great red bandanna handkerchief, "and it's the man's stupidity that's the cause of this, and the storm's my storm as well as his"… so Mrs. Jarvis would bethink her when the Captain dropped in to see them and found Herbert out, and spent two or three hours, almost silent, sitting in the arm-chair. But Betty Flanders thought nothing of the kind.
"Oh, Captain," said Mrs. Flanders, bursting into the drawing-room, "I had to run after Barker's man… I hope Rebecca… I hope Jacob…"
She was very much out of breath, yet not at all upset, and as she put down the hearth-brush which she had bought of the oil-man, she said it was hot, flung the window further open, straightened a cover, picked up a book, as if she were very confident, very fond of the Captain, and a great many years younger than he was. Indeed, in her blue apron she did not look more than thirty-five. He was well over fifty.
She moved her hands about the table; the Captain moved his head from side to side, and made little sounds, as Betty went on chattering, completely at his ease – after twenty years.
"Well," he said at length, "I've heard from Mr. Polegate."
He had heard from Mr. Polegate that he could advise nothing better than to send a boy to one of the universities.
"Mr. Floyd was at Cambridge… no, at Oxford… well, at one or the other," said Mrs. Flanders.
She looked out of the window. Little windows, and the lilac and green of the garden were reflected in her eyes.
"Archer is doing very well," she said. "I have a very nice report from Captain Maxwell."
"I will leave you the letter to show Jacob," said the Captain, putting it clumsily back in its envelope.
"Jacob is after his butterflies as usual," said Mrs. Flanders irritably, but was surprised by a sudden afterthought, "Cricket begins this week, of course."
"Edward Jenkinson has handed in his resignation," said Captain Barfoot.
"Then you will stand for the Council?" Mrs. Flanders exclaimed, looking the Captain full in the face.
"Well, about that," Captain Barfoot began, settling himself rather deeper in his chair.
Jacob Flanders, therefore, went up to Cambridge in October, 1906.
CHAPTER THREE
"This is not a smoking-carriage," Mrs. Norman protested, nervously but very feebly, as the door swung open and a powerfully built young man jumped in. He seemed not to hear her. The train did not stop before it reached Cambridge, and here she was shut up alone, in a railway carriage, with a young man.
She touched the spring of her dressing-case, and ascertained that the scent-bottle and a novel from Mudie's were both handy (the young man was standing up with his back to her, putting his bag in the rack). She would throw the scent-bottle with her right hand, she decided, and tug the communication cord with her left. She was fifty years of age, and had a son at college. Nevertheless, it is a fact that men are dangerous. She read half a column of her newspaper; then stealthily looked over the edge to decide the question of safety by the infallible test of appearance… She would like to offer him her paper. But do young men read the Morning Post? She looked to see what he was reading – the Daily Telegraph.
Taking note of socks (loose), of tie (shabby), she once more reached his face. She dwelt upon his mouth. The lips were shut. The eyes bent down, since he was reading. All was firm, yet youthful, indifferent, unconscious – as for knocking one down! No, no, no! She looked out of the window, smiling slightly now, and then came back again, for he didn't notice her. Grave, unconscious… now he looked up, past her… he seemed so out of place, somehow, alone with an elderly lady… then he fixed his eyes – which were blue – on the landscape. He had not realized her presence, she thought. Yet it was none of HER fault that this was not a smoking-carriage – if that was what he meant.
Nobody sees any one as he is, let alone an elderly lady sitting opposite a strange young man in a railway carriage. They see a whole – they see all sorts of things – they see themselves… Mrs. Norman now read three pages of one of Mr. Norris's novels. Should she say to the young man (and after all he was just the same age as her own boy): "If you want to smoke, don't mind me"? No: he seemed absolutely indifferent to her presence… she did not wish to interrupt.
But since, even at her age, she noted his indifference, presumably he was in some way or other – to her at least – nice, handsome, interesting, distinguished, well built, like her own boy? One must do the best one can with her report. Anyhow, this was Jacob Flanders, aged nineteen. It is no use trying to sum people up. One must follow hints, not exactly what is said, nor yet entirely what is done – for instance, when the train drew into the station, Mr. Flanders burst open the door, and put the lady's dressing-case out for her, saying, or rather mumbling: "Let me" very shyly; indeed he was rather clumsy about it.
"Who…" said the lady, meeting her son; but as there was a great crowd on the platform and Jacob had already gone, she did not finish her sentence. As this was Cambridge, as she was staying there for the week-end, as she saw nothing but young men all day long, in streets and round tables, this sight of her fellow-traveller was completely lost in her mind, as the crooked pin dropped by a child into the wishing-well twirls in the water and disappears for ever.
They say the sky is the same everywhere. Travellers, the shipwrecked, exiles, and the dying draw comfort from the thought, and no doubt if you are of a mystical tendency, consolation, and even explanation, shower down from the unbroken surface. But above Cambridge – anyhow above the roof of King's College Chapel – there is a difference. Out at sea a great city will cast a brightness into the night. Is it fanciful to suppose the sky, washed into the crevices of King's College Chapel, lighter, thinner, more sparkling than the sky elsewhere? Does Cambridge burn not only into the night, but into the day?
Look, as they pass into service, how airily the gowns blow out, as though nothing dense and corporeal were within. What sculptured faces, what certainty, authority controlled by piety, although great boots march under the gowns. In what orderly procession they advance. Thick wax candles stand upright; young men rise in white gowns; while the subservient eagle bears up for inspection the great white book.
An inclined plane of light comes accurately through each window, purple and yellow even in its most diffused dust, while, where it breaks upon stone, that stone is softly chalked red, yellow, and purple. Neither snow nor greenery, winter nor summer, has power over the old stained glass. As the sides of a lantern protect the flame so that it burns steady even in the wildest night – burns steady and gravely illumines the tree-trunks – so inside the Chapel all was orderly. Gravely sounded the voices; wisely the organ replied, as if buttressing human faith with the assent of the elements. The white-robed figures crossed from side to side; now mounted steps, now descended, all very orderly.
… If you stand a lantern under a tree every insect in the forest creeps up to it – a curious assembly, since though they scramble and swing and knock their heads against the glass, they seem to have no purpose – something senseless inspires them. One gets tired of watching them, as they amble round the lantern and blindly tap as if for admittance, one large toad being the most besotted of any and shouldering his way through the rest. Ah, but what's that? A terrifying volley of pistol-shots rings out – cracks sharply; ripples spread – silence laps smooth over sound. A tree – a tree has fallen, a sort of death in the forest. After that, the wind in the trees sounds melancholy.
But this service in King's College Chapel – why allow women to take part in it? Surely, if the mind wanders (and Jacob looked extraordinarily vacant, his head thrown back, his hymn-book open at the wrong place), if the mind wanders it is because several hat shops and cupboards upon cupboards of coloured dresses are
