The Ladies' Paradise. Emile Zola

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of it in the place. Denise doubtless felt this indifference and rancour behind her, for she went downstairs with the same troubled feeling she had on going up, asking herself whether she ought to be sorry or glad to have come. Could she count on having the situation? She did not even know that, her uncomfortable state having prevented her understanding clearly. Of all her sensations, two remained and gradually effaced all the others – the emotion, almost the fear, inspired in her by Mouret, and Hutin’s amiability, the only pleasure she had enjoyed the whole morning, a souvenir of charming sweetness which filled her with gratitude. When she crossed the shop to go out she looked for the young man, happy at the idea of thanking him again with her eyes; and she was very sorry not to see him.

      “Well, mademoiselle, have you succeeded?” asked a timid voice, as she at last stood on the pavement outside. She turned round and recognised the tall, awkward young fellow who had spoken to her in the morning. He also had just come out of The Ladies’ Paradise, appearing more frightened than she did, still bewildered with the examination he had just passed through.

      “I really don’t know yet, sir,” replied she.

      “You’re like me, then. What a way of looking at and talking to you they have in there – eh? I’m applying for a place in the lace department I was at Crèvecour’s in the Rue du Mail.”

      They were once more standing facing each other; and, not knowing how to take leave, they commenced to blush. Then the young man, just for something to say in the excess of his timidity, ventured to ask in his good-natured, awkward way: “What is your name, mademoiselle?”

      “Denise Baudu.”

      “My name is Henri Deloche.”

      Now they smiled, and, yielding to the fraternity of their positions, shook each other by the hand.

      “Good luck!”

      “Yes, good luck!”

      CHAPTER III

      Every Saturday, between four and six, Madame Desforges offered a cup of tea and a few cakes to those friends who were kind enough to visit her. She occupied the third floor of a house at the corner of the Rue de Rivoli and the Rue d’Alger; and the windows of both drawing-rooms overlooked the Tuileries Gardens. This Saturday, just as a footman was about to introduce him into the principal drawing-room, Mouret perceived from the anteroom, through an open door, Madame Desforges, who was crossing the little drawing-room. She stopped on seeing him, and he went in that way, bowing to her with a ceremonious air. But when the footman had closed the door, he quickly seized the young woman’s hand, and tenderly kissed it.

      “Take care, I have company!” she said, in a low voice, glancing towards the door of the larger room. “I’ve just been to fetch this fan to show them,” and she playfully tapped him on the face with the tip of the fan. She was dark, rather stout, with big jealous eyes.

      But he still held her hand and asked: “Will he come?”

      “Certainly,” replied she. “I have his promise.”

      Both of them referred to Baron Hartmann, director of the Credit Immobilier. Madame Desforges, daughter of a Councillor of State, was the widow of a stock-broker, who had left her a fortune, denied by some, exaggerated by others. Even during her husband’s lifetime people said she had shown herself grateful towards Baron Hartmann, whose financial tips had proved very useful to them; and later on, after her husband’s death, the acquaintance had probably continued, but always discreetly, without imprudence or display; for she never courted notoriety in any way, and was received everywhere in the upper-middle classes amongst whom she was born. Even at this time, when the passion of the banker, a sceptical, crafty man, had subsided into a simple paternal affection, if she permitted herself certain lovers whom he tolerated, she displayed in these treasons of the heart such a delicate reserve and tact, a knowledge of the world so adroitly applied, that appearances were saved, and no one would have ventured to openly express any doubt as to her conduct Having met Mouret at a mutual friend’s, she had at first detested him; but she had yielded to him later on, as if carried away by the violent love with which he attacked her, and since he had commenced to approach Baron Hartmann through her, she had gradually got to love him with a real profound tenderness, adoring him with the violence of a woman already thirty-five, although only acknowledging twenty-nine, and in despair at feeling him younger than herself, trembling lest she should lose him.

      “Does he know about it?”

      “No, you’ll explain the affair to him yourself,” she replied.

      She looked at him, thinking that he couldn’t know anything or he would not employ her in this way with the baron, affecting to consider him simply as an old friend of hers. But he still held her hand, he called her his good Henriette, and she felt her heart melting. Silently she presented her lips, pressed them to his, then whispered: “Oh, they’re waiting for me. Come in behind me.”

      They could hear voices issuing from the principal drawingroom, deadened by the heavy curtains. She pushed the door, leaving its two folds open, and handed the fan to one of the four ladies who were seated in the middle of the room.

      “There it is,” said she; “I didn’t know exactly where it was. My maid would never have found it.” And she added in her cheerful way: “Come in, Monsieur Mouret, come through the little drawing-room; it will be less solemn.”

      Mouret bowed to the ladies whom he knew. The drawingroom, with its flowered brocatel Louis XVI. furniture, gilded bronzes and large green plants, had a tender feminine air, notwithstanding the height of the ceiling; and through the two windows could be seen the chestnut trees in the Tuileries Gardens, their leaves blowing about in the October wind.

      “But it isn’t at all bad, this Chantilly!” exclaimed Madame Bourdelais, who had taken the fan.

      She was a short fair woman of thirty, with a delicate nose and sparkling eyes, an old school-fellow of Henriette’s, and who had married a chief clerk in the Treasury. Of an old middle-class family, she managed her household and three children with a rare activity and good grace, and an exquisite knowledge of practical life.

      “And you paid twenty-five francs for it?” resumed she, examining each mesh of the lace. “At Luc, I think you said, to a country woman? No, it isn’t dear; but you had to get it mounted, hadn’t you?”

      “Of course,” replied Madame Desforges. “The mounting cost me two hundred francs.”

      Madame Bourdelais began to laugh. And that was what Henriette called a bargain! Two hundred francs for a plain ivory mount, with a monogram! And that for a simple piece of Chantilly, over which she had saved five francs, perhaps. Similar fans could be had ready, mounted for a hundred and twenty francs, and she named a shop in the Rue Poissonnière.

      However, the fan was handed round to all the ladies. Madame Guibal barely glanced at it. She was a tall, thin woman, with red hair, and a face full of indifference, in which her grey eyes, occasionally penetrating her unconcerned air, cast the terrible gleams of selfishness. She was never seen out with her husband, a barrister well-known at the Palais de Justice, who led, it was said, a pretty free life, dividing himself between his law business and his pleasures.

      “Oh,” murmured she, passing the fan to Madame de Boves, “I’ve scarcely bought one in my life. One always receives too many of such things.”

      The countess replied with delicate malice: “You are fortunate, my dear, in having a gallant husband.” And bending over to her daughter, a tall girl of twenty, she added: “Just look at the monogram, Blanche. What pretty work! It’s the monogram that must have increased

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