, written not by cynics or pessimists (who to my mind miss the point) but by dreamers, by stargazers, by minstrels. I recall the fable’s jittery, soulful currents, its nightmares and eloquence, the worst and best of it captured indelibly for me by an incident that occurred on January 29, 2011, amidst seas so high that for hours they had been threatening to knock us off our rowing seats. Just after 2 a.m., word came up from the captain’s quarters—a fusty little spook hole in the cabin of our experimental rowboat—that we were through for the night and should quit rowing and try to get some rest. For a few seconds, having shipped my oar, I slumped forward in my seat and stared blindly into the rowing trench beneath me. We were just nineteen days out of our starting port of Agadir, Morocco, and already I was down twenty pounds

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