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PRAISE FOR WHITE RIVER BURNING
NAMED A BEST SUMMER READ BY PUBLISHERS WEEKLY
“John Verdon writes grown-up detective novels, by which I mean stories with intelligent plots, well-developed characters and crimes that have social consequences. White River Burning, featuring the author’s brainy gumshoe-for-hire, Dave Gurney, checks all these boxes . . . While keeping inside the lines of a classic whodunit plot, Verdon enriches the formula with a probing analysis of the way a community rips itself apart.”
—MARILYN STASIO, The New York Times Book Review
“Outstanding . . . The twisty plot builds up to a logical and satisfying reveal. Verdon expertly combines a baffling whodunit with thoughtfully drawn characters in this timely examination of racial tensions.”
—Publishers Weekly (starred and boxed review)
“Compelling . . . Verdon’s gripping, fast-paced police procedural will appeal to crime fiction readers with an interest in current events who enjoy David Baldacci, Michael Connelly, and Carrie Smith.”
—Library Journal
“Verdon is a gifted writer and storyteller . . . He definitely nails the zeitgeist.”
—Booklist
“It’s easy to see why this series is so popular, blending as it does the hard-boiled social observations of noir fiction with the inscrutable pleasures of classic whodunit puzzle-solving.”
—Kirkus Reviews
“I am impressed by the risks John Verdon has taken with White River Burning. He boldly highlights the issues from each side, and is able to get the message across that sometimes things are not what they appear to be on the surface . . . Don’t miss this timely and sobering read.”
—Bookreporter
PREVIOUS BOOKS IN THE DAVE GURNEY SERIES
Wolf Lake
Peter Pan Must Die
Let the Devil Sleep
Shut Your Eyes Tight
Think of a Number
White River Burning
Copyright © 2018 by John Verdon
First hardcover edition: 2018
First paperback edition: 2019
All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embedded in critical articles and reviews.
This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events is unintended and entirely coincidental.
The Library of Congress has catalogued the hardcover as follows:
Names: Verdon, John, author.
Title: White River burning : a Dave Gurney novel / John Verdon.
Description: Berkeley, CA : Counterpoint Press, [2018]
Identifiers: LCCN 2017057561 | ISBN 9781640090637
Subjects: LCSH: Detectives—New York (State)—New York—Fiction. | Serial murder investigation—Fiction. | GSAFD: Suspense fiction. | Mystery fiction.
Classification: LCC PS3622.E736 W48 2018 | DDC 813/.6—dc23
LC record available at https://lccn.loc.gov/2017057561
Paperback ISBN: 978-1-64009-203-7
Cover design by Jarrod Taylor
Book design by Jordan Koluch
COUNTERPOINT
2560 Ninth Street, Suite 318
Berkeley, CA 94710
Printed in the United States of America
Distributed by Publishers Group West
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For Naomi
1
Dave Gurney stood at the sink in his big farmhouse kitchen, holding one of Madeleine’s strainers. He was carefully emptying into it what appeared to be several dirt-encrusted brown pebbles from a very old tinted-glass jar.
As he washed away the soil, he could see that the pebbles were smaller, lighter in color, and more uniform than they’d first appeared to be. He laid a paper towel on the sink-island countertop and eased the contents of the strainer onto it. With another paper towel he carefully patted the pebbles dry, then carried them along with the glass jar from the kitchen to his desk in the den and placed them next to his laptop and large magnifying glass. He started the computer and opened the document he’d created with the archaeological graphics program he’d acquired a month earlier—shortly after discovering the remnants of an old laid-stone cellar in the cherry copse above the pond. What he’d found in his examination of the site so far led him to believe that the cellar may have served as the foundation of a late-seventeenth- or early-eighteenth-century structure—perhaps the home of a settler in what then would have been a wild frontier area.
The archaeology program enabled him to overlay a current photograph of the cellar area with a precisely scaled grid, and then to tag the appropriate grid boxes with identifying code numbers for the items he’d found at those locations. An accompanying list linked the codes to verbal descriptions he’d provided along with photos of the individual items. Those items now included two iron hooks that his internet research told him were used for stretching animal hides; a tool fashioned from a large bone, probably a flesher for scraping hides; a knife with a black handle; the rusted remains of several iron chain links; and an iron key.
He found himself viewing these few objects, barely illuminated by his scant knowledge of the historical period with which they seemed to be associated, as the first tantalizing bits of a puzzle—dots to be connected with the help of dots yet to be discovered.
After recording the location of his newest find, he then used his magnifier to examine the bluish, slightly opaque glass jar. Judging from the pictures on the internet of similar containers, it seemed consistent with his estimate of the foundation’s age.
He
