The Long Vacation. Charlotte M. Yonge

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The Long Vacation - Charlotte M. Yonge

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       Charlotte M. Yonge

      The Long Vacation

      Published by Good Press, 2019

       [email protected]

      EAN 4064066248109

       PREFACE

       THE LONG VACATION

       CHAPTER I. — A CHAPTER OF RETROSPECT

       CHAPTER II. — A CHAPTER OF TWADDLE

       CHAPTER III. — DARBY AND JOAN

       CHAPTER IV. — SLUM, SEA, OR SEASON

       CHAPTER V. — A HAPPY SPRITE

       CHAPTER VI. — ST. ANDREW’S ROCK

       CHAPTER VII. — THE HOPE OF VANDERKIST

       CHAPTER VIII. — THE MOUSE-TRAP

       CHAPTER IX. — OUT BEYOND

       CHAPTER X. — NOBLESSE OBLIGE

       CHAPTER XI. — HEROES AND HERO-WORSHIP

       CHAPTER XII. — THE LITTLE BUTTERFLY

       CHAPTER XIII. — TWO SIDES OF A SHIELD AGAIN

       CHAPTER XIV. — BUTTERFLY’S NECTAR

       CHAPTER XV. — A POOR FOREIGN WIDOW

       CHAPTER XVI. — “SEE, THE CONQUERING HERO COMES”

       CHAPTER XVII. — EXCLUDED

       CHAPTER XVIII. — THE EVIL STAR

       CHAPTER XIX. — SHOP-DRESSING

       CHAPTER XX. — FRENCH LEAVE

       CHAPTER XXI. — THE MASQUE

       CHAPTER XXII. — THE REGATTA

       CHAPTER XXIII. — ILLUMINATIONS

       CHAPTER XXIV. — COUNSELS OF PATIENCE

       CHAPTER XXV. — DESDICHADO

       CHAPTER XXVI. — THE SILENT STAR

       CHAPTER XXVII. — THE RED MANTLE

       CHAPTER XXVIII. — ROCCA MARINA

       CHAPTER XXIX. — ROWENA AND HER RIVAL

       CHAPTER XXX. — DREAMS AND NIGHTINGALES

       CHAPTER XXXI. — THE COLD SHOULDER

       CHAPTER XXXII. — THE TEST OF DAY-DREAMS

       CHAPTER XXXIII. — A MISSIONARY WEDDING

       CHAPTER XXXIV. — RIGHTED

       Table of Contents

      If a book by an author who must call herself a veteran should be taken up by readers of a younger generation, they are begged to consider the first few chapters as a sort of prologue, introduced for the sake of those of elder years, who were kind enough to be interested in the domestic politics of the Mohuns and the Underwoods.

      Continuations are proverbially failures, and yet it is perhaps a consequence of the writer’s realization of characters that some seem as if they could not be parted with, and must be carried on in the mind, and not only have their after-fates described, but their minds and opinions under the modifications of advancing years and altered circumstances.

      Turner and other artists have been known literally to see colours in absolutely different hues as they grew older, and so no doubt it is with thinkers. The outlines may be the same, the tints are insensibly modified and altered, and the effect thus far changed.

      Thus

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