Fear of Mirrors. Tariq Ali

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Fear of Mirrors - Tariq  Ali

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Fear of Mirrors

      Fear of Mirrors

      TARIQ ALI

Images

      This edition first published by Verso 2016

      First published by Arcadia Books 1998

      © Tariq Ali 1998, 2016

      All rights reserved

      The moral rights of the author have been asserted

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       Verso

      UK: 6 Meard Street, London W1F 0EG

      US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201

       versobooks.com

      Verso is the imprint of New Left Books

      ISBN-13: 978-1-78478-693-9

      ISBN-13: 978-1-78478-694-6 (US EBK)

      ISBN-13: 978-1-78478-692-2 (UK EBK)

       British Library Cataloguing in Publication Data

      A catalogue record for this book is available from the British Library

       Library of Congress Cataloging-in-Publication Data

      A catalog record for this book is available from the Library of Congress

      Typeset in Minion Pro by MJ&N Gavan, Truro, Cornwall

      Printed in the UK by CPI Mackays

      For Chengiz

      Contents

      One

      Two

      Three

      Four

      Five

      Six

      Seven

      Eight

      Nine

      Ten

      Eleven

      Twelve

      Thirteen

      Fourteen

      Fifteen

      Sixteen

      Seventeen

      Eighteen

       Nineteen

       Twenty

       Twenty-one

       Twenty-two

       Twenty-three

       Twenty-four

       Twenty-five

       Twenty-six

       Twenty-seven

       Twenty-eight

       Twenty-nine

       Thirty

       Author’s Note

       Glossary

      FEAR OF MIRRORS

      TARIQ ALI

       A Fall-of-Communism Novel

       One

      WE LIVE IN A DREARY VOID and this century is almost over. I have experienced both its passion and its chill. I have watched the sun set across the frozen tundra. I try not to begrudge my fate, but often without success. I know what you’re thinking, Karl. You’re thinking that I deserve the punishment history has inflicted on me.

      You believe that the epoch that is now over, an epoch of genocidal utopias, subordinated the individual to bricks and steel, to gigantic hydro-electric projects, to crazed collectivization schemas and worse. Social architecture used to dwarf the moral stature of human beings and to crush their collective spirit. You’re not far wrong, but that isn’t the whole story.

      At your age my parents talked endlessly of the roads that led to paradise. They were building a very special socialist highway, which would become the bridge to constructing heaven on earth. They refused to be humiliated in silence. They refused to accept the permanent insignificance of the poor. How lucky they were, my son. To dream such dreams, to dedicate their lives to fulfilling them. How crazy they seem now, not just to you or the world you represent, but to the billions who need to make a better world, but are now too frightened to dream.

      Hope, unlike fear, can never be a passive emotion. It demands movement. It requires people who are active. Till now people have always dreamed of the possibility of a better life. Suddenly they have stopped. I know it’s only a semi-colon, not a full-stop, but it is too late to convince poor old Gerhard. He is gone forever.

      These are times when, for people like me, it sometimes requires a colossal effort simply to carry on living. It was the same during the thirties. My mother once told me of how, a year before Stalin’s men killed him, my father had told her: ‘In times like these it’s much easier to die than to live.’ For the first time I have understood what he meant. Life itself seems evil. The worst torture is to witness silently my own degeneration. I really had intended to start on a more cheerful note. Sorry.

      Your mother and I, she in Dresden and me in Berlin, moved towards each other, seeking shelter from the suffocation that affected the majority of citizens of the German Democratic Republic. We yearned for anarchy because the centre of our bureaucratic world was based on order. Gerhard and all our other friends felt exactly the same. We loved our late-night meetings where we talked about the future full of hope and kept ourselves warm by the steam from the black coffee and the tiny glasses of slivowitz. Even in the darkest times there was always merriment. Songs. Poetry. Gerhard was a brilliant mimic and our gatherings always ended with him doing his Politburo turn.

      We were desperate for liberation, so desperate that, for a time, we were blinded by the flashes emanating from the Western videosphere, which succeeded in disguising the drabness of the landscape that now confronts us.

      The old order possessed, if nothing else, at least one virtue.

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