Peveril of the Peak. Вальтер Скотт
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The gilded chamber in which the children were, by this arrangement, left to amuse themselves, without better guardianship than what Julian’s manhood afforded, was a large apartment, hung with stamped Spanish leather, curiously gilded, representing, in a manner now obsolete, but far from unpleasing, a series of tilts and combats betwixt the Saracens of Grenada, and the Spaniards under the command of King Ferdinand and Queen Isabella, during that memorable siege, which was terminated by the overthrow of the last fragments of the Moorish empire in Spain.
The little Julian was careering about the room for the amusement of his infant friend, as well as his own, mimicking with a reed the menacing attitude of the Abencerrages and Zegris engaged in the Eastern sport of hurling the JERID, or javelin; and at times sitting down beside her, and caressing her into silence and good humour, when the petulant or timid child chose to become tired of remaining an inactive spectator of his boisterous sport; when, on a sudden, he observed one of the panelled compartments of the leather hangings slide apart, so as to show a fair hand, with its fingers resting upon its edge, prepared, it would seem, to push it still farther back. Julian was much surprised, and somewhat frightened, at what he witnessed, for the tales of the nursery had strongly impressed on his mind the terrors of the invisible world. Yet, naturally bold and high-spirited, the little champion placed himself beside his defenceless sister, continuing to brandish his weapon in her defence, as boldly as he had himself been an Abencerrage of Grenada.
The panel, on which his eye was fixed, gradually continued to slide back, and display more and more the form to which the hand appertained, until, in the dark aperture which was disclosed, the children saw the figure of a lady in a mourning dress, past the meridian of life, but whose countenance still retained traces of great beauty, although the predominant character both of her features and person was an air of almost royal dignity. After pausing a moment on the threshold of the portal which she had thus unexpectedly disclosed, and looking with some surprise at the children, whom she had not probably observed while engaged with the management of the panel, the stranger stepped into the apartment, and the panel, upon a touch of a spring, closed behind her so suddenly, that Julian almost doubted it had ever been open, and began to apprehend that the whole apparition had been a delusion.
The stately lady, however, advanced to him, and said, “Are not you the little Peveril?”
“Yes,” said the boy, reddening, not altogether without a juvenile feeling of that rule of chivalry which forbade any one to disown his name, whatever danger might be annexed to the avowal of it.
“Then,” said the stately stranger, “go to your mother’s room, and tell her to come instantly to speak with me.”
“I wo’not,” said the little Julian.
“How?” said the lady, – “so young and so disobedient? – but you do but follow the fashion of the time. Why will you not go, my pretty boy, when I ask it of you as a favour?”
“I would go, madam,” said the boy, “but” – and he stopped short, still drawing back as the lady advanced on him, but still holding by the hand Alice Bridgenorth, who, too young to understand the nature of the dialogue, clung, trembling, to her companion.
The stranger saw his embarrassment, smiled, and remained standing fast, while she asked the child once more, “What are you afraid of, my brave boy – and why should you not go to your mother on my errand?”
“Because,” answered Julian firmly, “if I go, little Alice must stay alone with you.”
“You are a gallant fellow,” said the lady, “and will not disgrace your blood, which never left the weak without protection.”
The boy understood her not, and still gazed with anxious apprehension, first on her who addressed him, and then upon his little companion, whose eyes, with the vacant glance of infancy, wandered from the figure of the lady to that of her companion and protector, and at length, infected by a portion of the fear which the latter’s magnanimous efforts could not entirely conceal, she flew into Julian’s arms, and, clinging to him, greatly augmented his alarm, and by screaming aloud, rendered it very difficult for him to avoid the sympathetic fear which impelled him to do the same.
There was something in the manner and bearing of this unexpected inmate which might justify awe at least, if not fear, when joined to the singular and mysterious mode in which she had made her appearance. Her dress was not remarkable, being the hood and female riding attire of the time, such as was worn by the inferior class of gentlewomen; but her black hair was very long, and, several locks having escaped from under her hood, hung down dishevelled on her neck and shoulders. Her eyes were deep black, keen, and piercing, and her features had something of a foreign expression. When she spoke, her language was marked by a slight foreign accent, although, in construction, it was pure English. Her slightest tone and gesture had the air of one accustomed to command and to be obeyed; the recollection of which probably suggested to Julian the apology he afterwards made for being frightened, that he took the stranger for an “enchanted queen.”
While the stranger lady and the children thus confronted each other, two persons entered almost at the same instant, but from different doors, whose haste showed that they had been alarmed by the screams of the latter.
The first was Major Bridgenorth, whose ears had been alarmed with the cries of his child, as he entered the hall, which corresponded with what was called the gilded chamber. His intention had been to remain in the more public apartment, until the Lady Peveril should make her appearance, with the good-natured purpose of assuring her that the preceding day of tumult had passed in every respect agreeably to his friends, and without any of those alarming consequences which might have been apprehended from a collision betwixt the parties. But when it is considered how severely he had been agitated by apprehensions for his child’s safety and health, too well justified by the fate of those who had preceded her, it will not be thought surprising that the infantine screams of Alice induced him to break through the barriers of form, and intrude farther into the interior of the house than a sense of strict propriety might have warranted.
He burst into the gilded chamber, therefore, by a side-door and narrow passage, which communicated betwixt that apartment and the hall, and, snatching the child up in his arms, endeavoured, by a thousand caresses, to stifle the screams which burst yet more violently from the little girl, on beholding herself in the arms of one to whose voice and manner she was, but for one brief interview, an entire stranger.
Of course, Alice’s shrieks were redoubled, and seconded by those of Julian Peveril, who, on the appearance of this second intruder, was frightened into resignation of every more manly idea of rescue than that which consisted in invoking assistance at the very top of his lungs.
Alarmed by this noise, which in half a minute became very clamorous, Lady Peveril, with whose apartment the gilded chamber was connected by a private door of communication opening into her wardrobe, entered on the scene. The instant she appeared, the little Alice, extricating herself from the grasp of her father, ran towards her protectress, and when she had once taken hold of her skirts, not only became silent, but turned her large blue eyes, in which the tears were still glistening, with a look of wonder rather than alarm, towards the strange lady. Julian manfully brandished his reed, a weapon which he had never parted with during the whole alarm, and stood prepared to assist his mother if there should be danger in the encounter betwixt her and the stranger.
In fact, it might have puzzled an older person to account for the sudden and confused pause which the Lady Peveril made, as she gazed on her unexpected guest, as if dubious whether she did, or did not recognise, in her still beautiful though wasted and emaciated features, a countenance which she had known well under far different circumstances.
The stranger