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| Law Student / Flogger | Marc Antolin |
| Uncle Albert / Magistrate | Steven Beard |
| Male Guard / Assistant / Tudor | Richard Cant |
| Mrs Barrow / Information Officer | Sarah Crowden |
| Bank Clerk / Defendant in Tattooist | Charlie Folorunsho |
| Bank Clerk / Defendant in Information Office | Neil Haigh |
| Bank Clerk / Faye / Phone Voice | Suzy King |
| Josef K | Rory Kinnear |
| Tiffany / Female Guard / Rosa / Chastity / Cherry / Girl | Kate O’Flynn |
| Comptroller / Bank Clerk / Defendant | Weruche Opia |
| Kyle / Block | Hugh Skinner |
| Mrs Grace / Doctor | Sian Thomas |
| Direction | Richard Jones |
| Design | Miriam Buether |
| Costumes | Nicky Gillibrand |
| Light | Mimi Jordan Sherin |
| Music | David Sawer |
| Sound | David Sawer & Alex Twiselton |
| Movement | Sarah Fahie |
| Casting | Julia Horan CDG |
| Hair, Wigs & Make-Up Design | Campbell Young Associates |
| Fights | Bret Yount |
| Jerwood Assistant Director | Nel Crouch |
| Boris Karloff Trainee Assistant Director | Robert Awosusi |
Young Vic community participants include: Annie Greenslade, Antony Hampton, Barry Bowden, Boma Braide, Carol Morgan, Caroline Smith, Catherine Coker, Christina Christofi, David Mills, Declan Cooke, Drew Paterson, Jackie Kearns, Jan Teeuwisse, John Hellings, John S Watts, Kevin Bourke, Mable Muir, Michael Knight-Markiegi, Patricia Fryd, Peter Stanton, Robert Moore, Rod Brown, Stella Lee, Thelma Gordon, Val Harvey, Vince Rogers.
| Stage Manager | Daniel Gammon |
| Deputy Stage Manager | Charlotte Hall |
| Assistant Stage Managers | Sally Inch |
| Greg Sharman | |
| Costumer Supervisor | Claire Murphy |
| Props Supervisor | Jo Maund |
| Lighting Operator | Sebastian Barresi / |
| Jess Glaisher | |
| Sound Operator | Amy Bramma / |
| Jamie McIntyre | |
| Automation Operators | Nell Allen |
| Zoë Cotton | |
| Stage Crew | Matt Fletcher |
| Wardrobe Manager | Heather Bull |
| Wardrobe Assistant & Dresser | Claire Wardroper |
| Hair, Wigs & Make-Up | Jenny Glynn |
| Costume Assistant | Rosey Morling |
| Costume Makers | Mark Costello |
| Phil Reynolds | |
| Draughtsman | Simon Oliver |
| Stage Management Placement | Deborah Machin |
| Set built by | Miraculous Engineering Ltd |
| Automation supplied by | Canning Conveyors |
| Stage Technologies | |
| Lighting equipment supplied by | Stage Electrics |
| Sound equipment supplied by | Stage Sound Services |
Nel Crouch is supported through the Jerwood Assistant Directors Program at the Young Vic.
Robert Awosusi is supported through the Boris Karloff Trainee Assistant Directors Program at the Young Vic.
With generous support from The Richenthal Foundation.
We would like to thank James Hawes, Gareth Damian Martin, National Theatre Video Department, Gail at Essentially Eagle Vintage, Russell Beck, Vicky Fifield, Douglas Henn-Macrae at DHMidi Organs, Scott Farrell at Rochester Cathedral and Copperfield Rehearsal Rooms SE1.
Biographies
FRANZ KAFKA
Kafka was born into a middle-class Jewish family in Prague in 1883. In 1906 he received a Law degree from Prague’s Deutsche Universität. By this time he had written many stories, sketches, prose poems and fragments of novels. He wrote prolifically, supporting himself by means of a job in insurance.
By the time of his death from tuberculosis in 1924, he had published little and his work was known to few. He left his manuscripts to his friend Max Brod with instructions to burn them unread. Brod however arranged for the publication of his work, including The Trial which he compiled from the fragments Kafka had left unfinished.
Taken together, his major works – The Trial and The Castle as well as his many stories and fragments, his diaries and letters and his famous “Letter to His Father” – all make him unquestionably one of the most acclaimed and influential writers of the 20th century.
NICK GILL
Nick is a playwright, musician and composer.
Theatre includes: beneverunerstoost (Royal Court); Sand (Royal Court); fiji land (Southwark Playhouse); Mirror Teeth (Finborough); and various shorts written as part of The Apathists, 2006-7.
Music for theatre, film, radio and live performance includes: Thrown (Royal Court); In Eldersfield: Chapter 2 (Kings of England); One Million (Tangled Feet); Knock Out (Deutschlandradio Kultur) and Blasted (The Other Room).
He is currently working on a new album by his seven piece instrumental group, The Monroe Transfer.
RICHARD JONES – Direction
Previous Young Vic includes: Public Enemy, The Government Inspector, Annie Get Your Gun, The Good Soul of Szechuan, Hobson’s Choice and Six Characters Looking For An Author.
Other theatre includes: work directed at The Old Vic, The National Theatre, RSC, Ambassadors / Royal Court and in the West End.
In New York, theatre includes the Public Theater and three titles on Broadway.
Opera includes: work at the Royal Opera House, ENO, Glyndebourne, WNO, The Met, La Scala as well as in Paris, Berlin, Chicago, Munich, Frankfurt and Aix en Provence.
Awards include: Olivier Awards for Too Clever By Half (Old Vic); Into the Woods (West End); The Trojans and The Mastersingers of Nuremberg (ENO); Lady Macbeth of Mtsensk (Royal Opera House) and Hansel and Gretel (WNO). Evening Standard Awards for The Illusion (Old Vic) and The Ring (Royal Opera House); Tony nomination for La Bete (Eugene O’Neill Theater, New York).
Richard was appointed Commander of the Order of the British Empire (CBE) in the 2015 New Year’s Honours.
MIRIAM BUETHER – Design
Previous Young Vic includes: Public Enemy, Wild Swans (2013 Critics’ Circle Award), The Government Inspector, In the Red and Brown Water, The Good Soul Of Szechuan and Generations.
Theatre includes:
