strength, and enter into his weakness; lay aside thy burden for the while, and buckle on his own; let thy sight see as through his eyes – thy heart beat as in his bosom. Do this, and thou wilt often confess that what had seemed just to thy power will seem harsh to his weakness. For 'as a zealous man hath not done his duty, when he calls his brother drunkard and beast,'2 even so an administrator of the law mistakes his object if he writes on the grand column of society, only warnings that irritate the bold, and terrify the timid: and a man will be no more in love with law than with virtue, 'if he be forced to it with rudeness and incivilities.'3 If, then, ye would bear the burden of the lowly, O ye great – feel not only for them, but with! Watch that your pride does not chafe them – your power does not wantonly gall. Your worldly inferior is of the class from which the apostles were chosen – amidst which the Lord of Creation descended from a throne above the seraphs."
The Parson here paused a moment, and his eye glanced towards the pew near the pulpit, where sat the magnate of Hazeldean. The Squire was leaning his chin thoughtfully on his hand, his brow inclined downwards, and the natural glow of his complexion much heightened.
"But" – resumed the Parson softly, without turning to his book, and rather as if prompted by the suggestion of the moment – "But he who has cultivated sympathy commits not these errors, or, if committing them, hastens to retract. So natural is sympathy to the good man, that he obeys it mechanically when he suffers his heart to be the monitor of his conscience. In this sympathy behold the bond between rich and poor! By this sympathy, whatever our varying worldly lots, they become what they were meant to be – exercises for the virtues more peculiar to each; and thus, if in the body each man bear his own burden, yet in the fellowship of the soul all have common relief in bearing the burdens of each other.
"This is the law of Christ – fulfil it, O my flock!"
Here the Parson closed his sermon, and the congregation bowed their heads.
ANCIENT AND MODERN ELOQUENCE
Eloquence, in its highest flights, is beyond all question the greatest exertion of the human mind. It requires for its conception a combination of the most exalted faculties; for its execution, a union of the most extraordinary powers. Unite in thought the most varied and dissimilar faculties of the soul – strength of understanding with brilliancy of imagination; fire of conception with solidity of judgment; a retentive memory with an enthusiastic fancy; the warmth of poetry with the coldness of prose; an eye for the beauties of nature with a command of the realities of life; a mind stored with facts and a heart teeming with impressions – and you will form the elements from which the most powerful style of oratory is to be created. But this is not all. Physical powers, if not essential, are at least a great addition to the mental qualities required for its success. The orator must have at once the lengthened thought which is requisite for a prolonged argument, and the ready wit which can turn to the best advantage any incident which may occur in the course of its delivery. More than all is required the fixity of purpose, the energy in effort, the commanding turn, which, as it is the most valuable and important faculty of the mind, so it is the one most rarely to be met with in any walk of life, and least of all in combination with the brilliant and imaginative qualities, which are the very soul of every art which is to subdue or captivate mankind.
It is not surprising that the art of the orator should require, for its highest flights, so rare a combination of qualities, for of all the efforts of the human mind it is the most astonishing in its nature, and the most transcendent in its immediate triumphs. The wisdom of the philosopher, the eloquence of the historian, the sagacity of the statesman, the capacity of the general, may produce more lasting effects upon human affairs; but they are incomparably less rapid in their influence, and less intoxicating from the ascendency they confer. In the solitude of his library the sage meditates on the truths which are to influence the thoughts and direct the conduct of men in future times; amidst the strife of faction the legislator discerns the measures calculated, after a long course of years, to alleviate existing evils or produce happiness yet unborn; during long and wearisome campaigns the commander throws his shield over the fortunes of his country, and prepares in silence and amidst obloquy the means of maintaining its independence. But the triumphs of the orator are immediate; his influence is instantly felt: his, and his alone, it is
"The applause of listening senates to command,
The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
And read his history in a nation's eyes."
To stand up before a vast assembly composed of men of various passions, habits, and prepossessions; to conciliate their feelings by the art, and carry away their judgment by the eloquence, of the orator; to see every gaze at length turned on his countenance, and every ear intent on the words which drop from his lips; to see indifference turn into excitement, and aversion melt away amidst enthusiasm; to hear thunders of applause at the close of every sentence, and behold the fire of enthusiasm kindled in every eye, as each successive idea is brought forth; and to think that all this is the creation of the moment, and has sprung extempore from the ardour of his conceptions, and the inspiration they have derived from what passes around him, is perhaps the greatest triumph of the human mind, and that in which its divine origin and immortal destiny is most clearly revealed.
It is the magnitude of the combination requisite for its greatest efforts which renders eloquence of the loftiest kind so extremely rare among mankind. It is less frequent than the highest flights in epic or dramatic poetry. Greece produced three great tragedians, but only one Demosthenes; Cicero stands alone to sustain by his single strength the fame of Roman oratory. Antiquity could not boast of more than five or six persons who, by the common consent of their contemporaries, had attained the highest rank in forensic eloquence; it is doubtful if modern times could count as many: as many, we mean, who have attained the very highest place in this noble and difficult art; for, doubtless, in the second class, great numbers of names are to be found; and in the third their name is legion. It is not meant to be asserted that great temporary fame and influence by eloquence may not be, and often has been, acquired by persons who are deficient in many of the qualities above enumerated, as required to form a perfect orator. Without doubt, brilliancy of genius will often, for passing effect, compensate the want of solidity of judgment; and fire of imagination make us for the moment forget a squeaking voice, a diminutive figure, an ungainly countenance. No one, at times, commanded the attention of the House of Commons more entirely than the late Mr Wilberforce, and yet his stature was small, and his voice weak and painfully shrill. But great earnestness of will and brilliancy of fancy are required to compensate such defects; and we are persuaded that none will more readily admit the justice of these observations than those who have laboured under, and, by their powers, in a certain degree surmounted them.
As little is it intended to assert that vast influence may not be acquired, and unbounded celebrity for the time obtained, not merely without the cooperation of such varied and extensive qualities, but by the aid, in many cases, of the very reverse. As temporary influence, not lasting fame, is the immediate and chief end of oratory, its style must be adapted to the prevailing cast of mind, and ruling interests or passions, of the persons to whom it is addressed; and as it will share in elevation of sentiment, if that is their characteristic, so it will be deformed by vulgarity or selfishness when they are vulgar and selfish. It is a common saying, that a speaker must descend to the level of his audience, if he means to command their suffrages or enlist their passions; and we have only to look around us to see how often, in assemblies of an inferior, interested, or impassioned character, the highest celebrity and most unbounded success are attained by persons who not only have exhibited few of the qualities of a refined orator, but who had studiously concealed those which they did possess, and secretly despised in their hearts the arts to which their triumphs had been owing.4 But this is no more than is the case with all the arts which aim at influencing, or charming mankind. The theatre, the romance, poetry itself, share
Jeremy Taylor —
Ib.
This was well known in ancient times. "Corruptas," says Quintilian, "aliquando et vitiosas orationes, quas tamen plerique judiciorum pravitate mirantur, quam multa impropria, obscura, tumida, humilia, sordida, lasciva, effeminata sunt; quæ non laudantur modo a plerisque, sed quod pejus est,
