died and was buried, and soon after Madame Sidonie had a little daughter, which she sent at once to the hospital, and never after even inquired for her, as she was “a heartless woman, cold as a protest and brutal as a sheriff’s aid.” A fault can be pardoned, but not ingratitude! Was not it true that, obliged to leave her shop as she was so heavily in debt, she had been received and cared for by Madame Foucart? And when in her turn she herself had fallen into difficulties, she had never been able to obtain from Madame Sidonie, even the month’s board she owed her, nor the fifteen francs she had once lent her. To-day the “hateful thing” lived on the Rue de Faubourg-Poissonniere, where she had a little apartment of three rooms. She pretended to be a cleaner and mender of lace, but she sold a good many other things. Ah! yes! such a mother as that it was best to know nothing about!
An hour later, Hubert was walking round the house where Madame Sidonie lived. He saw through the window a woman, thin, pale, coarse-looking, wearing an old black gown, stained and greased. Never could the heart of such a person be touched by the recollection of a daughter whom she had only seen on the day of its birth. He concluded it would be best not to repeat, even to his wife, many things that he had just learned. Still he hesitated. Once more he passed by the place, and looked again. Ought not he to go in, to introduce himself, and to ask the consent of the unnatural parent? As an honest man, it was for him to judge if he had the right of cutting the tie there and for ever. Brusquely he turned his back, hurried away, and returned that evening to Beaumont.
Hubertine had just learned that the proces-verbal at Monsieur Grandsire’s, for the guardianship of the child, had been signed. And when Angelique threw herself into Hubert’s arms, he saw clearly by the look of supplication in her eyes, that she had understood the true reason of his journey.
Then he said quietly: “My child, your mother is not living.” Angelique wept, as she kissed him most affectionately. After this the subject was not referred to. She was their daughter.
At Whitsuntide, this year, the Huberts had taken Angelique with them to lunch at the ruins of the Chateau d’Hautecoeur, which overlooks the Ligneul, two leagues below Beaumont; and, after the day spent in running and laughing in the open air, the young girl still slept when, the next morning, the old house-clock struck eight.
Hubertine was obliged to go up and rap at her door.
“Ah, well! Little lazy child! We have already had our breakfast, and it is late.”
Angelique dressed herself quickly and went down to the kitchen, where she took her rolls and coffee alone. Then, when she entered the workroom, where Hubert and his wife had just seated themselves, after having arranged their frames for embroidery, she said:
“Oh! how soundly I did sleep! I had quite forgotten that we had promised to finish this chasuble for next Sunday.”
This workroom, the windows of which opened upon the garden, was a large apartment, preserved almost entirely in its original state. The two principal beams of the ceiling, and the three visible cross-beams of support, had not even been whitewashed, and they were blackened by smoke and worm-eaten, while, through the openings of the broken plaster, here and there, the laths of the inner joists could be seen. On one of the stone corbels, which supported the beams, was the date 1463, without doubt the date of the construction of the building. The chimney-piece, also in stone, broken and disjointed, had traces of its original elegance, with its slender uprights, its brackets, its frieze with a cornice, and its basket-shaped funnel terminating in a crown. On the frieze could be seen even now, as if softened by age, an ingenious attempt at sculpture, in the way of a likeness of Saint Clair, the patron of embroiderers. But this chimney was no longer used, and the fireplace had been turned into an open closet by putting shelves therein, on which were piles of designs and patterns. The room was now heated by a great bell-shaped cast-iron stove, the pipe of which, after going the whole length of the ceiling, entered an opening made expressly for it in the wall. The doors, already shaky, were of the time of Louis XIV. The original tiles of the floor were nearly all gone, and had been replaced, one by one, by those of a later style. It was nearly a hundred years since the yellow walls had been coloured, and at the top of the room they were almost of a greyish white, and, lower down, were scratched and spotted with saltpetre. Each year there was talk of repainting them, but nothing had yet been done, from a dislike of making any change.
Hubertine, busy at her work, raised her head as Angelique spoke and said:
“You know that if our work is done on Sunday, I have promised to give you a basket of pansies for your garden.”
The young girl exclaimed gaily: “Oh, yes! that is true. Ah, well! I will do my best then! But where is my thimble? It seems as if all working implements take to themselves wings and fly away, if not in constant use.”
She flipped the old doigtier of ivory on the second joint of her little finger, and took her place on the other side of the frame, opposite to the window.
Since the middle of the last century there had not been the slightest modification in the fittings and arrangements of the workroom. Fashions changed, the art of the embroiderer was transformed, but there was still seen fastened to the wall the chantlate, the great piece of wood where was placed one end of the frame or work, while the other end was supported by a moving trestle. In the corners were many ancient tools – a little machine called a “diligent,” with its wheels and its long pins, to wind the gold thread on the reels without touching it; a hand spinning-wheel; a species of pulley to twist the threads which were attached to the wall; rollers of various sizes covered with silks and threads used in the crochet embroidery. Upon a shelf was spread out an old collection of punches for the spangles, and there was also to be seen a valuable relic, in the shape of the classic chandelier in hammered brass which belonged to some ancient master-workman. On the rings of a rack made of a nailed leather strap were hung awls, mallets, hammers, irons to cut the vellum, and roughing chisels of bogwood, which were used to smooth the threads as fast as they were employed. And yet again, at the foot of the heavy oaken table on which the cutting-out was done, was a great winder, whose two movable reels of wicker held the skeins. Long chains of spools of bright-coloured silks strung on cords were hung near that case of drawers. On the floor was a large basket filled with empty bobbins. A pair of great shears rested on the straw seat of one of the chairs, and a ball of cord had just fallen on the floor, half unwound.
“Oh! what lovely weather! What perfect weather!” continued Angelique. “It is a pleasure simply to live and to breathe.”
And before stooping to apply herself to her work, she delayed another moment before the open window, through which entered all the beauty of a radiant May morning.
CHAPTER IV
The sun shone brightly on the roof of the Cathedral, a fresh odour of lilacs came up from the bushes in the garden of the Bishop. Angelique smiled, as she stood there, dazzled, and as if bathed in the springtide. Then, starting as if suddenly awakened from sleep, she said:
“Father, I have no more gold thread for my work.”
Hubert, who had just finished pricking the tracing of the pattern of a cope, went to get a skein from the case of drawers, cut it, tapered off the two ends by scratching the gold which covered the silk, and he brought it to her rolled up in parchment.
“Is that all you need?”
“Yes, thanks.”
With a quick glance she had assured herself that nothing more was wanting; the needles were supplied with the different golds, the red, the green, and the blue; there were spools of every shade of silk; the spangles were ready; and the twisted wires for the gold lace were in the crown of a hat which served as a box, with the long fine needles, the steel pincers, the thimbles, the scissors, and the ball of wax. All these were on the frame even, or on the material
