Jeremiah's Scribes. Meredith Marie Neuman

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       Jeremiah’s Scribes

      MATERIAL TEXTS

       Series Editors

      Roger Chartier

      Joseph Farrell

      Anthony Grafton

      Leah Price

      Peter Stallybrass

      Michael F. Suarez, S.J.

      A complete list of books in the series is available from the publisher.

       Jeremiah’s Scribes

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       Creating Sermon Literature in Puritan New England

      Meredith Marie Neuman

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      University of Pennsylvania Press Philadelphia

      Copyright © 2013 University of Pennsylvania Press

      All rights reserved. Except for brief quotations used for purposes of review or scholarly citation, none of this book may be reproduced in any form by any means without written permission from the publisher.

      Published by

      University of Pennsylvania Press

      Philadelphia, Pennsylvania 19104-4112

      www.upenn.edu/pennpress

      Printed in the United States of America on acid-free paper

      10 9 8 7 6 5 4 3 2 1

      Library of Congress Cataloging-in-Publication Data

      Neuman, Meredith Marie

      Jeremiah’s scribes : creating sermon literature in Puritan New England / Meredith Marie Neuman. — 1st ed.

      p. cm. — (Material texts)

      Includes bibliographical references and index.

      ISBN 978-0-8122-4505-9 (hardcover : alk. paper)

      1. Sermons, American—New England—History and criticism. 2. Transmission of texts—New England—History—17th century. 3. Puritans— New England—Religious life. I. Title. II. Series: Material texts.

      PS153.P87N48 2013

      252’.0590974—dc23

      2013012713

      Contents

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       Note on Transcription

       Preface

       Introduction

       Chapter 1 Unauthorizing the Sermon

       Chapter 2 Reading the Notetakers

       Chapter 3 Publishing Aurality

       Chapter 4 Crumbling, Collating, and Enabling

       Chapter 5 Narrating the Soul

       Notes

       Bibliography

       Index

       Acknowledgments

       Note on Transcription

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      Throughout my transcription of manuscript sources, I have erred on the side of minimal textual intervention, correction, and explanation. The visual experience of the manuscript page affects the interpretation of text. Short of providing photographic surrogates for every passage (which still might not be entirely helpful to anyone unfamiliar with seventeenth-century handwriting), something like a “pseudo-facsimile” record of the manuscript page has seemed most prudent.

      I have retained abbreviation and superscription throughout. The abbreviation “ye” is “the”; “yt,” “yn,” and “ym” are usually “that,” “then,” and “them,” respectively (although there is always the possibility for irregular abbreviation and superscription in auditor notes). Common “w” contractions include “wn” for “when” and “wt” for “with” or “what.” Abbreviations are often specific to a given notetaker and can be figured out through frequency and context (“Xt” for “Christ” or “L.” for “Lord,” for example).

      Similarly, I have refrained from correcting or modernizing spellings. Beyond illustrating the typical irregularity of early modern orthography, idiosyncrasies of notetaker, place, and occasion are useful in understanding the range of notetaking practices. Even the most tortured phonetic renditions can usually be sounded out, but occasionally I have supplied my own marginal gloss in square brackets to the right of lines wherein particularly puzzling forms of words appear.

      Notetakers often developed their own set of symbols (sometimes drawn from shorthand, sometimes drawn from other sources or simply made up) to stand in for commonly recorded words. Whenever possible, I note and translate the symbol in square brackets (for example, [symbol: God]). Where I have been unable to determine the meaning of a particular symbol, I have simply indicated [symbol].

      Throughout my transcriptions of the sermon notes, I have preserved line endings and noted the ends of pages. (For in-line citation, I have adopted

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