witness may have been thinking about many years before, when, as a young writer just out of college, she wrote her first Nancy Drew book. She had been happy to accept the flat fee, or one-time payment, for each book that she wrote for Mr. Stratemeyer even if it meant that her real name wouldn’t appear on the book cover. Writing for the Stratemeyer Syndicate might open other doors for her, she might have thought.
Now, fifty years later, this former ghostwriter for the Stratemeyer Syndicate was to serve as a witness for this important trial.
The witness entered the courtroom. As she was still very active, despite her senior citizen status, the long walk up the aisle didn’t bother her one bit. What probably caused her more concern were the questions that she would be asked. The expectation was that she would not be able to prove that she was the original writer of the Nancy Drew series, known only as Carolyn Keene.
Once her secret came out, her life could change.
EDWARD Stratemeyer had developed his plan for making books based on his own experiences as a ghostwriter for a publisher of story papers. Like his previous employer, Edward created the characters and the plot. He then developed an outline, and relied upon one of a variety of writers to pen each story. Several writers could be working on the same series, but none of them would ever be known as the author.
As a ghostwriter, Edward wrote stories using different names. These names are called pseudonyms. So, Edward created pseudonyms for the various series that he began to develop. One of these was the pseudonym of Carolyn Keene for the writers of the Nancy Drew Mystery Stories.3
Edward died on May 10, 1930, just twelve days after the first three books in the Nancy Drew series were released to young readers. After his death, his daughters, Edna Stratemeyer and Harriet Stratemeyer Adams, took over the business.4
Harriet Stratemeyer Adams was eighty-seven years old at the time of the trial. She had contracted two years previously with Simon & Schuster to publish new books, including the Nancy Drew series, produced by the Syndicate. And, as a result, Grosset & Dunlap sued Gulf & Western, the parent company of Simon & Schuster. A portion of the trial involved figuring out who actually owned the Nancy Drew books. In order to solve that mystery, the judge needed to know the terms of the agreement between the individual who created the outlines, plots, and characters and the person who actually wrote the books.5
The former ghostwriter knew that she was an important witness for Grosset & Dunlap. Her testimony, what she said while in the witness stand, could make a difference as to which company would continue to publish the beloved Nancy Drew books.
As she was introduced to the witness, Harriet said, “I thought that you were dead.”6
Harriet had not seen the former ghostwriter in years. And Harriet had reason to be concerned about the other woman’s appearance in court. For Harriet had publicly claimed that she had written all of the Nancy Drew Mystery Stories.
ABOUT one month prior to the trial, fans of the Nancy Drew series were focused on something else. The literary world was about to pay tribute to the fiftieth anniversary of the release of the first Nancy Drew book. Harriet Stratemeyer Adams was enjoying the spotlight. She was being celebrated as the author of the series by Time magazine.7 A mystery-theme party hosted by Simon & Schuster, complete with a cave entrance filled with prerecorded screams and party-favor flashlights, was thrown in Harriet’s honor.8
You can imagine Harriet’s surprise when this woman, contracted by her father to write the very first volumes of Nancy Drew some fifty years earlier, showed up at the trial.
So who was this mystery witness?
The trial’s attorneys were about to crack the case.
Mildred “Millie” Augustine Wirt Benson was her name.
Millie was the original ghostwriter of the well-loved series. She appeared in court to testify to this fact. Millie was there to shed light on the mystery of who had actually written the original Nancy Drew books. The children’s book writer was not only alive and well, but at seventy-four years old she had a quite a story to tell.
It had been over twenty years since Millie and the Stratemeyers had parted ways, but Millie felt it was time to set the record straight.
Millie, so much like the independent and no-nonsense character Nancy Drew, took the stand. She was shown a number of documents by the lawyer for Grosset & Dunlap. These included work releases signed by Millie that documented that she had agreed to write the books. Millie described how Edward Stratemeyer had provided her with an outline for each of the first three books.
THE STRATEMEYER SYNDICATE, GHOSTWRITERS, AND RIGHTS
EDWARD STRATEMEYER began his career as a writer. He became a very successful juvenile fiction author, especially of stories for boys. In 1893, he had forty-nine dime novels published! Many of these books were published by a company called Street & Smith.
While working for Street & Smith, Edward learned how the company employed ghostwriters to write under pseudonyms. The dime novels the authors were assigned to write featured characters developed and owned by Street & Smith.9
When Edward formed his own company in 1905, the Stratemeyer Syndicate, he used similar techniques to keep up with the demand for the various series he had created. He hired writers to follow the outlines he created for his books. These writers agreed to a flat fee for payment. They did not receive any royalties, or percentages based on book sales.10
The benefits to the arrangement for the Syndicate included control of the characters and storylines. Since one pseudonym was used for each series, one author’s name was consistently attached to the series, even if the actual writer changed.
By signing a contract, a writer agreed not to use the Syndicate’s pseudonym in any other way. The writer also knew that he or she would not receive any royalties—not only those based on a percentage of the book sales, but those from movie or merchandising sales, as well. The advantages for a writer under this agreement was the lucrative flat payment and the possibility of writing more stories for the Syndicate.
MILLIE AND HER BOOKS
Toledo Blade Historical File, © The Blade
Grosset & Dunlap liked this spunky young detective and ordered more books in the series.
And more Millie wrote, penning twenty-three of the first thirty books in the original Nancy Drew series.
After Millie’s testimony for the plaintiff, it was Harriet’s turn for the defense.
Even after being presented with the evidence otherwise, Harriet still insisted, “but I actually did all the writing.”11 She became so upset after her testimony that she fell out of the witness chair.12
The two-week trial ended. Grosset & Dunlap lost. The judge ruled that the Stratemeyer Syndicate had the right to choose which publisher would take Nancy Drew into the future—no matter who had created or written about her in the past.13 The Syndicate made its choice. Future Nancy Drew books would be published by Simon & Schuster.
And, as a result of the trial, the original writer of the Nancy Drew
