Not At Eight, Darling. Sherryl Woods

       Chapter One

      The only sound in the hushed, cavernous television studio was the increasingly rapid, evidently angry tapping of Barrie MacDonald’s pen against the metal top of a makeshift conference table. Then, as a dozen people looked on in anxious and surprisingly silent anticipation, she dropped the memo she’d been reading, peered over the top of her oversized glasses with indignant brown eyes and spoke in a voice that, she noted proudly, was quiet and controlled. It was not at all like the scream of pure frustration she wanted to unleash on poor, unsuspecting Kevin Porterfield.

      “Kevin, dear, did you read this?”

      The young man gulped nervously. “Of course, Miss MacDonald.”

      “Then you know how utterly absurd it is,” she said softly. She actually sounded calm. Amazing. “I will not add a sheepdog to the cast of Goodbye, Again, just because some crazy demographic study shows that kids like sheepdogs.”

      Several members of the cast gasped as eyebrows lifted toward the ceiling in a disgusted, what-did-you-expect expression. Others simply giggled. If the memo hadn’t sounded so incredibly serious, Barrie might have laughed herself. Instead she managed an expression she hoped would put the fear of God into this…this Yuppie who was still wet behind the ears and who was staring at her now with a look that teetered between misery and smug satisfaction. It was actually a rather amazing combination, and she wondered for a fleeting second how he managed it. If he could do it on command, he might make a decent actor.

      “But Miss MacDonald…” he began again.

      “That’s all there is to it, Kevin,” she interrupted firmly. “End of discussion.”

      “But Miss MacDonald, I’m afraid Mr. Compton was adamant. The show has to have a dog. The research shows that dogs…”

      “I know what the bloody research shows, Kevin,” she said, her voice beginning to rise toward a less-than-serene screech, despite her best efforts to control it. She took a deep, relaxing breath—precisely as she’d learned in her stress reduction class—and added more gently, “If the research showed that viewers liked ax murders, would you expect me to put one of those in each week, too?”

      Kevin looked at her indignantly. “Of course not.”

      “Then don’t talk to me about research. Have you read the script for this show, Kevin? We are talking adult situation comedy here. We are talking relationships. Funny, sophisticated relationships. We are not talking dog food commercials.”

      Poor Kevin turned absolutely pale, but Barrie was not about to relent and let him off the hook. She had created Goodbye, Again. It was her statement about the transitory nature of romance in the 80s, about her values. There was an awful lot of her in the single, independent, fiesty heroine. Each time Karen Devereaux spoke, Barrie felt as though it was an echo of her own thoughts. Goodbye, Again had been born of her beliefs, and she had spent three long, agonizing years trying to get it on the air. She was not about to let these mindless, research-oriented twits destroy it on the first day of production. If she gave in on the dog, next week they’d want to add kids, and the week after that her lead character would be married and pregnant, and there would be a whole disgustingly cheery episode revolving around diapers and baby food. Well, they could take their blasted market research and stuff it!

      Aloud, she said none of this. Exercising what she considered to be Emmy-Award-winning restraint, she murmured pleasantly, “Now you run along and explain that to Mr. Compton, dear. I’m sure he’ll understand.”

      “Understand what?”

      The question, asked in a low, velvet-smooth tone, came from the back of the studio. It was exactly the sort of warm, soothing, sensual voice that radio stations liked

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