Guy Mannering; or, The Astrologer. Вальтер Скотт
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Against the character of Pleydell “a few murmurs of pedantic criticism,” as Lockhart says, were uttered, and it was natural that Pleydell should seem an incredible character to English readers. But there is plenty of evidence that his “High Jinks” were not exaggerated.
There remains the heroine of the novel, as Mr. Ruskin not incorrectly calls her, Meg Merrilies, the sybil who so captivated the imagination of Keats. Among Scott’s many weird women, she is the most romantic, with her loyal heart and that fiery natural eloquence which, as Scott truly observed, does exist ready for moments of passion, even among the reticent Lowlanders. The child of a mysterious wandering race, Meg has a double claim to utter such speeches as she addresses to Ellangowan after the eviction of her tribe. Her death, as Mr. Ruskin says, is “self-devoted, heroic in the highest, and happy.” The devotion of Meg Merrilies, the grandeur of her figure, the music of her songs, more than redeem the character of Dirk Hatteraick, even if we hold, with the “Edinburgh” reviewer, that he is “a vulgar bandit of the German school,” just as the insipidity and flageolet of the hero are redeemed by the ballad sung in the moment of recognition.
“Are these the Links of Forth, she said,
Or are they the crooks of Dee,
Or the bonnie woods of Warroch Head,
That I so fain would see?"
“Guy Mannering,” according to Lockhart, was “pronounced by acclamation fully worthy to share the honours of ‘Waverley.’” One star differeth from another in glory, and “Guy Mannering” has neither that vivid picture of clannish manners nor that noble melancholy of a gallant and forlorn endeavour of the Lost Cause, which give dignity to “Waverley.” Yet, with Lockhart, we may admire, in “Guy Mannering,” “the rapid, ever-heightening interest of the narrative, the unaffected kindliness of feeling, the manly purity of thought, everywhere mingled with a gentle humour and homely sagacity, but, above all, the rich variety and skilful contrast of character and manners, at once fresh in fiction and stamped with the unforgeable seal of truth and nature.”
“When all was done that man may do,
And all was done in vain,"
ANDREW LANG.
CHAPTER I
He could not deny that, looking round upon the dreary region, and seeing nothing but bleak fields and naked trees, hills obscured by fogs, and flats covered with inundations, he did for some time suffer melancholy to prevail upon him, and wished himself again safe at home.
It was in the beginning of the month of November 17-when a young English gentleman, who had just left the university of Oxford, made use of the liberty afforded him to visit some parts of the north of England; and curiosity extended his tour into the adjacent frontier of the sister country. He had visited, on the day that opens our history, some monastic ruins in the county of Dumfries, and spent much of the day in making drawings of them from different points, so that, on mounting his horse to resume his journey, the brief and gloomy twilight of the season had already commenced. His way lay through a wide tract of black moss, extending for miles on each side and before him. Little eminences arose like islands on its surface, bearing here and there patches of corn, which even at this season was green, and sometimes a hut or farm-house, shaded by a willow or two and surrounded by large elder-bushes. These insulated dwellings communicated with each other by winding passages through the moss, impassable by any but the natives themselves. The public road, however, was tolerably well made and safe, so that the prospect of being benighted brought with it no real danger. Still it is uncomfortable to travel alone and in the dark through an unknown country; and there are few ordinary occasions upon which Fancy frets herself so much as in a situation like that of Mannering.
As the light grew faint and more faint, and the morass appeared blacker and blacker, our traveller questioned more closely each chance passenger on his distance from the village of Kippletringan, where he proposed to quarter for the night. His queries were usually answered by a counter-challenge respecting the place from whence he came. While sufficient daylight remained to show the dress and appearance of a gentleman, these cross interrogatories were usually put in the form of a case supposed, as, ‘Ye’ll hae been at the auld abbey o’ Halycross, sir? there’s mony English gentlemen gang to see that.’-Or, ‘Your honour will become frae the house o’ Pouderloupat?’ But when the voice of the querist alone was distinguishable, the response usually was, ‘Where are ye coming frae at sic a time o’ night as the like o’ this?’-or, ‘Ye’ll no be o’ this country, freend?’ The answers, when obtained, were neither very reconcilable to each other nor accurate in the information which they afforded. Kippletringan was distant at first ‘a gey bit’; then the ‘gey bit’ was more accurately described as ‘ablins three mile’; then the ‘three mile’ diminished into ‘like a mile and a bittock’; then extended themselves into ‘four mile or thereawa’; and, lastly, a female voice, having hushed a wailing infant which the spokeswoman carried in her arms, assured Guy Mannering, ‘It was a weary lang gate yet to Kippletringan, and unco heavy road for foot passengers.’ The poor hack upon which Mannering was mounted was probably of opinion that it suited him as ill as the female respondent; for he began to flag very much, answered each application of the spur with a groan, and stumbled at every stone (and they were not few) which lay in his road.
Mannering now grew impatient. He was occasionally betrayed into a deceitful hope that the end of his journey was near by the apparition of a twinkling light or two; but, as he came up, he was disappointed to find that the gleams proceeded from some of those farm-houses which occasionally ornamented the surface of the extensive bog. At length, to complete his perplexity, he arrived at a place where the road divided into two. If there had been light to consult the relics of a finger-post which stood there, it would have been of little avail, as, according to the good custom of North Britain, the inscription had been defaced shortly after its erection. Our adventurer was therefore compelled, like a knight-errant of old, to trust to the sagacity of his horse, which, without any demur, chose the left-hand path, and seemed to proceed at a somewhat livelier pace than before, affording thereby a hope that he knew he was drawing near to his quarters for the evening. This hope, however, was not speedily accomplished, and Mannering, whose impatience made every furlong seem three, began to think that Kippletringan was actually retreating before him in proportion to his advance.
It was now very cloudy, although the stars from time to time shed a twinkling and uncertain light. Hitherto nothing had broken the silence around him but the deep cry of the bog-blitter, or bull-of-the-bog, a large species of bittern, and the sighs of the wind as it passed along the dreary morass. To these was now joined the distant roar of the ocean, towards which the traveller seemed to be fast approaching. This was no circumstance to make his mind easy. Many of the roads in that country lay along the sea-beach, and were liable to be flooded by the tides, which rise with great height, and advance with extreme rapidity. Others were intersected with creeks and small inlets, which it was only safe to pass at particular times of the tide. Neither circumstance would have suited a dark night, a fatigued horse, and a traveller ignorant of his road. Mannering resolved, therefore, definitively to halt for the night at the first inhabited place, however poor, he might chance to reach, unless he could procure a guide to this unlucky village of Kippletringan.
A miserable hut gave him an opportunity to execute his purpose. He found out the door with no small difficulty, and for some time knocked without producing any other answer than a duet between a female and a cur-dog, the latter yelping as if he would have barked his heart out, the other screaming in chorus.