L'Assommoir. Emile Zola

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calming herself, she added in a gentle voice, as if speaking to a person on whom loud protestations would have no effect, "I think he has a frank look about the eyes. He'll marry you, my dear, I'm sure of it."

      Gervaise wiped her forehead with her wet hand. Shaking her head again, she pulled another garment out of the water. Both of them kept silence for a moment. The wash-house was quieting down, for eleven o'clock had struck. Half of the washerwomen were perched on the edge of their tubs, eating sausages between slices of bread and drinking from open bottles of wine. Only housewives who had come to launder small bundles of family linen were hurrying to finish.

      Occasional beetle blows could still be heard amid the subdued laughter and gossip half-choked by the greedy chewing of jawbones. The steam engine never stopped. Its vibrant, snorting voice seemed to fill the entire hall, though not one of the women even heard it. It was like the breathing of the wash-house, its hot breath collecting under the ceiling rafters in an eternal floating mist.

      The heat was becoming intolerable. Through the tall windows on the left sunlight was streaming in, touching the steamy vapors with opalescent tints of soft pinks and grayish blues. Charles went from window to window, letting down the heavy canvas awnings. Then he crossed to the shady side to open the ventilators. He was applauded by cries and hand clapping and a rough sort of gaiety spread around. Soon even the last of the beetle-pounding stopped.

      With full mouths, the washerwomen could only make gestures. It became so quiet that the grating sound of the fireman shoveling coal into the engine's firebox could be heard at regular intervals from far at the other end.

      Gervaise was washing her colored things in the hot water thick with lather, which she had kept for the purpose. When she had finished, she drew a trestle towards her and hung across it all the different articles; the drippings from which made bluish puddles on the floor; and she commenced rinsing. Behind her, the cold water tap was set running into a vast tub fixed to the ground, and across which were two wooden bars whereon to lay the clothes. High up in the air were two other bars for the things to finish dripping on.

      "We're almost finished, and not a bad job," said Madame Boche. "I'll wait and help you wring all that."

      "Oh! it's not worth while; I'm much obliged though," replied the young woman, who was kneading with her hands and sousing the colored things in some clean water. "If I'd any sheets, it would be another thing."

      But she had, however, to accept the concierge's assistance. They were wringing between them, one at each end, a woolen skirt of a washed-out chestnut color, from which dribbled a yellowish water, when Madame Boche exclaimed:

      "Why, there's tall Virginie! What has she come here to wash, when all her wardrobe that isn't on her would go into a pocket handkerchief?"

      Gervaise jerked her head up. Virginie was a girl of her own age, taller than she was, dark and pretty in spite of her face being rather long and narrow. She had on an old black dress with flounces, and a red ribbon round her neck; and her hair was done up carefully, the chignon being enclosed in a blue silk net. She stood an instant in the middle of the central alley, screwing up her eyes as though seeking someone; then, when she caught sight of Gervaise, she passed close to her, erect, insolent, and with a swinging gait, and took a place in the same row, five tubs away from her.

      "There's a freak for you!" continued Madame Boche in a lower tone of voice. "She never does any laundry, not even a pair of cuffs. A seamstress who doesn't even sew on a loose button! She's just like her sister, the brass burnisher, that hussy Adele, who stays away from her job two days out of three. Nobody knows who their folks are or how they make a living. Though, if I wanted to talk.. What on earth is she scrubbing there? A filthy petticoat. I'll wager it's seen some lovely sights, that petticoat!"

      Madame Boche was evidently trying to make herself agreeable to Gervaise. The truth was she often took a cup of coffee with Adele and Virginia, when the girls had any money. Gervaise did not answer, but hurried over her work with feverish hands. She had just prepared her blue in a little tub that stood on three legs. She dipped in the linen things, and shook them an instant at the bottom of the colored water, the reflection of which had a pinky tinge; and after wringing them lightly, she spread them out on the wooden bars up above. During the time she was occupied with this work, she made a point of turning her back on Virginie. But she heard her chuckles; she could feel her sidelong glances. Virginie appeared only to have come there to provoke her. At one moment, Gervaise having turned around, they both stared into each other's faces.

      "Leave her alone," whispered Madame Boche. "You're not going to pull each other's hair out, I hope. When I tell you there's nothing to it! It isn't her, anyhow!"

      At this moment, as the young woman was hanging up the last article of clothing, there was a sound of laughter at the door of the wash-house.

      "Here are two brats who want their mamma!" cried Charles.

      All the women leant forward. Gervaise recognized Claude and Etienne. As soon as they caught sight of her, they ran to her through the puddles, the heels of their unlaced shoes resounding on the flagstones. Claude, the eldest, held his little brother by the hand. The women, as they passed them, uttered little exclamations of affection as they noticed their frightened though smiling faces. And they stood there, in front of their mother, without leaving go of each other's hands, and holding their fair heads erect.

      "Has papa sent you?" asked Gervaise.

      But as she stooped to tie the laces of Etienne's shoes, she saw the key of their room on one of Claude's fingers, with the brass number hanging from it.

      "Why, you've brought the key!" she said, greatly surprised. "What's that for?"

      The child, seeing the key which he had forgotten on his finger, appeared to recollect, and exclaimed in his clear voice:

      "Papa's gone away."

      "He's gone to buy the lunch, and told you to come here to fetch me?"

      Claude looked at his brother, hesitated, no longer recollecting. Then he resumed all in a breath: "Papa's gone away. He jumped off the bed, he put all the things in the trunk, he carried the trunk down to a cab. He's gone away."

      Gervaise, who was squatting down, slowly rose to her feet, her face ghastly pale. She put her hands to her cheeks and temples, as though she felt her head was breaking; and she could find only these words, which she repeated twenty times in the same tone of voice:

      "Ah! good heavens! – ah! good heavens! – ah! good heavens!"

      Madame Boche, however, also questioned the child, quite delighted at the chance of hearing the whole story.

      "Come, little one, you must tell us just what happened. It was he who locked the door and who told you to bring the key, wasn't it?" And, lowering her voice, she whispered in Claude's ear: "Was there a lady in the cab?"

      The child again got confused. Then he recommenced his story in a triumphant manner: "He jumped off the bed, he put all the things in the trunk. He's gone away."

      Then, when Madame Boche let him go, he drew his brother in front of the tap, and they amused themselves by turning on the water. Gervaise was unable to cry. She was choking, leaning back against her tub, her face still buried in her hands. Brief shudders rocked her body and she wailed out long sighs while pressing her hands tighter against her eyes, as though abandoning herself to the blackness of desolation, a dark, deep pit into which she seemed to be falling.

      "Come, my dear, pull yourself together!" murmured Madame Boche.

      "If you only knew! If you only knew!"

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