to take up Venice Preserved for the second time, admired the sublime friendship between Pierre and Jaffir, and fell to musing on the virtues of outlaws, the loyalty of the hulks, the honor of thieves, and the immense power that a few men can wield if they bring their whole minds to bear upon the carrying out of a single will. It struck him that the individual man rose higher than men. Then he began to think that if a few picked men should band themselves together; and if, to natural wit, and education, and money, they could join a fanaticism hot enough to fuse, as it were, all those separate forces into a single one, then the whole world would be at their feet. From that time forth, with a tremendous power of concentration, they could wield an occult power against which the organization of society would be helpless; a power which would push obstacles aside and defeat the will of others; and the diabolical power of all would be at the service of each. A hostile world apart within the world, admitting none of the ideas, recognizing none of the laws of the world; submitting only to the sense of necessity, obedient only from devotion; acting all as one man in the interests of the comrade who should claim the aid of the rest; a band of buccaneers with carriages and yellow kid gloves; a close confederacy of men of extraordinary power, of amused and cool spectators of an artificial and petty world which they cursed with smiling lips; conscious as they were that they could make all things bend to their caprice, weave ingenious schemes of revenge, and live with the life in thirteen hearts, to say nothing of the unfailing pleasure of facing the world of men with a hidden misanthropy, a sense that they were armed against their kind, and could retire into themselves with one idea which the most remarkable men had not, – all this constituted a religion of pleasure and egoism which made fanatics of the Thirteen. The history of the Society of Jesus was repeated for the Devil’s benefit. It was hideous and sublime.
The pact was made; and it lasted, precisely because it seemed impossible. And so it came to pass that in Paris there was a fraternity of thirteen men, each one bound, body and soul, to the rest, and all of them strangers to each other in the sight of the world. But evening found them gathered together like conspirators, and then they had no thoughts apart; riches, like the wealth of the Old Man of the Mountain, they possessed in common; they had their feet in every salon, their hands in every strong box, their elbows in the streets, their heads upon all pillows, they did not scruple to help themselves at their pleasure. No chief commanded them, nobody was strong enough. The liveliest passion, the most urgent need took precedence – that was all. They were thirteen unknown kings; unknown, but with all the power and more than the power of kings; for they were both judges and executioners, they had taken wings that they might traverse the heights and depths of society, scorning to take any place in it, since all was theirs. If the author learns the reason of their abdication, he will communicate it.
And now the author is free to give those episodes in the History of the Thirteen which, by reason of the Parisian flavor of the details or the strangeness of the contrasts, possessed a peculiar attraction for him.
Paris
I. FERRAGUS, CHIEF OF THE DEVORANTS
CHAPTER I. MADAME JULES
Certain streets in Paris are as degraded as a man covered with infamy; also, there are noble streets, streets simply respectable, young streets on the morality of which the public has not yet formed an opinion; also cut-throat streets, streets older than the age of the oldest dowagers, estimable streets, streets always clean, streets always dirty, working, laboring, and mercantile streets. In short, the streets of Paris have every human quality, and impress us, by what we must call their physiognomy, with certain ideas against which we are defenceless. There are, for instance, streets of a bad neighborhood in which you could not be induced to live, and streets where you would willingly take up your abode. Some streets, like the rue Montmartre, have a charming head, and end in a fish’s tail. The rue de la Paix is a wide street, a fine street, yet it wakens none of those gracefully noble thoughts which come to an impressible mind in the middle of the rue Royale, and it certainly lacks the majesty which reigns in the Place Vendome.
If you walk the streets of the Ile Saint-Louis, do not seek the reason of the nervous sadness that lays hold upon you save in the solitude of the spot, the gloomy look of the houses, and the great deserted mansions. This island, the ghost of fermiers-generaux, is the Venice of Paris. The Place de la Bourse is voluble, busy, degraded; it is never fine except by moonlight at two in the morning. By day it is Paris epitomized; by night it is a dream of Greece. The rue Traversiere-Saint-Honore – is not that a villainous street? Look at the wretched little houses with two windows on a floor, where vice, crime, and misery abound. The narrow streets exposed to the north, where the sun never comes more than three or four times a year, are the cut-throat streets which murder with impunity; the authorities of the present day do not meddle with them; but in former times the Parliament might perhaps have summoned the lieutenant of police and reprimanded him for the state of things; and it would, at least, have issued some decree against such streets, as it once did against the wigs of the Chapter of Beauvais. And yet Monsieur Benoiston de Chateauneuf has proved that the mortality of these streets is double that of others! To sum up such theories by a single example: is not the rue Fromentin both murderous and profligate!
These observations, incomprehensible out of Paris, will doubtless be understood by musing men of thought and poesy and pleasure, who know, while rambling about Paris, how to harvest the mass of floating interests which may be gathered at all hours within her walls; to them Paris is the most delightful and varied of monsters: here, a pretty woman; farther on, a haggard pauper; here, new as the coinage of a new reign; there, in this corner, elegant as a fashionable woman. A monster, moreover, complete! Its garrets, as it were, a head full of knowledge and genius; its first storeys stomachs repleted; its shops, actual feet, where the busy ambulating crowds are moving. Ah! what an ever-active life the monster leads! Hardly has the last vibration of the last carriage coming from a ball ceased at its heart before its arms are moving at the barriers and it shakes itself slowly into motion. Doors open; turning on their hinges like the membrane of some huge lobster, invisibly manipulated by thirty thousand men or women, of whom each individual occupies a space of six square feet, but has a kitchen, a workshop, a bed, children, a garden, little light to see by, but must see all. Imperceptibly, the articulations begin to crack; motion communicates itself; the street speaks. By mid-day, all is alive; the chimneys smoke, the monster eats; then he roars, and his thousand paws begin to ramp. Splendid spectacle! But, O Paris! he who has not admired your gloomy passages, your gleams and flashes of light, your deep and silent cul-de-sacs, who has not listened to your murmurings between midnight and two in the morning, knows nothing as yet of your true poesy, nor of your broad and fantastic contrasts.
There are a few amateurs who never go their way heedlessly; who savor their Paris, so to speak; who know its physiognomy so well that they see every wart, and pimple, and redness. To others, Paris is always that monstrous marvel, that amazing assemblage of activities, of schemes, of thoughts; the city of a hundred thousand tales, the head of the universe. But to those few, Paris is sad or gay, ugly or beautiful, living or dead; to them Paris is a creature; every man, every fraction of a house is a lobe of the cellular tissue of that great courtesan whose head and heart and fantastic customs they know so well. These men are lovers of Paris; they lift their noses at such or such a corner of a street, certain that they can see the face of a clock; they tell a friend whose tobacco-pouch is empty, “Go down that passage and turn to the left; there’s a tobacconist next door to a confectioner, where there’s a pretty girl.” Rambling about Paris is, to these poets, a costly luxury. How can they help spending precious minutes before the dramas, disasters, faces, and picturesque events which meet us everywhere amid this heaving queen of cities, clothed in posters, – who has, nevertheless, not a single clean corner, so complying is she to the vices of the French nation! Who has not chanced to leave his home early in the morning, intending to go to some extremity of Paris, and found himself unable to get away from the centre of it by the dinner-hour? Such a man will know how to excuse this vagabondizing start upon our tale; which, however, we here sum up in an observation both useful and novel, as far as any observation can be novel in Paris, where there is nothing new, – not even the statue erected yesterday, on which some young gamin has already
