and she tore around a corner, hit a pothole—a deep one—lost a hubcap and drove into the park.
“Yeah!” She smiled to herself. Her rolling hubcap caused the photographers to swerve and jump the curb. With the sidewalk empty at this hour, she was relieved no one was hit, but pleased she’d slowed them down.
Maddie was grateful she had learned to drive like a pro—and that she enjoyed it enough to have spent hours tooling up to one of her family’s estates in Saratoga Springs, speeding her way up the thruway and down miles of country roads in her first car—a shiny red BMW. Every year, on her birthday, her father used to surprise her by trading in one car for another. Of course, once she was on her own, she started choosing for herself. Though people often complained of the electrical systems in British cars, she was partial to the Jaguar—and hadn’t had one that disappointed her yet.
Maddie picked up speed in the park, passing the occasional nocturnal jogger, and swerving around a horse and carriage with a liveryman and two lovebirds in it.
She checked her rearview mirror again and could see the headlights of what she presumed was the photographers’ car gaining on her. She inhaled sharply, concentrating, though her mind was moving at warp speed, and her reflexes seemed to be in charge.
She sped through the night, illegally passing a Yellow Cab. The photographers did the same. As she came out the other side of Central Park, she could now see the flashing lights of a cop car bringing up the rear.
“Good,” she said aloud to herself, hoping the photographers would pull over. She sure as hell wouldn’t. And if she did, wasn’t stalking a crime?
Eventually, the photographers did pull over. Maddie guessed they felt they had enough pictures—and a hell of a chase story to regale the tabloids with.
She calmly pulled onto the street and cut down a side street—she didn’t even look at the sign. Then she got her bearings and made her way around the outskirts of the park to her apartment on Central Park West.
Maddie pulled into the underground garage. She climbed out and left the keys in the ignition.
“Hello, Eddie.” She smiled at the parking attendant.
“Hello, Ms. Pruitt,” Eddie said, his uniform crisp, his manner professional, as he held open her door and waited to drive the Jag to its assigned spot.
She nodded at him and took her purse from the passenger seat, grabbing her cell phone. “Oh…damn…um, I lost a hubcap. Can you call the dealer and arrange for a new one?”
“Sure thing.”
Maddie entered the building on the garage level, and pressed a button for the elevator. She could see security cameras watching her from a half-dozen angles. Security was one of her father’s pet peeves, among others. Pruitt Towers were not only impeccable—with marble floors and original paintings in the common areas—but they were the safest buildings in Manhattan.
When the brass elevator door opened, the elevator operator, Harry, gave a tip of his cap. She smiled at him, stepped into the elevator, and needed to say nothing as he pressed the button for the penthouse. Everyone—from the doormen to housekeeping—knew exactly which apartment belonged to Madison Taylor-Pruitt. The penthouse with the best view of the park.
She got off on her floor and walked to her apartment door, letting herself in and deactivating the alarm. Then she reset for “home,” meaning all doors and external windows were secure, but she could roam the apartment at will.
Maddie pressed a button on the wall, and with a nearly silent whoosh, all the panels of blinds ascended, revealing a bank of windows with the most incredible view of the park. She admired the twinkling skyline. Then she massaged her neck and slipped off her shoes. It had been a long day—and a long and strange night.
She walked in bare-stocking feet over to the telephone and dialed her father.
“Dad?”
“Maddie. You’re safe?”
“Other than being nearly driven off the road by paparazzi. What the hell is going on?”
“Have you turned on the television yet?”
“No.”
“You better sit down.”
“Dad…” He rarely patronized her, and she abhorred when he did. “Just tell me.”
“All right…. It’s Claire. She was found murdered tonight.”
Chapter 2
“Maddie? Maddie? You still there?”
“Yeah…I’m here,” she whispered. She walked to the kitchen and turned on the lights. Custom cherrywood cabinets reflected the halogen lamps hanging from the ceiling. She stepped over to the sink—an immense double one carved from a single piece of granite. Taking a crystal glass from the cabinet, she turned on the tap fitted with a water filter and filled the glass with water.
“Maddie…the police will likely want to interview you tomorrow.”
She sipped the water, then stuck her fingers under the faucet, wet her hand and patted her head, feeling mildly dizzy.
“Me? Why?”
“You were her best friend.”
“Not in a while, Dad. We hadn’t spoken in months.” She didn’t need to add thanks to you.
“Are you going to be okay?”
“No.” She wanted to add, I’ll never be okay again. “How was she…” Maddie couldn’t say the words.
“She was shot in a warehouse. The old abandoned one we were looking to buy for the condo project.”
“What was she doing there?”
“I have no idea.”
“Did she tell you she was going there?” Maddie snapped at her father.
“Is that an accusation?”
“No…” She softened a bit. “I just don’t understand.”
“Neither do I.”
Maddie heard his voice catch a bit, and she wanted to suggest that maybe she take a walk the five blocks to his apartment—a two-story penthouse world famous for its luxury. Then her anger got the best of her.
“I need to go.”
“You want me to come over?”
“No, Dad. In fact, right about now, you’re the last person I want to see.” She hung up the phone abruptly, her hands shaking slightly.
Maddie walked through the living room to her cavernous master bedroom. She’d furnished it with an immense four-poster antique bed, its headboard intricately carved sometime during the Victorian era. Egyptian-cotton sheets in a pristine ivory shade and modern touches in the room, including a haunting black-and-white photo by Diane Arbus and a painting by Julian Schnabel,
