the matter of fashion. There was another field, however, in which she might hope for supremacy. Her own sentimental history was vivid, compared to the colorless lives of most, and she proceeded to assert her claims.
One Saturday evening in October, half-a-dozen girls were gathered in Rosalie's room, on piled-up sofa cushions, with the gas turned low and the light of the hunter's moon streaming through the window. They had been singing softly in a minor key, but gradually the singing turned to talk. The talk, in accordance with the moonlight and flying clouds, was in a sentimental vein; and it ended, naturally, with Rosalie's Great Experience. Between maidenly hesitations and many promptings she retold the story—the new girls had never heard it, and to the old girls it was always new.
The stage setting had been perfect—a moonlit beach, and lapping waves and rustling pine trees. When Rosalie chanced to omit any detail, her hearers, already familiar with the story, eagerly supplied it.
"And he held your hand all the time he was talking," Priscilla prompted.
"Oh, Rosalie! Did he?" in a shocked chorus from the newcomers.
"Y—yes. He just sort of took hold of it and forgot to let go, and I didn't like to remind him."
"What did he say?"
"He said he couldn't live without me."
"And what did you say?"
"I said I was awfully sorry, but he'd have to."
"And then what happened?"
"Nothing happened," she was obliged to confess. "I s'pose something might have happened if I'd accepted him, but you see, I didn't."
"But you were very young at the time," suggested Evalina Smith. "Are you sure you knew your own mind?"
Rosalie nodded with an air of melancholy regret.
"Yes. I knew I couldn't ever love him, because, he—well, he had an awfully funny nose. It started to point in one direction, and then changed its mind and pointed in the other."
Her hearers would have preferred that she had omitted this detail; but Rosalie was literal-minded and lacked the story-teller's instinct for suppression.
"He asked if there wasn't any hope that I would change," she added pensively. "I told him that I could never love him enough to marry him, but that I would always respect him."
"And then what did he say?"
"He said he wouldn't commit suicide."
A profound hush followed, while Rosalie gazed at the moon and the others gazed at Rosalie. With her gleaming hair and violet eyes, she was entirely their ideal of a storybook heroine. They did not think of envying her; they merely wondered and admired. She was crowned by natural right, Queen of Romance.
Mae Van Arsdale, who had listened in silence to the recital, was the first to break the spell. She rose, fluffed up her hair, straightened her blouse, and politely suppressed a yawn.
"Nonsense, Rosalie! You're a silly little goose to make such a fuss over nothing.—Good-night, children. I'm going to bed now."
She sauntered toward the door, but paused on the threshold to drop the casual statement. "I've been proposed to three times."
A shocked gasp arose from the circle at this lèse-majesté. The disdainful condescension of a new girl was more than they could brook.
"She's a horrid old thing, and I don't believe a word she says!" Priscilla declared stoutly, as she kissed poor crushed little Rosalie goodnight.
This slight contretemps marked the beginning of strained relations. Mae Mertelle gathered her own adherents, and Rosalie's special coterie of friends rallied to the standard of their queen. They intimated to Mae's followers that the quality of the romance was quite different in the two cases. Mae might be the heroine of any number of commonplace flirtations, but Rosalie was the victim of a grande passion. She was marked with an indelible scar that she would carry to the grave. In the heat of their allegiance, they overlooked the crookedness of the hero's nose and the avowed fact that Rosalie's own affections had not been engaged.
But Mae's trump card had been withheld. Whispers presently spread about under the seal of confidence. She was hopelessly in love. It was not a matter of the past vacation, but of the burning present. Her room-mate wakened in the night to hear her sobbing to herself. She had no appetite—her whole table could testify to that. In the middle of dessert, even on ice-cream nights, she would forget to eat, and with her spoon half-raised, would sit staring into space. When reminded that she was at the table, she would start guiltily and hastily bolt the rest of the meal. Her enemies unkindly commented upon the fact that she always came to before the end, so she got as much as anybody else.
The English classes at St. Ursula's were weekly drilled in the old-fashioned art of letter writing. The girls wrote letters home, minutely descriptive of school life. They addressed imaginary girl friends, and grandmothers and college brothers and baby sisters. They were learning the great secret of literary forcefulness—to suit their style to their audience. Ultimately, they arrived at the point of thanking imaginary young men for imaginary flowers. Mae listened to the somewhat stilted phraseology of these polite and proper notes with a supercilious smile. The class, covertly regarding her, thrilled anew.
Gradually, the details of the romance spread abroad. The man was English—Mae had met him on the steamer—and some day when his elder brother died (the brother was suffering from an incurable malady that would carry him off in a few years) he would come into the title; though just what the title was, Mae had not specifically stated. But in any case, her father was a staunch American; he hated the English and he hated titles. No daughter of his should ever marry a foreigner. If she did, she would never receive a dollar from him. However, neither Mae nor Cuthbert cared about the money. Cuthbert had plenty of his own. His name was Cuthbert St. John. (Pronounced Sinjun.) He had four names in all, but those were the two he used the most. He was in England now, having been summoned by cable, owing to the critical condition of his brother's health, but the crisis was past, and Cuthbert would soon be returning. Then—Mae closed her lips in a straight line and stared defiantly into space. Her father should see!
Before the throbbing reality of this romance, Rosalie's poor little history paled into nothing.
Then the plot began to thicken. Studying the lists of incoming steamers, Mae announced to her room-mate that he had landed. He had given his word to her father not to write; but she knew that in some way she should hear. And sure enough! The following morning brought a nameless bunch of violets. There had been doubters before—but at this tangible proof of devotion, skepticism crumbled.
Mae wore her violets to church on Sunday. The school mixed its responses in a shocking fashion—nobody pretended to follow the service; all eyes were fixed on Mae's upturned face and far-off smile. Patty Wyatt pointed out that Mae had taken special pains to seat herself in the light of a stained-glass window, and that occasionally the rapt eyes scanned the faces of her companions, to make sure that the effect was reaching across the footlights. But Patty's insinuation was indignantly repudiated by the school.
Mae was at last triumphantly secure in the rôle of leading lady. Poor insipid Rosalie no longer had a speaking part.
The affair ran on for several weeks, gathering momentum as it moved. In the European Travel Class that met on Monday nights, "English Country Seats" was the subject of one of the talks, illustrated by the stereopticon. As a stately, terraced mansion, with deer cropping grass in the foreground, was thrown upon the screen, Mae Mertelle suddenly grew faint. She vouchsafed
