Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней. Эрик Кандель
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Barney, E. Egon Schiele’s Adolescent Nudes within the Context of Fin-de-Siecle Vienna. 2008. См.: www.emilybarney.com/essays.html.
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Freud, S. Fragment of an Analysis of a Case of Hysteria / In: Collected Papers, Vol. III. E. Jones, ed. London: Hogarth Press, 1905.
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Здесь и далее пер. И. Мандельштама. – Прим. пер.
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Schnitzler, A. Desire and Delusion: Three Novellas. M. Schaefer, translator & editor. Chicago: Ivan Dee, 2003. P. 224.
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Ibid., p. 225.
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Yates, W. E. Schnitzler, Hofmannsthal, and the Austrian Theater. New Haven: Yale University Press, 1992. Pp. 125–126.
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Gay, P. Freud: A Life for Our Time. New York: W. W. Norton, 1998. P. 249.
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Ibid., p. 250.
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Kokoschka, O. My Life. New York: Macmillan, 1971. P. 66.
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Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 14.
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Westheimer, R. The Art of Arousal. New York: Artabras, 1993. P. 147.
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Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 135.
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Braun, E. Carnal Knowledge / In: Modigliani and His Models. London: Royal Academy of Arts, 2006. P. 45.
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Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 236.
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Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1.
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Rodin, A. Art. Boston: Small, Maynard, 1912. P. 46.
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Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 215.
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Ibid., p. 84.
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Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986. P. 14.
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Greenberg, C. Modernist Painting. Washington, DC: Forum Lectures, 1960. Pp. 1–2.
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Comini, A. Gustav Klimt. New York: George Braziller, 1975. P. 25.
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Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984. P. 59.
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Whitford, F. Gustav Klimt (World of Art). London: Thames and Hudson, 1990. P. 18.
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Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 101.
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Kokoschka, O. My Life. New York: Macmillan, 1971. P. 33.
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Ibid., p. 66.
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Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 25.
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Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. Pp. 37–38.
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Ibid., p. 102.
99
Ibid., p. 38.
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Kokoschka, O. The Dreaming Youths / In: Schorske, C. E. Finde-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 332–333.
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Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.
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Shearman, J. Mannerism (Style and Civilization). New York: Penguin Books, 1991. P. 81.
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Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 75–76.
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