what wilt thou teach me, O singular and fearful man? New cheats—new…'
'No—I have thrown thee into the abyss of disbelief; I will lead thee now to the eminence of faith. Thou hast seen the false types: thou shalt learn now the realities they represent. There is no shadow, Apaecides, without its substance. Come to me this night. Your hand.'
Impressed, excited, bewildered by the language of the Egyptian, Apaecides gave him his hand, and master and pupil parted.
It was true that for Apaecides there was no retreat. He had taken the vows of celibacy: he had devoted himself to a life that at present seemed to possess all the austerities of fanaticism, without any of the consolations of belief It was natural that he should yet cling to a yearning desire to reconcile himself to an irrevocable career. The powerful and profound mind of the Egyptian yet claimed an empire over his young imagination; excited him with vague conjecture, and kept him alternately vibrating between hope and fear.
Meanwhile Arbaces pursued his slow and stately way to the house of Ione. As he entered the tablinum, he heard a voice from the porticoes of the peristyle beyond, which, musical as it was, sounded displeasingly on his ear—it was the voice of the young and beautiful Glaucus, and for the first time an involuntary thrill of jealousy shot through the breast of the Egyptian. On entering the peristyle, he found Glaucus seated by the side of Ione. The fountain in the odorous garden cast up its silver spray in the air, and kept a delicious coolness in the midst of the sultry noon. The handmaids, almost invariably attendant on Ione, who with her freedom of life preserved the most delicate modesty, sat at a little distance; by the feet of Glaucus lay the lyre on which he had been playing to Ione one of the Lesbian airs. The scene—the group before Arbaces, was stamped by that peculiar and refined ideality of poesy which we yet, not erroneously, imagine to be the distinction of the ancients—the marble columns, the vases of flowers, the statue, white and tranquil, closing every vista; and, above all, the two living forms, from which a sculptor might have caught either inspiration or despair!
Arbaces, pausing for a moment, gazed on the pair with a brow from which all the usual stern serenity had fled; he recovered himself by an effort, and slowly approached them, but with a step so soft and echoless, that even the attendants heard him not; much less Ione and her lover.
'And yet,' said Glaucus, 'it is only before we love that we imagine that our poets have truly described the passion; the instant the sun rises, all the stars that had shone in his absence vanish into air. The poets exist only in the night of the heart; they are nothing to us when we feel the full glory of the god.'
'A gentle and most glowing image, noble Glaucus.'
Both started, and recognized behind the seat of Ione the cold and sarcastic face of the Egyptian.
'You are a sudden guest,' said Glaucus, rising, and with a forced smile.
'So ought all to be who know they are welcome,' returned Arbaces, seating himself, and motioning to Glaucus to do the same.
'I am glad,' said Ione, 'to see you at length together; for you are suited to each other, and you are formed to be friends.'
'Give me back some fifteen years of life,' replied the Egyptian, 'before you can place me on an equality with Glaucus. Happy should I be to receive his friendship; but what can I give him in return? Can I make to him the same confidences that he would repose in me—of banquets and garlands—of Parthian steeds, and the chances of the dice? these pleasures suit his age, his nature, his career: they are not for mine.'
So saying, the artful Egyptian looked down and sighed; but from the corner of his eye he stole a glance towards Ione, to see how she received these insinuations of the pursuits of her visitor. Her countenance did not satisfy him. Glaucus, slightly coloring, hastened gaily to reply. Nor was he, perhaps, without the wish in his turn to disconcert and abash the Egyptian.
'You are right, wise Arbaces,' said he; 'we can esteem each other, but we cannot be friends. My banquets lack the secret salt which, according to rumor, gives such zest to your own. And, by Hercules! when I have reached your age, if I, like you, may think it wise to pursue the pleasures of manhood, like you, I shall be doubtless sarcastic on the gallantries of youth.'
The Egyptian raised his eyes to Glaucus with a sudden and piercing glance.
'I do not understand you,' said he, coldly; 'but it is the custom to consider that wit lies in obscurity.' He turned from Glaucus as he spoke, with a scarcely perceptible sneer of contempt, and after a moment's pause addressed himself to Ione.
'I have not, beautiful Ione,' said he, 'been fortunate enough to find you within doors the last two or three times that I have visited your vestibule.'
'The smoothness of the sea has tempted me much from home,' replied Ione, with a little embarrassment.
The embarrassment did not escape Arbaces; but without seeming to heed it, he replied with a smile: 'You know the old poet says, that "Women should keep within doors, and there converse."'
'The poet was a cynic,' said Glaucus, 'and hated women.'
'He spoke according to the customs of his country, and that country is your boasted Greece.'
'To different periods different customs. Had our forefathers known Ione, they had made a different law.'
'Did you learn these pretty gallantries at Rome?' said Arbaces, with ill-suppressed emotion.
'One certainly would not go for gallantries to Egypt,' retorted Glaucus, playing carelessly with his chain.
'Come, come,' said Ione, hastening to interrupt a conversation which she saw, to her great distress, was so little likely to cement the intimacy she had desired to effect between Glaucus and her friend, 'Arbaces must not be so hard upon his poor pupil. An orphan, and without a mother's care, I may be to blame for the independent and almost masculine liberty of life that I have chosen: yet it is not greater than the Roman women are accustomed to—it is not greater than the Grecian ought to be. Alas! is it only to be among men that freedom and virtue are to be deemed united? Why should the slavery that destroys you be considered the only method to preserve us? Ah! believe me, it has been the great error of men—and one that has worked bitterly on their destinies—to imagine that the nature of women is (I will not say inferior, that may be so, but) so different from their own, in making laws unfavorable to the intellectual advancement of women. Have they not, in so doing, made laws against their children, whom women are to rear?—against the husbands, of whom women are to be the friends, nay, sometimes the advisers?' Ione stopped short suddenly, and her face was suffused with the most enchanting blushes. She feared lest her enthusiasm had led her too far; yet she feared the austere Arbaces less than the courteous Glaucus, for she loved the last, and it was not the custom of the Greeks to allow their women (at least such of their women as they most honored) the same liberty and the same station as those of Italy enjoyed. She felt, therefore, a thrill of delight as Glaucus earnestly replied:
'Ever mayst thou think thus, Ione—ever be your pure heart your unerring guide! Happy it had been for Greece if she had given to the chaste the same intellectual charms that are so celebrated amongst the less worthy of her women. No state falls from freedom—from knowledge, while your sex smile only on the free, and by appreciating, encourage the wise.'
Arbaces was silent, for it was neither his part to sanction the sentiment of Glaucus, nor to condemn that of Ione, and, after a short and embarrassed conversation, Glaucus took his leave of Ione.
When he was gone, Arbaces, drawing his seat nearer to the fair Neapolitan's, said in those bland and subdued tones, in which he knew so well how to veil the mingled art and fierceness of his character:
'Think
