Sentimental Education; Or, The History of a Young Man. Volume 2. Gustave Flaubert

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Sentimental Education; Or, The History of a Young Man. Volume 2 - Gustave Flaubert

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light was dim, in spite of the lamps placed in the corners, for the three windows, which were wide open, made three large squares of black shadow stand parallel with each other. Under the pictures, flower-stands occupied, at a man's height, the spaces on the walls, and a silver teapot with a samovar cast their reflections in a mirror on the background. There arose a murmur of hushed voices. Pumps could be heard creaking on the carpet. He could distinguish a number of black coats, then a round table lighted up by a large shaded lamp, seven or eight ladies in summer toilets, and at some little distance Madame Dambreuse in a rocking armchair. Her dress of lilac taffeta had slashed sleeves, from which fell muslin puffs, the charming tint of the material harmonising with the shade of her hair; and she sat slightly thrown back with the tip of her foot on a cushion, with the repose of an exquisitely delicate work of art, a flower of high culture.

      M. Dambreuse and an old gentleman with a white head were walking from one end of the drawing-room to the other. Some of the guests chatted here and there, sitting on the edges of little sofas, while the others, standing up, formed a circle in the centre of the apartment.

      They were talking about votes, amendments, counter-amendments, M. Grandin's speech, and M. Benoist's reply. The third party had decidedly gone too far. The Left Centre ought to have had a better recollection of its origin. Serious attacks had been made on the ministry. It must be reassuring, however, to see that it had no successor. In short, the situation was completely analogous to that of 1834.

      As these things bored Frederick, he drew near the ladies. Martinon was beside them, standing up, with his hat under his arm, showing himself in three-quarter profile, and looking so neat that he resembled a piece of Sèvres porcelain. He took up a copy of the Revue des Deux Mondes which was lying on the table between an Imitation and an Almanach de Gotha, and spoke of a distinguished poet in a contemptuous tone, said he was going to the "conferences of Saint-Francis," complained of his larynx, swallowed from time to time a pellet of gummatum, and in the meantime kept talking about music, and played the part of the elegant trifler. Mademoiselle Cécile, M. Dambreuse's niece, who happened to be embroidering a pair of ruffles, gazed at him with her pale blue eyes; and Miss John, the governess, who had a flat nose, laid aside her tapestry on his account. Both of them appeared to be exclaiming internally:

      "How handsome he is!"

      Madame Dambreuse turned round towards him.

      "Please give me my fan which is on that pier-table over there. You are taking the wrong one! 'tis the other!"

      She arose, and when he came across to her, they met in the middle of the drawing-room face to face. She addressed a few sharp words to him, no doubt of a reproachful character, judging by the haughty expression of her face. Martinon tried to smile; then he went to join the circle in which grave men were holding discussions. Madame Dambreuse resumed her seat, and, bending over the arm of her chair, said to Frederick:

      "I saw somebody the day before yesterday who was speaking to me about you – Monsieur de Cisy. You know him, don't you?"

      "Yes, slightly."

      Suddenly Madame Dambreuse uttered an exclamation:

      "Oh! Duchesse, what a pleasure to see you!"

      And she advanced towards the door to meet a little old lady in a Carmelite taffeta gown and a cap of guipure with long borders. The daughter of a companion in exile of the Comte d'Artois, and the widow of a marshal of the Empire; who had been created a peer of France in 1830, she adhered to the court of a former generation as well as to the new court, and possessed sufficient influence to procure many things. Those who stood talking stepped aside, and then resumed their conversation.

      It had now turned on pauperism, of which, according to these gentlemen, all the descriptions that had been given were grossly exaggerated.

      "However," urged Martinon, "let us confess that there is such a thing as want! But the remedy depends neither on science nor on power. It is purely an individual question. When the lower classes are willing to get rid of their vices, they will free themselves from their necessities. Let the people be more moral, and they will be less poor!"

      According to M. Dambreuse, no good could be attained without a superabundance of capital. Therefore, the only practicable method was to intrust, "as the Saint-Simonians, however, proposed (good heavens! there was some merit in their views – let us be just to everybody) – to intrust, I say, the cause of progress to those who can increase the public wealth." Imperceptibly they began to touch on great industrial undertakings – the railways, the coal-mines. And M. Dambreuse, addressing Frederick, said to him in a low whisper:

      "You have not called about that business of ours?"

      Frederick pleaded illness; but, feeling that this excuse was too absurd:

      "Besides, I need my ready money."

      "Is it to buy a carriage?" asked Madame Dambreuse, who was brushing past him with a cup of tea in her hand, and for a minute she watched his face with her head bent slightly over her shoulder.

      She believed that he was Rosanette's lover – the allusion was obvious. It seemed even to Frederick that all the ladies were staring at him from a distance and whispering to one another.

      In order to get a better idea as to what they were thinking about, he once more approached them. On the opposite side of the table, Martinon, seated near Mademoiselle Cécile, was turning over the leaves of an album. It contained lithographs representing Spanish costumes. He read the descriptive titles aloud: "A Lady of Seville," "A Valencia Gardener," "An Andalusian Picador"; and once, when he had reached the bottom of the page, he continued all in one breath:

      "Jacques Arnoux, publisher. One of your friends, eh?"

      "That is true," said Frederick, hurt by the tone he had assumed.

      Madame Dambreuse again interposed:

      "In fact, you came here one morning – about a house, I believe – a house belonging to his wife." (This meant: "She is your mistress.")

      He reddened up to his ears; and M. Dambreuse, who joined them at the same moment, made this additional remark:

      "You appear even to be deeply interested in them."

      These last words had the effect of putting Frederick out of countenance. His confusion, which, he could not help feeling, was evident to them, was on the point of confirming their suspicions, when M. Dambreuse drew close to him, and, in a tone of great seriousness, said:

      "I suppose you don't do business together?"

      He protested by repeated shakes of the head, without realising the exact meaning of the capitalist, who wished to give him advice.

      He felt a desire to leave. The fear of appearing faint-hearted restrained him. A servant carried away the teacups. Madame Dambreuse was talking to a diplomatist in a blue coat. Two young girls, drawing their foreheads close together, showed each other their jewellery. The others, seated in a semicircle on armchairs, kept gently moving their white faces crowned with black or fair hair. Nobody, in fact, minded them. Frederick turned on his heels; and, by a succession of long zigzags, he had almost reached the door, when, passing close to a bracket, he remarked, on the top of it, between a china vase and the wainscoting, a journal folded up in two. He drew it out a little, and read these words —The Flambard.

      Who had brought it there? Cisy. Manifestly no one else. What did it matter, however? They would believe – already, perhaps, everyone believed – in the article. What was the cause of this rancour? He wrapped himself up in ironical silence. He felt like one lost in a desert. But suddenly he

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