a traveling cap of sable fur. Nothing could be seen of her but her face, for the whole of her person was completely concealed by the folds of her fur pelisse. The young girl who tripped to the review at the Tuileries with light footsteps and joy and gladness in her heart was scarcely recognizable in Julie d’Aiglemont. Her face, delicate as ever, had lost the rose-color which once gave it so rich a glow. A few straggling locks of black hair, straightened out by the damp night air, enhanced its dead whiteness, and all its life and sparkle seemed to be torpid. Yet her eyes glittered with preternatural brightness in spite of the violet shadows under the lashes upon her wan cheeks.
She looked out with indifferent eyes over the fields towards the Cher, at the islands in the river, at the line of the crags of Vouvray stretching along the Loire towards Tours; then she sank back as soon as possible into her seat in the caleche. She did not care to give a glance to the enchanting valley of the Cise.
“Yes, it is wonderful,” she said, and out in the open air her voice sounded weak and faint to the last degree. Evidently she had had her way with her father, to her misfortune.
“Would you not like to live here, Julie?”
“Yes; here or anywhere,” she answered listlessly.
“Do you feel ill?” asked Colonel d’Aiglemont.
“No, not at all,” she answered with momentary energy; and, smiling at her husband, she added, “I should like to go to sleep.”
Suddenly there came a sound of a horse galloping towards them. Victor d’Aiglemont dropped his wife’s hand and turned to watch the bend in the road. No sooner had he taken his eyes from Julie’s pale face than all the assumed gaiety died out of it; it was as if a light had been extinguished. She felt no wish to look at the landscape, no curiosity to see the horseman who was galloping towards them at such a furious pace, and, ensconcing herself in her corner, stared out before her at the hindquarters of the post-horses, looking as blank as any Breton peasant listening to his recteur’s sermon.
Suddenly a young man riding a valuable horse came out from behind the clump of poplars and flowering briar-rose.
“It is an Englishman,” remarked the Colonel.
“Lord bless you, yes, General,” said the post-boy; “he belongs to the race of fellows who have a mind to gobble up France, they say.”
The stranger was one of the foreigners traveling in France at the time when Napoleon detained all British subjects within the limits of the Empire, by way of reprisals for the violation of the Treaty of Amiens, an outrage of international law perpetrated by the Court of St. James. These prisoners, compelled to submit to the Emperor’s pleasure, were not all suffered to remain in the houses where they were arrested, nor yet in the places of residence which at first they were permitted to choose. Most of the English colony in Touraine had been transplanted thither from different places where their presence was supposed to be inimical to the interests of the Continental Policy.
The young man, who was taking the tedium of the early morning hours on horseback, was one of these victims of bureaucratic tyranny. Two years previously, a sudden order from the Foreign Office had dragged him from Montpellier, whither he had gone on account of consumptive tendencies. He glanced at the Comte d’Aiglemont, saw that he was a military man, and deliberately looked away, turning his head somewhat abruptly towards the meadows by the Cise.
“The English are all as insolent as if the globe belonged to them,” muttered the Colonel. “Luckily, Soult will give them a thrashing directly.”
The prisoner gave a glance to the caleche as he rode by. Brief though that glance was, he had yet time to notice the sad expression which lent an indefinable charm to the Countess’ pensive face. Many men are deeply moved by the mere semblance of suffering in a woman; they take the look of pain for a sign of constancy or of love. Julie herself was so much absorbed in the contemplation of the opposite cushion that she saw neither the horse nor the rider. The damaged trace meanwhile had been quickly and strongly repaired; the Count stepped into his place again; and the post-boy, doing his best to make up for lost time, drove the carriage rapidly along the embankment. On they drove under the overhanging cliffs, with their picturesque vine-dressers’ huts and stores of wine maturing in their dark sides, till in the distance uprose the spire of the famous Abbey of Marmoutiers, the retreat of St. Martin.
“What can that diaphanous milord want with us?” exclaimed the Colonel, turning to assure himself that the horseman who had followed them from the bridge was the young Englishman.
After all, the stranger committed no breach of good manners by riding along on the footway, and Colonel d’Aiglemont was fain to lie back in his corner after sending a scowl in the Englishman’s direction. But in spite of his hostile instincts, he could not help noticing the beauty of the animal and the graceful horsemanship of the rider. The young man’s face was of that pale, fair-complexioned, insular type, which is almost girlish in the softness and delicacy of its color and texture. He was tall, thin, and fair-haired, dressed with the extreme and elaborate neatness characteristic of a man of fashion in prudish England. Any one might have thought that bashfulness rather than pleasure at the sight of the Countess had called up that flush into his face. Once only Julie raised her eyes and looked at the stranger, and then only because she was in a manner compelled to do so, for her husband called upon her to admire the action of the thoroughbred. It so happened that their glances clashed; and the shy Englishman, instead of riding abreast of the carriage, fell behind on this, and followed them at a distance of a few paces.
Yet the Countess had scarcely given him a glance; she saw none of the various perfections, human and equine, commended to her notice, and fell back again in the carriage, with a slight movement of the eyelids intended to express her acquiescence in her husband’s views. The Colonel fell asleep again, and both husband and wife reached Tours without another word. Not one of those enchanting views of everchanging landscape through which they sped had drawn so much as a glance from Julie’s eyes.
Mme. d’Aiglemont looked now and again at her sleeping husband. While she looked, a sudden jolt shook something down upon her knees. It was her father’s portrait, a miniature which she wore suspended about her neck by a black cord. At the sight of it, the tears, till then kept back, overflowed her eyes, but no one, save perhaps the Englishman, saw them glitter there for a brief moment before they dried upon her pale cheeks.
Colonel d’Aiglemont was on his way to the South. Marshal Soult was repelling an English invasion of Bearn; and d’Aiglemont, the bearer of the Emperor’s orders to the Marshal, seized the opportunity of taking his wife as far as Tours to leave her with an elderly relative of his own, far away from the dangers threatening Paris.
Very shortly the carriage rolled over the paved road of Tours, over the bridge, along the Grande-Rue, and stopped at last before the old mansion of the ci-devant Marquise de Listomere-Landon.
The Marquise de Listomere-Landon, with her white hair, pale face, and shrewd smile, was one of those fine old ladies who still seem to wear the paniers of the eighteenth century, and affects caps of an extinct mode. They are nearly always caressing in their manners, as if the heyday of love still lingered on for these septuagenarian portraits of the age of Louis Quinze, with the faint perfume of poudre a la marechale always clinging about them. Bigoted rather than pious, and less of bigots than they seem, women who can tell a story well and talk still better, their laughter comes more readily for an old memory than for a new jest – the present intrudes upon them.
When an old waiting-woman announced to the Marquise de Listomere-Landon (to give her the title which she was soon to resume) the arrival of a nephew whom she had not seen since the outbreak of the war with Spain, the old lady took off her spectacles with alacrity, shut the Galerie de l’ancienne Cour (her favorite work), and recovered something like youthful
