Arrows In The Fog. Günther Bach

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Arrows In The Fog - Günther Bach

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the capital of tacky buildings.

      And now – the table lamps by Wagenfeld and the steel tube chairs by Breuer, Mies van der Rohe, and Mart Stam that were designed more than eighty years ago as economical purchases for everyday use by average people, were replicas offered as unique exquisite pieces at horrendous prices in today’s chic window displays.

      Bärger unfolded a brochure printed on several pages of high gloss paper. The names of the inventors didn’t appear anywhere. It only referred to top creations of an international designer, as if this rubbish could be compared to the accomplishments of Mies and Mart Stam. The final sentence of the advertisement was a beautiful example of contemporary usage: “Ideal for raising your liquidity and for providing a quick tax shelter.” That sounded a lot better than Wagenfeld’s idea that the best features of the things around us should be the least obvious.

      Through the open door, Bärger heard the noise of the elevator going down. Only now did he notice how quiet it was in the old corner house, which had been occupied by the Worker’s Council during the East German period. He looked at his watch; it was late. Glancing toward the window, he noticed that he had almost forgotten his small espresso coffeemaker. There was still enough black powder in the can, and as he shoved the small thick-walled mug under the spout and listened to the gurgling sound of the flowing coffee, he almost regretted that, once again, it was over.

      He had had a very pleasant time here. He liked the large room with its ceiling as high as those in Italian Renaissance palaces.

      The box with his business cards lay next to the drawing lamp. He picked it up and held it for a moment in his hand. Then, slowly, he let the whole pile slide into the wastebasket. A single card with the red company logo and the inscription “Chief Architect” fluttered to the floor. He picked it up, hesitated, then stuck it in his shirt pocket.

      “That’s it then,” said Bärger aloud.

      He was already at the door when the phone rang.

      Bärger glanced at his watch. It was just before ten. He turned on the drawing lamp and reached for the receiver.

      “Bärger,” he said. “I’m really not here anymore.”

      But the caller didn’t pay any attention to him. “Are you still there? I’ve been looking for you at your house. What are you doing still at the office at this hour?”

      It was Lothar, the representative of the Construction Committee, thorough and conscientious as usual. Had he forgotten anything else? Bärger pulled his desk calendar into the cone of light cast by the drawing lamp. Right, there it was. Tuesday, inspection of nuclear power plant. 8 o’clock.

      “Hallo Lothar,” he said. “I’m doing what everyone in the office does, drinking coffee. No, no. I’m not kidding. I’ve just packed up the last of my stuff and I’m going straight home. Everything’s set. Tomorrow at eight in the parking lot. Yeah, see you tomorrow.” He hung up. The last telephone call, thought Bärger, perhaps even a gesture by fate, a glimpse of the future. Then he shoved both boxes over to the door, turned out the light, and shut the door.

      How did that Spanish proverb go? When one door closes, another opens.

      It was still summer.

      But already the broad leaves of the lindens were turning yellow; the umbels of the mountain ash were a coral red color; and in the mornings, apples fell to the damp lawns with a dull thump.

      Why am I doing this again, thought Bärger, as he walked toward the car just pulling in. I haven’t even finished drinking my tea, and besides, the whole thing is just a little senseless - as if I could evaluate a shutdown nuclear power plant.

      He had requested materials, at least a construction plan, but there was nothing else available except for a site map provided by the prospective investor. It’s always this way, thought Bärger. I can only think about a building with a paper and pencil in hand.

      The car door swung open and Bärger raised his hand in greeting as Lothar motioned for him to get in. He was correctly dressed as always in a light gray suit and freshly ironed shirt, the tie somewhat too loud, but tied with precision. Bärger looked down at himself. At least his jeans were clean, but he was wearing only an open shirt beneath his light blazer.

      “Who did you dress up for today?” he asked.

      Lothar grunted, annoyed, and drove the car out of the parking lot, turned on to the street and competently eased his way into the heavy traffic moving toward the outer ring road.

      They had known each other long enough to be comfortable with silence.

      The car passed over a bridge, and the man-high parapet reflected the traffic noise through the open window. The car began to climb a long hill. Bärger sat up in his seat when the sun began to shine in his eyes. He blinked, pushed the shoulder belt to one side and looked at the road, now straight as a die, which led up to the crest of the ridge.

      “How far is it now?” he asked.

      “A half hour or so,” growled Lothar, and shifted down to the lowest gear without using the clutch. I would never do that, thought Bärger. Once I would even have doubleclutched whenever I downshifted, the way I learned when I was driving trucks.

      Halfway up the slope, it became evident that the road made a wide turn to the west at the top and followed the ridgeline for a while. From above, you could see green hill country with isolated patches of trees. A coniferous forest traced a dark line along the horizon in front of a chain of softly rounded mountains, which faded into different shades of blue in the distance.

      He looked forward when Lothar turned abruptly onto a side road, and shortly thereafter the car dove into the shadows of a pine plantation.

      “We’re almost there,” said Lothar. When they emerged from the wood, Bärger could see the dome of the atomic reactor in the distance behind a long, low building.

      A group of four cooling towers, blinding white against the deep blue of the sky, stood off to one side, on a small hill.

      “What are you going to do now?”

      Bärger let himself sink more deeply into his seat and looked at Lothar, who was concentrating on the road. Light and shadow alternated rapidly in a rhythm imposed by the spacing of the large ash trees on each side of the road.

      He had been asked repeatedly to stay with the firm as an independent consultant, even before the company manager had placed his termination notice on his desk. He knew why. They needed him because he was licensed in four of the German states, and his stamp was required for preliminary authorizations by those building authorities. None of his colleagues had a license yet from the Architects’ Council. But he had only grinned and shaken his head when they had offered him money for his stamp and signature. He told them that they would have no problem finding someone else to do it, then he had left.

      What was he going to do now?

      “First of all, I registered with the council as an independent architect. I’ll have to see how that works out. Then, I still have work on a rebuilding job over the next six months. After that, I can at least keep busy as a construction supervisor. It isn’t really what I want to do, but it’s a living. I made friends with a construction engineer who was happy to find someone to take some of his workload.”

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