Spanish Disco. Erica Orloff

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I started breathing again. “He’s heard of me?”

      “You were in the article in PW.”

      “I’m flattered, but it’s not as if I’d let you give his book to anyone else.”

      “Glad you feel that way.” Pause. Raised eyebrows. “Because he wants you to go stay with him while you do it.”

      “What?” I put my mug of coffee down.

      “Yeah. He wants you to move in for a month. Really hash it out.”

      “Hash it out?”

      Lou shrugged.

      “Hash it out with Roland Riggs? You don’t hash things out with a Pulitzer-prize-winning genius.”

      “A minute ago you were griping that Simple Simon meant nothing. That it didn’t change people. That they’d weep over my laundry list.”

      “A minute ago, I wasn’t Roland Riggs’s new editor. A minute ago, I wasn’t leaving my beachfront condo for who knows where to go live with this recluse, who, for all I know, is certifiable after all these years. Christ, he called you up in the middle of the night mid-stream in a thirty-year-old conversation.”

      “Cass, even if he is certifiable, you’d chew him up and spit him out with your first cup of coffee. Besides, you’ve handled Michael Pearton. He’s not exactly small potatoes. He’s hit the New York Times bestseller list. Albeit infrequently. God, he takes a long time to write a book. Anyway, Pearton’s kind of weird. How bad could Riggs be?”

      “Michael’s different.”

      “Yeah. You give him phone sex.”

      “You know, I told you that over a pitcher of margaritas, and you insist on throwing it in my face every chance you can slip it into a conversation.”

      “I think it’s funny.”

      “Funny? The guy calls me at three in the morning. He won’t let me be. He hounds me with e-mail.”

      “And he’s made you and me rich.”

      “Technically, you’re a lot richer than I am.”

      “But for thirty-three years old, you ain’t doing so bad. And that’s nothing compared to what Roland Riggs can do for you.”

      “And you.”

      “Sure. But it’s not about the money. It’s about Simple Simon. It’s about closure for an entire generation of people who read his book and can’t forget it.”

      “Maybe an encore isn’t so smart.”

      “Maybe it is.”

      “Lou, what did Simple Simon mean to you? Maybe that’s what some of this is about.”

      He looked away.

      “Okay, Lou. You don’t want to look at that, fine. But it’s not like I can just leave all my other authors and books for a month.”

      “We have e-mail. Take your laptop. You’re not in the office all that much anyway. The guy has a phone.”

      “I don’t know. It just sounds…weird.”

      “It’s not like you’ll be living in a shack somewhere.”

      “Well, where will I be going?”

      “He has a big house over on Sanibel Island.”

      “Sanibel? I’ll die there.”

      Sanibel is a tiny spit of an island off the West Coast of Florida in the Gulf of Mexico. The Old Guard are strict about development. No high-level condos. No good rye bread. No NY-style cheesecake. No nightlife. Lord knows what kind of coffee I could get there.

      “He has a housekeeper who doubles as his personal chef. He’s right on the beach. You’ll have your own guest suite. He has a pool.”

      “You make it sound like I’m going to the Hilton.”

      “Look, Cassie, we haven’t had a mega-hit in a while. I field calls every month from publishers who want to gobble us up. I’m getting old. I’m not sure I can keep up this independent thing forever. I need this book. We need this book.”

      “You couldn’t sell West Side. You wouldn’t sell. This is your baby.”

      “Baby or not, things are tight. We’ve had a couple of bombs. That damn actress’s book—why’d I buy it? So we’re in trouble, and I need you to pretend you’re going to Vegas. You’re going to Vegas, and you’re taking all our chips and you’re putting them all down on black. In the big roulette wheel of publishing, this is our chance to create a legacy. To leave our mark.”

      “I need another cup of coffee. I need to talk to Grace about handling my shit while I’m gone. I have to make a dozen phone calls. I’ve had no sleep. I haven’t eaten. And I’m really cranky.”

      Lou cocked a smile at me. “Just another day at the office.” When he smiled, which was much rarer than when Helen was alive, he was still that good-looking kid from Doubleday who made a name for himself by working longer and harder and smarter than anyone else. His blue eyes shone.

      I winked at him and went to my office. I slipped off my shoes. Lou’s habits had become remarkably enmeshed with my own. I started my personal coffeemaker—I don’t work and play well with others, and I don’t share my pots of coffee. As I heard the sounds of brewing ecstasy, I leaned back in my chair and put my perfectly pedicured feet up on my desk—“Cherry Poppin’ Red” nail polish on my toes. What do you pack to go see a Pulitzer-prize-winner? Do you let him see you before your first morning cup of coffee?

      I stared out the window at the Atlantic Ocean that a few hours ago I had described to Michael. Now, everything was different. I was taking all our chips and betting on black.

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      3

      M ichael took it rather badly.

      “What do you mean you are jetting off somewhere for a month. A bloody month! We’re in the middle of my novel, Cassie.”

      “Michael, as I’ve already explained, I have e-mail. Use it. I am taking my laptop. You can leave messages for me at the office, and I can call you whenever you need me. You have written seven books. Aces High sold out of three printings and is still doing well. You can handle this little, teensy-weensy inconvenience.”

      “No, I can’t.”

      “Michael, we’re already an ocean apart.”

      “Precisely why I am so upset with you, Cassie Hayes.”

      “I don’t quite see where we’re going with this. You live in London. I live in Florida. We’ve

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