A Companion to Children's Literature. Группа авторов
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18 Carle, E. (1969). The Very Hungry Caterpillar. New York: Putnam.
19 Christensen, N. (2003). Den danske billedbog 1950–1999. Teori, analyse, historie. Frederiksberg: Center for Børnelitteratur/Roskilde Universitetsforlag.
20 Cole, B. (1986). Princess Smartypants. London: Hamish Hamilton.
21 Darbois, D. (1952–1975). Enfants du monde. 20 vols. Paris: Fernand Nathan.
22 Doderer, K. and Müller, H. (1973). Das Bilderbuch. Weinheim: Beltz.
23 Drucker, J. (2018). Artists ‘books and picturebooks: Generative dialogues. In: The Routledge Companion to Picturebooks, (ed. B. Kümmerling-Meibauer), 291–301. New York: Routledge.
24 Druker, E. (2008). Modernismens bilder. Den moderna bilderboken i Norden. Stockholm: Makadam.
25 Ehriander, H. (2011). Everyday and exotic: Astrid Lindgren’s co-operation with Anna Riwkin-Brick. In: Beyond Pippi Longstocking. Intermedial and International Aspects of Astrid Lindgren’s Works, (ed. B. Kümmerling-Meibauer and A. Surmatz), 155–172. New York: Routledge.
26 Fatio, L. (1955). The Happy Lion (illus. R. Duvoisin). New York: McGraw Hill.
27 Foreman, M. (1989). War Boy. London: Pavilion Books.
28 Frasconi, A. (1955). See and Say. A Picturebook in Four Languages. New York: Harcourt.
29 Gallaz, C. (1985). Rose Blanche (illus. R. Innocenti). Eng. trans. Mankato, MN: Creative Education, 1985.
30 Gidal, S. and Gidal, T. (1956–1972). My Village series. 23 vols. New York: Pantheon.
31 Granpa. (1989). Dir. D. Jackson. London: </TVS/Channel 4 Television.
32 Hamer, N. (2018). Picturebooks, merchandising, and franchising. In: The Routledge Companion to Picturebooks (ed. B. Kümmerling-Meibauer), 504–514. New York: Routledge.
33 Handford, M. (1987–1997). Where’s Wally? series. 10 vols. London: Walker Books.
34 Hughes, S. (1979). Up and Up. London: Penguin Books.
35 Hutchins, P. (1968). Rosie’s Walk. London: Bodley Head.
36 Ionesco, E. (1968). Conte numero 1, pour enfants de moins de trois ans (illus. Étienne Delessert). Paris: Harlin Quist and François Ruy-Vidal. [Eng. trans. Story Number 1, for Children under Three Years of Age. New York: Harlin Quist, 1968.]
37 Johnson, C. (1955). Harold and the Purple Crayon. New York: Harper & Row.
38 Jumanji. (1995). Dir. J. Johnston. USA: TriStar Pictures, Interscope Communications, Teitler Film.
39 Kästner, E. (1949). Die Konferenz Der Tiere (illus. W. Trier). Zurich: Europa Verlag. [Eng. trans. The Animals’ Conference. London: D. McCay, 1949.]
40 Keats, E.J. (1962). The Snowy Day. New York: Viking Press.
41 Kümmerling-Meibauer, B. (1999). Metalinguistic awareness and the child’s developing sense of irony: The relationship between pictures and texts in ironic picturebooks. The Lion and the Unicorn 23: 157–183.
42 Kümmerling-Meibauer, B. (2010). Remembering the past in words and pictures: How autobiographical stories become picturebooks. In: New Directions in Picturebook Research (ed. T. Colomer, B. Kümmerling-Meibauer, and C. Silva-Díaz), 205–216. New York: Routledge.
43 Kümmerling-Meibauer, B. (2013). Manga/Comics hybrids in picturebooks. In: Manga’s Cultural Crossroads (ed. J. Berndt and B. Kümmerling-Meibauer), 98–118. New York: Routledge.
44 Kümmerling-Meibauer, B. (2015). What is it that makes Pop Art picturebooks so different, so appealing?In: Children’s Literature and the Avant-Garde (ed. E. Druker and B. Kümmerling-Meibauer), 241–265. Amsterdam: John Benjamins.
45 Kümmerling-Meibauer, B. and Meibauer, J. (2005). First pictures, early concepts: Early concept books. The Lion and the Unicorn 29 (3): 324–347.
46 Kümmerling-Meibauer, B. and Meibauer, J. (2013). On the strangeness of Pop Art picturebooks: Pictures, texts, paratexts. In: New Review of Children’s Literature and Librarianship, 72 (2): 103–121 (special issue, ed. E. Arizpe, M. Farrell, and J. McAdam).
47 Lavater, W. (1965). Le Petit Chaperon Rouge: une imagerie d’apres un conte de Perrault. Paris: Adrien Maeght.
48 Lemarchant, F. (2015). Dominique Darbois et la collection “Enfants du monde.” La photographie entre fiction et documentaire. In Strenae 8. http://journals.openedition.org/strenae/1386 (accessed December 7, 2017).
49 Lindgren, A. (1956). Eva möter Noriko-San. Photos by A. Riwkin-Brick. Stockholm: Rabén & Sjögren. [Eng. trans. Noriko-San, Girl of Japan. London: Methuen, 1958.]
50 Lindgren, B. (1981–1995). Max books. 10 vols. (illus. E. Eriksson). Stockholm: Rabén & Sjögren.
51 Lionni, L. (1957). Little Blue and Little Yellow. New York: HarperCollins.
52 Lobato Suero, M.J. and Hoster Cabo, B. (2014). An approximation to intertextuality in picturebooks: Anthony Browne and his hypotexts. In: Picturebooks. Representation and Narration (ed. B. Kümmerling-Meibauer), 165–184. New York: Routledge.
53 Macaulay, D. (1990). Black and White. Boston, MA: Houghton Mifflin.
54 Mari, E. and Mari, I. (1960). La mela e la farfalla. Milan: Bompiani. [Eng. trans. The Apple and the Moth, New York: Pantheon, 1970.]
55 Martin, D. (1989). The Telling Line. Essays on Fifteen Contemporary Book Illustrators. London: Julia McRae Books.
56 Martin, M. (2004). Brown Gold. Milestones of African-American Children’s Picture Books, 1845–2002. New York: Routledge.
57 Maruki, T. (1980). Hiroshima No Pika. New York: Lothrop, Lee & Shepard Books.
58 McAfee, A. (1984). The Visitors Who Came to Stay (illus. A. Browne). London: Walker Books.
59 Mitgutsch, A. (1968). Rundherum in meiner Stadt. Ravensburg: Otto Maier Verlag.
60 Müller, J. (1990). Das Buch Im Buch Im Buch. Aarau: Sauerländer.
61 Munari, B. (1967). Libro illeggible N.Y. 1. New York: The Museum of Modern Art.
62 Munari, B. (1968). Nella nebbia Di Milano. Milan: Emme Edizioni. [Eng. trans. The Circus in the Mist. New York: Putnam, 1969.]
63 Munari, B. (1980). I prelibri. Milan: Danese Edizioni per Bambini.
64 Munsch, R. (1980). The Paper Bag Princess (illus. M. Martchenko). New York: Scholastic.
65 Nel, P. (2007). The Annotated Cat in the Hat: Under the Hat of Seuss and His Cats. New York: Random House.
66 Nel, P. (2012). Crocket Johnson and Ruth Krauss. Jackson, MS: University