The Lives of the Artists. Giorgio Vasari

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      THE LIVES OF THE ARTISTS

      By GIORGIO VASARI

      Translated by

      GASTON du C. DE VERE

      The Lives of the Artists

      By Giorgio Vasari

      Translated by Gaston du. C. de Vere

      Print ISBN 13: 978-1-4209-7084-5

      eBook ISBN 13: 978-1-4209-7085-2

      This edition copyright © 2020. Digireads.com Publishing.

      All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

      Cover Image: a detail of “St. Luke Painting the Virgin”, by Giorgio Vasari (1511-74), c. 16th century, (fresco) / Photo © Raffaello Bencini / Bridgeman Images.

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      CONTENTS

       CIMABUE

       GIOTTO

       SIMONE MARTINI

       DUCCIO

       JACOPO DELLA QUERCIA

       LUCA DELLA ROBBIA

       PAOLO UCCELLO

       GHIBERTI

       MASACCIO

       FILIPPO BRUNELLESCHI

       DONATELLO

       PIERO DELLA FRANCESCA

       FRA ANGELICO

       LEON BATISTA ALBERTI

       ANTONELLO DA MESSINA

       FRA FILIPPO LIPPI

       ANDREA DEL CASTAGNO AND DOMENICO VENEZIANO

       DOMENICO GHIRLANDAIO

       SANDRO BOTTICELLI

       ANDREA DEL VERROCCHIO

       MANTEGNA

       PINTURICCHIO

       PERUGINO

       LUCA SIGNORELLI

       LEONARDO DA VINCI

       GIORGIONE

       RAPHAEL

       PROPERZIA DE’ ROSSI

       GIULIO ROMANO

       JACOPO DA PONTORMO

       MICHELANGELO

       TITIAN

       GIORGIO VASARI TO THE CRAFTSMEN IN DESIGN

      Cimabue

      GIOVANNI CIMABUE

      PAINTER OF FLORENCE

      By the infinite flood of evils which had laid prostrate and submerged poor Italy there had not only been ruined everything that could truly claim the name of building, but there had been blotted out (and this was of graver import) the whole body of the craftsmen, when, by the will of God, in the city of Florence, in the year 1240, there was born, to give the first light to the art of painting, Giovanni, surnamed Cimabue, of the family, noble in those times, of Cimabue. He, while growing up, being judged by his father and by others to have a beautiful and acute intelligence, was sent, to the end that he might exercise himself in letters, to a master in S. Maria Novella, his relative, who was then teaching grammar to the novices of that convent; but Cimabue, in place of attending to his letters, would spend the whole day, as one who felt himself led thereto by nature, in drawing, on books and other papers, men, horses, houses, and diverse other things of fancy; to which natural inclination fortune was favorable, for certain Greek painters had been summoned to Florence by those who then governed the city, for nothing else but to restore to Florence the art of painting, which was rather out of mind than out of fashion, and they began, among the other works undertaken in the city, the Chapel of the Gondi, whereof to-day the vaulting and the walls are little less than eaten away by time, as may be seen in S. Maria Novella beside the principal

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