A plain and literal translation of the Arabian nights entertainments, now entituled The Book of the Thousand Nights and a Night, Volume 4 (of 17). Richard Francis Burton
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She said, It hath reached me, O auspicious King, that when the Persian heard the name of Naomi, he fell to calculating and writing on his hand and presently said, “O my lady, I cannot prescribe a medicine for her till I know what country woman she is, because of the difference of climate: so tell me in what land she was brought up and what is her age.” The old woman replied, “She is fourteen years old and she was brought up in Cufa of Irak.” He asked, “And how long hath she sojourned in this country?” “But a few months,” answered she. Now when Ni’amah heard the old woman’s words and recognised the name of his slave-girl, his heart fluttered and he was like to faint. Then said the Persian, “Such and such medicines will suit her case;” and the old woman rejoined, “Then make them up and give me what thou hast mentioned, with the blessing of Almighty Allah.” So saying, she threw upon the shop-board ten gold pieces; and he looked at Ni’amah and bade him prepare the necessary drugs; whereupon she also looked at the youth and exclaimed, “Allah have thee in his keeping, O my son! Verily, she favoureth thee in age and mien.” Then said she to the physician, “O my brother the Persian, is this thy slave or thy son?” “He is my son,” answered he. So Ni’amah put up the medicine and, placing it in a little box, took a piece of paper and wrote thereon these two couplets:15—
If Naomi bless me with a single glance, ✿ Let Su’adá sue and Juml joy to pet:
They said, “Forget her: twenty such thou’lt find.” ✿ But none is like her – I will not forget!
He pressed the paper into the box and, sealing it up, wrote upon the cover the following words in Cufic character, “I am Ni’amah son of al-Rabi’a of Cufa.” Then he set it before the old woman who took it and bade them farewell and returned to the Caliph’s palace; and when she went up with the drugs to the damsel she placed the little box of medicine at her feet, saying, “O my lady, know that there is lately come to our town a Persian physician, than whom I never saw a more skilful nor a better versed in matters of malady. I told him thy name, after showing him the water-bottle, and forthwith he knew thine ailment and prescribed a remedy. Then he bade his son make thee up this medicine; and there is not in Damascus a comelier or a seemlier youth than this lad of his, nor hath anyone a shop the like of his shop.” So Naomi took the box and, seeing the names of her lord and his father written on the cover, changed colour and said to herself, “Doubtless, the owner of this shop is come in search of me.” So she said to the old woman, “Describe to me this youth.” Answered the old woman, “His name is Ni’amah, he hath a mole on his right eyebrow, is richly clad and is perfectly handsome.” Cried Naomi, “Give me the medicine, whereon be the blessing and help of Almighty Allah!” So she drank off the potion (and she laughing) and said, “Indeed, it is a blessed medicine!” Then she sought in the box and, finding the paper, opened it, read it, understood it and knew that this was indeed her lord, whereat her heart was solaced and she rejoiced. Now when the old woman saw her laughing, she exclaimed, “This is indeed a blessed day!”; and Naomi said, “O nurse, I have a mind for something to eat and drink.” The old woman said to the serving-women, “Bring a tray of dainty viands for your mistress”; whereupon they set food
12
Probably suggested by the history of Antiochus and Stratonice, with an addition of Eastern mystery such as geomancy.
13
Arab. “Kárúrah”: the “water-doctor” has always been an institution in the East and he has lately revived in Europe – especially at the German baths and in London.
14
Lane makes this phrase “O brother of the Persians!” synonymous with “O Persian!” I think it means more, a Persian being generally considered “too clever by half.”
15
The verses deal in untranslatable word-plays upon women’s names, Naomi (the blessing) Su’adá or Su’ád (the happy, which Mr. Redhouse, in Ka’ab’s Mantle-poem, happily renders Beatrice); and Juml (a sum or total) the two latter, moreover, being here fictitious.