express words which could not be made plain by picture-signs and images of sense, the plan was adopted of adding to the picture-signs already in use for such words, one or more phonetic symbols, a complete or incomplete phonetic supplement. Hence arose a class of mixed pictures, made up of the picture of the object, with the addition of the sounds of the words of which the picture was intended to express the meaning. To make the meaning yet more clear, it was found necessary to add key-signs, indicating the class and nature of the word in question. Thus with the pictorial and phonetic signs for day and hour was combined the sign of the sun, and to the names of countries and rivers the sign for land and water. Moreover these key-signs showed whether the word symbolised by a sound or a picture denoted an animal, a plant, a kind of stone, or belonged to a particular class of conditions and actions. Yet in this combination of real and phonetic pictures, it always remained uncertain whether a picture or symbol was to be taken for its real meaning, or was to be regarded as a phonetic symbol.
This, then, is the difficult writing of the Egyptians; these are the hieroglyphics as presented even on those great monuments. Even here we find this method of writing applied in the same forms, and with the same mixture of pictorial and phonetic signs, which it retained in Egypt, with slight modifications (see below). Without doubt, the development of this complicated system was the work of centuries. In the infancy of history, special insight and capability is obtained and handed down only within the limits of certain circles. There could be no regular application and development of this system of writing before the formation of a priestly order. And again, the separation of such an order from the rest of the people could only take place gradually; it must go through a number of stages to raise it above the primitive conditions of life. When this point of culture was reached, a considerable space of time was still needed in order to bring the picture-writing, even within the priestly class, to the form in which we see it on the pyramids. In those nations whose progress we can follow with greater accuracy, centuries must pass before the indefinite and floating notions entertained of the gods are fixed in rigid forms. Yet in Egypt this change had already taken place before the date of the oldest hieroglyphics: for even in these we find typical forms in use for the gods, with sharply drawn and abbreviated outlines. In the picture-writing itself there is a wide interval between the delineation of an incident, or object, and the representation of a definite feeling; and a yet wider interval before the expression of ideas, of definite speech, is attained. An advanced stage of reflection and abstraction is required in order to step from the picture of an occurrence to picture-signs and images of sense, and again from these to phonetic symbols. The symbols for an incident, and for an idea and a sound, are separated by a wide gulf. Independently of these internal requirements for the advance of picture-writing, the external form in which the oldest hieroglyphics are represented, their even, harmonious, clearly-cut and unalterable forms, are evidence not only of an industrious and careful application of these signs, but also of a tolerably long use. The oldest hieroglyphics of the date of the great pyramids are for the most part embossed; but even the engraved work of a date very little more recent is not surpassed by later times in artistic excellence, in sharpness and neatness of execution.
The study of the calendar of Egypt, no less than the use of writing upon the great monuments, carries us back to an early date for the beginning of Egyptian civilization. We saw that the priests, by adding five days to the old year of 360 days, had come tolerably near to the natural year, and had fixed the beginning of their year by the rising of Sirius. Monuments of the age of the Amenemha and Sesurtesen show that even then the rising of Sirius had been observed and noted. Nevertheless, the beginning of their short civic year tended to anticipate the natural year; and thus the Egyptian year was always in advance of the solar. But if it was observed and noted down by the Egyptians, that in the year of their reckoning, corresponding to the Julian year 1322 B.C., the beginning of the year had again fallen on the right day, that is, on the rising of Sirius, so that the first day of Thoth in the movable year coincided with the first day of Thoth in the solar year, which was the 20th of July, it follows that the fixing of the beginning of the year on July 20, and of the length of the year at 365 days, had taken place 1,460 years (p. 30) before the date 1322 B.C., i. e. in the year 2782 B.C. This conclusion is supported by another consideration. Our astronomers have calculated that it was only in the two or three centuries preceding and following the year 3285 B.C. that the rising of Sirius so exactly coincided with the summer solstice and the rise of the Nile; and therefore in this epoch only could the observation have been made that Sirius brought the inundation. Hence in this period only could the beginning of the year have been fixed at the rising of Sirius. But if the Egyptians could set aside an old calendar and introduce a new arrangement requiring attention and long-continued observations, somewhere about the year 2800 B.C., it is clear that the beginnings of higher culture in Egypt cannot be later than 3000 B.C.33
Valuable as this result is, we are nevertheless carried back to hypotheses and combinations in order to fix the various epochs, and more especially before the reign of the Hyksos. And as an arrangement of history is impossible without chronology, divisions must be assumed here and there where it is impossible to establish them satisfactorily. The arrangement of Egyptian chronology proposed by Lepsius has for the first time introduced a well-considered system into the whole. Hence, in spite of the objections already brought forward against the basis of this arrangement, and the proved uncertainties and contradictions of tradition and the monuments, which the progress of inquiry into the older periods may indeed lessen but cannot remove, I follow the data given by Lepsius for the epochs of Egyptian history, and the duration of the reigns which come under our notice.
CHAPTER III.
THE RELIGION OF THE EGYPTIANS
Next to its language the oldest possession of a nation is its religion. Living in a country of very distinct outlines and characteristic forms, where the regularity of external life is brought more prominently before the view than in other countries, the Egyptians at an early period arrived at a fixed expression of their religious feelings and of the forms of their gods. Their original conceptions are unknown to us. The oldest monuments, our earliest sources of information, present us with a numerous assemblage of gods, and the conclusions drawn from these carry us back to views far removed from primitive forms of worship. They indicate a system already developed in the circle of the priests. We can only attempt from the fragments of that system preserved in inscriptions and manuscripts, and the very late accounts of the Greeks, to deduce conclusions concerning the religious notions which originally predominated.
The distinction in the nature of the upper and lower valley, already referred to, cannot have been without influence upon the direction of civic life among the Egyptians, and the formation of their religious ideas. So far as we can tell, these developed independently at the same time in the upper and lower country. In both districts peculiar forms were retained at the most prominent centres of religious worship, until after the union of the country they became amalgamated in all essential points.
Memphis worshipped the god Ptah. The great sanctuary of the god at that city was held to be as ancient as the city itself. So far back as our knowledge extends, the Pharaohs were occupied with the extension and adornment of this temple. Among the Greeks the god of Memphis was known as Hephæstus: they tell us he was represented in the temple by a dwarf-like image; and that similar images of the children of Ptah stood in a part of the temple only entered by the priests.34 The name Hephæstus, and the further statement of the Greeks, that this god was the father of the Sun-god, prove that in Ptah the Egyptians worshipped not only fire, but the spirit of warmth and light generally; and that they must have regarded him as the origin and source of light.
Manetho puts Ptah at the head of the dynasties of the gods. He ruled for 9,000 years before the other gods. Inscriptions name Ptah "the lord of truth," the "father of truth," the "ruler of the sky," "the king of both worlds." As the god of the light which shows everything in its true form, he is the spirit of truth; as the spirit of the light in the sky, he is the lord of heaven. The inscriptions also say that Ptah "moves the egg of the sun and the moon;" he is called "the weaver of the
Herod. 3, 37.
