around when the poor creature was discovered by Mulligan. Quite a picturesque murder! Mr. Fane seems to be a gentleman with an original turn for furnishing to possess such a room, and the crime adds to its romance. And the secret of this murder will never be discovered. Why the woman should be stabbed, why she should have been lured to that strange room to be killed, how the assassins obtained possession of the latch-key-these things must remain for ever a mystery. But we are convinced that the crime was committed by a man and a woman, and we have given our reason."
To this statement-a purely theoretical one-the Daily Budget retorted in a short paragraph.
"We will merely ask our clever contemporary one question. 'If the woman assassin thus invented was singing at the piano before the policeman leaned over the gate, what opportunity had she and the young man to concert their scheme of escape?'"
To this demand there came no reply, and the press ceased to comment on the crime. The murder at Ajax Villa was relegated to the catalogue of unknown crimes for quite two weeks. Then a strange thing came to light.
CHAPTER VI
A STRANGE DISCOVERY
"You will have to make up your mind what you intend to do, my dear," said Mrs. Fane to her sister, "for I may tell you that Walter and I have arranged to make a change."
"In what way?" asked Laura, looking up from her sewing.
Mrs. Fane did not answer directly. She looked round the cosy morning-room, with rather a wistful expression. It was a very charming room, decorated in the fashion of a quaint, old parlour. In such an apartment might Jane Austen's heroines have sat, and the two ladies in modern dresses looked rather out of place. Mrs. Fane was tall and statuesque, with a placid, firm face, beautiful but cold. Her eyes were calm; she had none of those wrinkles which show the indulgence of emotion, and an earthquake would have failed to upset her eternal self-possession. Occupied in knitting a fleecy shawl, she scarcely lifted her eyes as she spoke, but continued to work placidly, never dropping a single stitch. There never was a woman who had herself so much under control as Mrs. Fane. Laura often wondered how she came to marry an excitable, vivacious man like Walter. But perhaps the exception to the law that like draws to like drew them together, and Mrs. Fane found in her husband, whose nature was so totally opposed to her own, the complement of herself.
The sisters resembled one another very little: Mrs. Fane was dark and tall, Laura slight and fair. Laura laughed when she was amused, showed anger when she felt it, and indulged unrestrained in her emotions, though she never exceeded them. She was as open in her disposition as Mrs. Fane was secretive. A glance would reveal Laura's thoughts, but no scrutiny would show what Mrs. Fane had in her mind. Both of them were plainly dressed, but Laura indulged in a few more trimmings than her sister. Mrs. Fane might have been a lady abbess, from the severity of her black garb. And a very good abbess she would have made, only the nuns under her charge would have been controlled with a rod of iron. She had no weaknesses herself, and had no patience with them in others. Not even pain appealed to her, for she had never been ill. Toothache was unknown to her; headaches she had never experienced; and she seemed to move amongst less favoured mortals like a goddess, majestic, unfeeling, and far removed from the engaging weaknesses of human nature. Mrs. Fane, by reason of this abnormal severity, was not popular.
To make a happy marriage, either the man or the woman must rule. If both have strong wills, separation or divorce is the only remedy to avert an unhappy life. If the man is strong, he controls the woman; if the woman has the will, she guides the man; and thus with no divided kingdom, the domestic life can be fairly happy, in some cases completely so.
When Mrs. Fane-Julia Mason she was then-determined to marry Walter, she also determined to have her own way. He was as weak as she was strong, therefore he did exactly as she ordered him. But she always gave him the outward rule, and, so to speak, only instructed him behind the scenes how he was to act on the stage of the world. People said that Mr. and Mrs. Fane were a happy pair, but they never knew the real reason of such happiness. Mrs. Fane concealed the iron hand in a velvet glove. Occasionally Walter proved restive, but she always managed by a quiet determination to bring him again into subjection. It may also be stated that she cherished a secret contempt that he should thus give in to her, although such yielding formed the basis of her ideal marriage. Only Laura knew how Mrs. Fane despised her husband; but since she was living with the pair, she was wise enough to keep this knowledge secret. Otherwise, Mrs. Fane would have made herself disagreeable, and she had a large capacity for rendering the house too hot for any one she disliked. Witness the expulsion of two servants who had served Fane when he was a bachelor, and who were discharged in the most polite way two months after Mrs. Fane came to live at Ajax Villa.
This domestic Boadicea looked round the room vaguely, and then brought her eyes back to the pretty, anxious face of Laura. She had a poor opinion of Laura, and always strove to impose her will on her. But Laura had her own ideas of life, and resented Julia's interference. There was but little love between the sisters, and this was entirely due to Julia's domineering temper. Not that the two ever fought. Mrs. Fane would not fight. She simply held out till she got her own way, and thus was usually successful with Walter. But Laura, made of sterner stuff, managed to hold her own, a firm quality which annoyed Julia, who liked people to grovel at her feet. She was a domestic tyrant of the worst.
Outside the sun was shining, and its rays penetrated even into the room. Mrs. Fane sat in a flood of gold, but was as unwarmed thereby as the statue of a goddess. Even the tragedy which had happened lately left but few traces of annoyance on her placid brow. Now that the unknown woman was buried, and the papers had ceased to interest themselves in the matter, she apparently dismissed it from her mind. Secretly she was annoyed with Laura because the girl had insisted on changing her bedroom. "I am not going to sleep in a room in which that body was laid out," said Laura. And it was on this hint that Mrs. Fane framed her reply.
"I wonder at you asking in what way we intend to make a change," she said in her cold voice, "seeing that you changed your room."
"Oh; you find the villa disagreeable after this tragedy?"
"I do not. So far as I am concerned, I should not mind living here for the rest of my days. I like the house and the neighbourhood, and especially do I like the White Room-"
"The very place where the poor creature was killed said Laura, with a shudder, which made Mrs. Fane smile.
"My dear, what does that matter? Death is death, however it comes, as you ought to know. If a murder took place in every room in the house I should not mind."
"Would you like it to take place in the nursery?" asked Laura.
Here she touched Mrs. Fane on a raw spot. If there was one thing the self-possessed woman loved it was her little daughter. That she was annoyed showed itself by the slight flush which crimsoned her face.
"You shouldn't say such things, my dear," she said in icy tones; "of course I except the nursery. An atmosphere of crime would not be conducive to the health of Minnie. But as I was saying, Walter wishes to give up the house."
"You said nothing of the sort," said Laura, irritated.
"I say it now, then. Walter wishes to go abroad."
"What about the business?"
Mrs. Fane raised her perfectly marked eyebrows. "Well, what about it, Laura? You know Walter is often away for weeks yachting. Times and seasons make no difference to him, so far as his love of the sea is concerned. Frederick says" – Frederick Mason was her brother-"that Walter is of very little use in the office."
"I wonder he keeps him, then," said Laura.
"There is no question of keeping," replied Mrs. Fane serenely; "you
