Guy Mannering; or, The Astrologer. Вальтер Скотт

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were on shore, and the lights instantly disappeared.

      It was one hour after midnight, and the prospect around was lovely. The grey old towers of the ruin, partly entire, partly broken, here bearing the rusty weather-stains of ages, and there partially mantled with ivy, stretched along the verge of the dark rock which rose on Mannering’s right hand. In his front was the quiet bay, whose little waves, crisping and sparkling to the moonbeams, rolled successively along its surface, and dashed with a soft and murmuring ripple against the silvery beach. To the left the woods advanced far into the ocean, waving in the moonlight along ground of an undulating and varied form, and presenting those varieties of light and shade, and that interesting combination of glade and thicket, upon which the eye delights to rest, charmed with what it sees, yet curious to pierce still deeper into the intricacies of the woodland scenery. Above rolled the planets, each, by its own liquid orbit of light, distinguished from the inferior or more distant stars. So strangely can imagination deceive even those by whose volition it has been excited, that Mannering, while gazing upon these brilliant bodies, was half inclined to believe in the influence ascribed to them by superstition over human events. But Mannering was a youthful lover, and might perhaps be influenced by the feelings so exquisitely expressed by a modern poet: -

           For fable is Love’s world, his home, his birthplace:

           Delightedly dwells he ‘mong fays, and talismans,

           And spirits, and delightedly believes

           Divinities, being himself divine

           The intelligible forms of ancient poets,

           The fair humanities of old religion,

           The power, the beauty, and the majesty,

           That had their haunts in dale, or piny mountain,

           Or forest, by slow stream, or pebbly spring,

           Or chasms and wat’ry depths-all these have vanish’d;

           They live no longer in the faith of reason!

           But still the heart doth need a language, still

           Doth the old instinct bring back the old names.

           And to yon starry world they now are gone,

           Spirits or gods, that used to share this earth

           With man as with their friend, and to the lover

           Yonder they move, from yonder visible sky

           Shoot influence down; and even at this day

           ‘T is Jupiter who brings whate’er is great,

           And Venus who brings everything that’s fair.

      Such musings soon gave way to others. ‘Alas!’ he muttered, ‘my good old tutor, who used to enter so deep into the controversy between Heydon and Chambers on the subject of astrology, he would have looked upon the scene with other eyes, and would have seriously endeavoured to discover from the respective positions of these luminaries their probable effects on the destiny of the new-born infant, as if the courses or emanations of the stars superseded, or at least were co-ordinate with, Divine Providence. Well, rest be with him! he instilled into me enough of knowledge for erecting a scheme of nativity, and therefore will I presently go about it.’ So saying, and having noted the position of the principal planetary bodies, Guy Mannering returned to the house. The Laird met him in the parlour, and, acquainting him with great glee that the boy was a fine healthy little fellow, seemed rather disposed to press further conviviality. He admitted, however, Mannering’s plea of weariness, and, conducting him to his sleeping apartment, left him to repose for the evening.

      CHAPTER IV

      Come and see’ trust thine own eyes

          A fearful sign stands in the house of life,

          An enemy a fiend lurks close behind

          The radiance of thy planet O be warned!

         COLERIDGE, from SCHILLER

      The belief in astrology was almost universal in the middle of the seventeenth century; it began to waver and become doubtful towards the close of that period, and in the beginning of the eighteenth the art fell into general disrepute, and even under general ridicule. Yet it still retained many partizans even in the seats of learning. Grave and studious men were loath to relinquish the calculations which had early become the principal objects of their studies, and felt reluctant to descend from the predominating height to which a supposed insight into futurity, by the power of consulting abstract influences and conjunctions, had exalted them over the rest of mankind.

      Among those who cherished this imaginary privilege with undoubting faith was an old clergyman with whom Mannering was placed during his youth. He wasted his eyes in observing the stars, and his brains in calculations upon their various combinations. His pupil, in early youth, naturally caught some portion of his enthusiasm, and laboured for a time to make himself master of the technical process of astrological research; so that, before he became convinced of its absurdity, William Lilly himself would have allowed him ‘a curious fancy and piercing judgment in resolving a question of nativity.’

      On the present occasion he arose as early in the morning as the shortness of the day permitted, and proceeded to calculate the nativity of the young heir of Ellangowan. He undertook the task secundum artem, as well to keep up appearances as from a sort of curiosity to know whether he yet remembered, and could practise, the imaginary science. He accordingly erected his scheme, or figure of heaven, divided into its twelve houses, placed the planets therein according to the ephemeris, and rectified their position to the hour and moment of the nativity. Without troubling our readers with the general prognostications which judicial astrology would have inferred from these circumstances, in this diagram there was one significator which pressed remarkably upon our astrologer’s attention. Mars, having dignity in the cusp of the twelfth house, threatened captivity or sudden and violent death to the native; and Mannering, having recourse to those further rules by which diviners pretend to ascertain the vehemency of this evil direction, observed from the result that three periods would be particularly hazardous-his fifth, his tenth, his twenty-first year.

      It was somewhat remarkable that Mannering had once before tried a similar piece of foolery at the instance of Sophia Wellwood, the young lady to whom he was attached, and that a similar conjunction of planetary influence threatened her with death or imprisonment in her thirty-ninth year. She was at this time eighteen; so that, according to the result of the scheme in both cases, the same year threatened her with the same misfortune that was presaged to the native or infant whom that night had introduced into the world. Struck with this coincidence, Mannering repeated his calculations; and the result approximated the events predicted, until at length the same month, and day of the month, seemed assigned as the period of peril to both.

      It will be readily believed that, in mentioning this circumstance, we lay no weight whatever upon the pretended information thus conveyed. But it often happens, such is our natural love for the marvellous, that we willingly contribute our own efforts to beguile our better judgments. Whether the coincidence which I have mentioned was really one of those singular chances which sometimes happen against all ordinary calculations; or whether Mannering, bewildered amid the arithmetical labyrinth and technical jargon of astrology, had insensibly twice followed the same clue to guide him out of the maze; or whether his imagination, seduced by some point of apparent resemblance, lent its aid to make the similitude between the two operations more exactly accurate than it might otherwise have been, it is impossible to guess; but the impression upon his mind that the results exactly corresponded was vividly and indelibly strong.

      He could not help feeling surprise at a coincidence so singular and unexpected. ‘Does the devil mingle in the dance, to avenge himself for our trifling with an art said to

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