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A Speckled Bird
CHAPTER I
"Grandma, who named me Eglah?"
"My cousin, Bishop Vivian, when he baptized you."
"Do you think he had any right to put such a label on me?"
"Certainly, because your father selected your name, and the bishop had no choice."
"It is so ugly, I never can like it, and a little baby that can't speak her mind ought not to be tied to something she must drag all her life and hate for ever and ever."
"Eat your breakfast, and try to be a good, quiet child, then your name will not trouble you so much."
"I never shall like it, any more than you do, and you know, grandma, when you call me your mouth twists like you had toothache."
"I was not consulted about your name. It belonged to your New England Grandmother Kent, and as it appears you belong only to your father, you were called after his mother. I heard him tell you it was the name of a queen – one of David's wives."
"Yes, but I found out she was not the head queen – just a sort of step-wife queen. Now if I could only be the pet queen, Sheba, I should not fret at all."
"The Queen of Sheba was not David's wife."
"You are all wrong about your Bible, grandma, because you are only a Methodist. David's Sheba was nicknamed Bath Sheba, for the reason that he saw her going to her bath-house, and she looked so pretty. I saw her picture in father's 'Piscopal Bible."
"There, there! Be quiet. Drink your milk."
Mrs. Maurice leaned back in her chair and sighed as she looked down at the fragile child beside her. The tall, silver coffee urn showed in repoussé on one side the flight of Europa, on the other Dirce dragged to death. Eglah could never understand how the strands of the victim's hair supported the weight of her form, and wondered why they did not give way and set the prisoner free. To-day she eyed it askance, then surveyed her own fair image reflected in the polished, smooth surface below the band of figures.
"Grandma, don't you think horses are much nicer for ladies to ride than oxen?"
"Yes, my dear."
"Then why did you buy ox riders?" one small finger pointed to the heirloom fetich.
"I did not buy the urn. It has belonged to your Grandfather Maurice's family for one hundred and fifty years, and was brought from Old England. Eliza, take her away. If she cannot be silent, she must go back and have her meals with you. It seems impossible to teach her that in the presence of grown people children are expected to listen."
Mrs. Mitchell came forward from a side table, lifted the little girl from her chair, and untied the ruffled bib that protected her white dimity dress.
"Now tell grandmother you are sorry you annoyed her, and if she will let you sit at her table you will be as quiet as she wishes."
"Ma-Lila, don't make me tell stories; she doesn't believe them, and I am so tired saying things I don't mean. I want to go back to the side table, where you are not always scolding me. Grandma, it will be peacefuller if I stay with Ma-Lila – "
"Hush! Come here."
Mrs. Maurice lifted the little one's dimpled chin and studied the fair face that had bloomed seven years in her lonely home: a winsome face cut like a gem, velvety-brown eyes, long-lashed, and the pure, pale oval set in a shining bronze frame of curling hair, all chestnut in shade, braided with gold when sunshine hid among the ripples.
"Kent! Kent – even her ears small as any other rogue's. She is her father's child."
"Is that a sin, grandma?"
Mrs. Maurice swiftly laid her hand over the uplifted, upbraiding eyes, to veil something in their depths that often disquieted her, and sought refuge in her habitual command:
"Take her away, Eliza."
Ringing the small bell close to the breakfast tray, the mistress took a spray of starry jasmine from the vase in the centre of the table, and as she turned away said to the grey-haired butler:
"Aaron, you will put a plate and chair for Miss Eglah at the side table until further orders. Tell Oliver I shall not want the carriage until four o'clock."
Unusually tall and very handsome was this stately widow of a Confederate general who had been slain during one of the fierce conflicts around beleaguered Richmond. No white hairs marred the glossy blackness of the thick coil half hidden under a snowy crêpe cap, and the brilliant blue eyes were undimmed by tearful years of widowhood – a widowhood involving for her the full, sad significance of the sacred and melancholy term, an inability to forget, a despair of any earthly consolation, and a jealous reticence that denied all discussion of her sorrow, as she would have defended her dead from an alien's rude touch. To her, time had brought neither oblivion nor alleviation, only a sharpened sense of irreparable bereavement; and as one standing in an unending and hopeless eclipse, she accepted the gloom with a stern and silent rejection of all other lights when the sun of her life went down.
Anniversaries are electric batteries that thrill the domain of emotions, and one day out of every three hundred and sixty-five the strings of memory are keyed to their utmost tension, vibrating with an intolerable intensity that reddens the lips of old wounds and quickens dull aches to stinging torture.
This memorial morning Mrs. Maurice crossed the wide, vaulted hall, and passing through the long, pillared drawing-room, opened a locked door and shut herself in a darkened chamber to keep tryst with the sacred souvenirs that represented all she held dear. Raising the window, she turned the blinds to allow sunlight entrance into this silent reliquary filled with mementoes jealously guarded "in solemn salvatory": a heavy, square bedstead with twisted columns that upheld a red-lined tester whence embroidered draperies fell; a gilded swinging wicker crib, with baby blankets, rose bordered; a velvet easy chair, where a gentleman's quilted silk dressing-gown hung over the carved back, and his slippers lay beneath; a table heaped with a child's toys, books, and daguerreotypes of various sizes. On a leathern couch lay a folded Confederate uniform, and a man's straw hat, cane, spurs, and riding whip had been placed beside the faded grey coat. Over the old-fashioned, high marble mantel hung a portrait of General Egbert Maurice, clad in uniform, wearing three stars and a wreath on his collar, and holding his plumed hat in his right hand. At one corner of the mantel a furled Confederate flag leaned until it touched the frame of the picture, and from the marble shelf, where lay the general's sash and sword, hung the stained and torn guidon of his favorite regiment. On the wall opposite the fireplace the portrait of a lovely girl with an apron full of roses seemed to fill the room with radiance and color.
With a slow, caressing movement, Mrs. Maurice's slim white hand passed over the front of the smoking-gown, and fastened in a button hole the spray of fragrant, satin-starred jasmine; then, lifting the faded grey coat, she held it to her heart in a tight, straining clasp, as she seated herself on the couch, and her fingers lingered on tarnished gilt buttons and braid. Inside the uniform was pinned a parcel wrapped in tissue paper, from which she shook out a mass of yellowed lace, and as the filmy folds of an infant's christening robe swept across her lap, a subtle perfume of withered flowers like the breath of a rose jar stole over the room.
With dry eyes she looked long at one portrait, then at the other: the husband of her youth and the only child that had come as crowning blessing to a happy married life where no dissensions muttered, no discordant clash jarred the perfect harmony. As the dead years babbled, she
