Preaching Black Lives (Matter). Gayle Fisher-Stewart

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Black?

      Randolph’s sermon was daring for the time and daring for a woman because women still had a difficult time finding acceptance from men both inside and outside the Church that they had a call from God to preach. Randolph was fortunate because the African Methodist Episcopal Zion (AMEZ) Church began ordaining women in 1894. A lot was at stake for her, as a woman and as an African American to preach as she did. Race prejudice and violence were an ever-present threat. Jim Crow, segregation, and the lynchings of Blacks who did not “know their place” were never far from the minds of African Americans. It was not outside the realm of possibility that she could have been lynched. She knew she was vulnerable; she took the risk anyway.

      A great preacher brings a word to the congregation and brings the self to the sermon. They bring scripture to life and offer a glimpse into who they are, what they believe, what they stand for, and how they have evolved. The Rev. Dr. Anna Pauline (Pauli) Murray was one such preacher. She was ordained as an Episcopal priest in 1977 at the age of sixty-seven. In 1974, she served as the crucifer at the irregular ordination of the Philadelphia Eleven, the first women irregularly ordained in the Episcopal Church. It was a time of change and challenge in the Episcopal Church. Women had challenged the belief that God did not call women to preach and serve at the Table in the Church. Murray was the first African American female ordained as priest in the Episcopal Church. She was used to bending the rules and norms that attempted to define the place of women and African Americans in society and the Church. Pauli Murray came to the priesthood after an illustrious career as an attorney, civil rights activist, and educator. She could have easily ignored God’s call on her life, but she did not.

      In five sermons preached between 1974 and 1979—“The Dilemma of the Minority Christian” (1974), “The Holy Spirit” (1977), “The Gift of the Holy Spirit (1977), “Can These Bones Live Again?” (1978), and “Salvation and Liberation” (1979)—we see an evolution of her thinking as a theologian and how she wrestled with being obedient to Jesus and being a Black Christian in a racist society and the Episcopal Church. In “Dilemma,” preached three years before her ordination, she took as her text Isaiah 53:3–6, the Suffering Servant, and concluded that even in the face of racism and racial violence, the Black Christian must follow the example of Christ who went to the cross and said not “a mumblin’ word.” To follow Christ as he hanged from the lynching tree was difficult for Murray and she revealed that her rebelliousness and impatience tested her ability to accept Black suffering as Jesus had accepted his. She did not want to be despised because of her race (or her gender, which was fluid).

      She was torn because she wanted to be a true follower, a true disciple, but questioned whether she was able to do as the Lord did. The answer was not clear and she knew it was because she questioned the meaning of salvation as it related to life in the present, to life on earth. She said that life in the here and now should involve being safe; that people should be able to live in safety, and live without fear, knowing that God’s love was available to everyone, although that was not the life for African Americans. She struggled with what many Christians have always struggled: how to love those who make it difficult to love, those who treat God’s Black children as less than human, and she concluded that as long as we live as we are called to do—in community—there will always be conflict. However, if we respond with conflict, we cut ourselves off from God’s love and a sense of community. If we fight back with violence, we become lost and alone. She acknowledged that African Americans fought for self-respect and pride, both which had been denied by Whites, and she knew that having self-pride was a stumbling block to salvation. She questioned whether African Americans had to make a choice between having self-pride and enduring racism and injustice without saying “a mumblin’ word.”

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