also naive and pleasant creations, at which you laugh directly you see them? Is it not so? Then in all eccentric works, such as the very spacious edifice undertaken by the author, in order to model himself upon the laws of the above-named Lord, it is necessary to fashion certain delicate flowers, pleasant insects, fine dragons well twisted, imbricated, and coloured — nay, even gilt, although he is often short of gold — and throw them at the feet of his snow-clad mountains, piles of rocks, and other cloud-capped philosophers, long and terrible works, marble columns, real thoughts carved in porphyry.
Ah! unclean beasts, who despise and repudiate the figures, phantasies, harmonies, and roulades of the fair muse of drollery, will you not pare your claws, so that you may never again scratch her white skin, all azure with veins, her amorous reins, her flanks of surpassing elegance, her feet that stay modestly in bed, her satin face, her lustrous features, her heart devoid of bitterness? Ah! wooden-heads, what will you say when you find that this merry lass springs from the heart of France, agrees with all that is womanly in nature, has been saluted with a polite Ave! by the angels in the person of their spokesman, Mercury, and finally, is the clearest quintessence of Art. In this work are to be met with necessity, virtue, whim, the desire of a woman, the votive offering of a stout Pantagruelist, all are here. Hold your peace, then, drink to the author, and let his inkstand with the double cup endow the Gay Science with a hundred glorious Droll Tales.
Stand back then, curs; strike up the music! Silence, bigots; out of the way, dunces! step forward my merry wags! — my little pages! give your soft hand to the ladies, and tickle theirs in the centre in a pretty manner, saying to them, "Read to laugh." Afterwards you can tell them some mere jest to make them roar, since when they are laughing their lips are apart, and they make but a faint resistance to love.
PERSEVERANCE IN LOVE
During the first years of the thirteenth century after the coming of our Divine Saviour there happened in the City of Paris an amorous adventure, through the deed of a man of Tours, of which the town and even the king's court was never tired of speaking. As to the clergy, you will see by that which is related the part they played in this history, the testimony of which was by them preserved. This said man, called the Touranian by the common people, because he had been born in our merry Touraine, had for his true name that of Anseau. In his latter days the good man returned into his own country and was mayor of St. Martin, according to the chronicles of the abbey of that town; but at Paris he was a great silversmith.
But now in his prime, by his great honesty, his labours, and so forth, he became a citizen of Paris and subject of the king, whose protection he bought, according to the custom of the period. He had a house built for him free of all quit-rent, close the Church of St. Leu, in the Rue St. Denis, where his forge was well-known by those in want of fine jewels. Although he was a Touranian, and had plenty of spirit and animation, he kept himself virtuous as a true saint, in spite of the blandishments of the city, and had passed the days of his green season without once dragging his good name through the mire. Many will say this passes the bounds of that faculty of belief which God has placed in us to aid that faith due to the mysteries of our holy religion; so it is needful to demonstrate abundantly the secret cause of this silversmith's chastity. And, first remember that he came into the town on foot, poor as Job, according to the old saying; and unlike all the inhabitants of our part of the country, who have but one passion, he had a character of iron, and persevered in the path he had chosen as steadily as a monk in vengeance. As a workman, he laboured from morn to night; become a master, he laboured still, always learning new secrets, seeking new receipts, and in seeking, meeting with inventions of all kinds. Late idlers, watchmen, and vagrants saw always a modest lamp shining through the silversmith's window, and the good man tapping, sculpting, rounding, distilling, modeling, and finishing, with his apprentices, his door closed and his ears open. Poverty engendered hard work, hard work engendered his wonderful virtue, and his virtue engendered his great wealth. Take this to heart, ye children of Cain who eat doubloons and micturate water. If the good silversmith felt himself possessed with wild desires, which now in one way, now another, seize upon an unhappy bachelor when the devil tries to get hold of him, making the sign of the cross, the Touranian hammered away at his metal, drove out the rebellious spirits from his brain by bending down over the exquisite works of art, little engravings, figures of gold and silver forms, with which he appeased the anger of his Venus. Add to this that this Touranian was an artless man, of simple understanding, fearing God above all things, then robbers, next to that of nobles, and more than all, a disturbance. Although if he had two hands, he never did more than one thing at a time. His voice was as gentle as that of a bridegroom before marriage. Although the clergy, the military, and others gave him no reputation for knowledge, he knew well his mother's Latin, and spoke it correctly without waiting to be asked. Latterly the Parisians had taught him to walk uprightly, not to beat the bush for others, to measure his passions by the rule of his revenues, not to let them take his leather to make other's shoes, to trust no one farther then he could see them, never to say what he did, and always to do what he said; never to spill anything but water; to have a better memory than flies usually have; to keep his hands to himself, to do the same with his purse; to avoid a crowd at the corner of a street, and sell his jewels for more than they cost him; all things, the sage observance of which gave him as much wisdom as he had need of to do business comfortably and pleasantly. And so he did, without troubling anyone else. And watching this good little man unobserved, many said,
"By my faith, I should like to be this jeweller, even were I obliged to splash myself up to the eyes with the mud of Paris during a hundred years for it."
They might just as well have wished to be king of France, seeing that the silversmith had great powerful nervous arms, so wonderfully strong that when he closed his fist the cleverest trick of the roughest fellow could not open it; from which you may be sure that whatever he got hold of he stuck to. More than this, he had teeth fit to masticate iron, a stomach to dissolve it, a duodenum to digest it, a sphincter to let it out again without tearing, and shoulders that would bear a universe upon them, like that pagan gentleman to whom the job was confided, and whom the timely arrival of Jesus Christ discharged from the duty. He was, in fact, a man made with one stroke, and they are the best, for those who have to be touched are worth nothing, being patched up and finished at odd times. In short, Master Anseau was a thorough man, with a lion's face, and under his eyebrows a glance that would melt his gold if the fire of his forge had gone out, but a limpid water placed in his eyes by the great Moderator of all things tempered this great ardour, without which he would have burnt up everything. Was he not a splendid specimen of a man?
With such a sample of his cardinal virtues, some persist in asking why the good silversmith remained as unmarried as an oyster, seeing that these properties of nature are of good use in all places. But these opinionated critics, do they know what it is to love? Ho! Ho! Easy! The vocation of a lover is to go, to come, to listen, to watch, to hold his tongue, to talk, to stick in a corner, to make himself big, to make himself little, to agree, to play music, to drudge, to go to the devil wherever he may be, to count the gray peas in the dovecote, to find flowers under the snow, to say paternosters to the moon, to pat the cat and pat the dog, to salute the friends, to flatter the gout, or the cold of the aunt, to say to her at opportune moments "You have good looks, and will yet write the epitaph of the human race." To please all the relations, to tread on no one's corns, to break no glasses, to waste no breath, to talk nonsense, to hold ice in his hand, to say, "This is good!" or, "Really, madam, you are very beautiful so." And to vary that in a hundred different ways. To keep himself cool, to bear himself like a nobleman, to have a free tongue and a modest one, to endure with a smile all the evils the devil may invent on his behalf, to smother his anger, to hold nature in control, to have the finger of God, and the tail of the devil, to reward the mother, the cousin, the servant; in fact, to put a good face on everything. In default of which the female escapes and leaves you in a fix, without giving a single Christian reason. In fact, the lover of the most gentle maid that God ever created in a good-tempered moment, had he talked like a book, jumped like a flea, turned about like dice, played like King David, and built for the aforesaid woman the Corinthian order of the columns of the devil, if he failed in the
