A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare. George MacDonald
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And now, probably at school, or in the first months of his college-life, a new phase of experience begins. He has wandered over the border of what is commonly called science, and the marvel of facts multitudinous, strung upon the golden threads of law, has laid hold upon him. His intellect is seized and possessed by a new spirit. For a time knowledge is pride; the mere consciousness of knowing is the reward of its labour; the ever recurring, ever passing contact of mind with a new fact is a joy full of excitement, and promises an endless delight. But ever the thing that is known sinks into insignificance, save as a step of the endless stair on which he is climbing—whither he knows not; the unknown draws him; the new fact touches his mind, flames up in the contact, and drops dark, a mere fact, on the heap below. Even the grandeur of law as law, so far from adding fresh consciousness to his life, causes it no small suffering and loss. For at the entrance of Science, nobly and gracefully as she bears herself, young Poetry shrinks back startled, dismayed. Poetry is true as Science, and Science is holy as Poetry; but young Poetry is timid and Science is fearless, and bears with her a colder atmosphere than the other has yet learned to brave. It is not that Madam Science shows any antagonism to Lady Poetry; but the atmosphere and plane on which alone they can meet as friends who understand each other, is the mind and heart of the sage, not of the boy. The youth gazes on the face of Science, cold, clear, beautiful; then, turning, looks for his friend—but, alas! Poetry has fled. With a great pang at the heart he rushes abroad to find her, but descries only the rainbow glimmer of her skirt on the far horizon. At night, in his dreams, she returns, but never for a season may he look on her face of loveliness. What, alas! have evaporation, caloric, atmosphere, refraction, the prism, and the second planet of our system, to do with “sad Hesper o’er the buried sun?” From quantitative analysis how shall he turn again to “the rime of the ancient mariner,” and “the moving moon” that “went up the sky, and nowhere did abide”? From his window he gazes across the sands to the mightily troubled ocean: “What is the storm to me any more!” he cries; “it is but the clashing of countless water-drops!” He finds relief in the discovery that, the moment you place man in the midst of it, the clashing of water-drops becomes a storm, terrible to heart and brain: human thought and feeling, hope, fear, love, sacrifice, make the motions of nature alive with mystery and the shadows of destiny. The relief, however, is but partial, and may be but temporary; for what if this mingling of man and Nature in the mind of man be but the casting of a coloured shadow over her cold indifference? What if she means nothing—never was meant to mean anything! What if in truth “we receive but what we give, and in our life alone doth Nature live!” What if the language of metaphysics as well as of poetry be drawn, not from Nature at all, but from human fancy concerning her!
At length, from the unknown, whence himself he came, appears an angel to deliver him from this horror—this stony look—ah, God! of soulless law. The woman is on her way whose part it is to meet him with a life other than his own, at once the complement of his, and the visible presentment of that in it which is beyond his own understanding. The enchantment of what we specially call love is upon him—a deceiving glamour, say some, showing what is not, an opening of the eyes, say others, revealing that of which a man had not been aware: men will still be divided into those who believe that the horses of fire and the chariots of fire are ever present at their need of them, and those who class the prophet and the drunkard in the same category as the fools of their own fancies. But what this love is, he who thinks he knows least understands. Let foolish maidens and vulgar youths simper and jest over it as they please, it is one of the most potent mysteries of the living God. The man who can love a woman and remain a lover of his wretched self, is fit only to be cast out with the broken potsherds of the city, as one in whom the very salt has lost its savour. With this love in his heart, a man puts on at least the vision robes of the seer, if not the singing robes of the poet. Be he the paltriest human animal that ever breathed, for the time, and in his degree, he rises above himself. His nature so far clarifies itself, that here and there a truth of the great world will penetrate, sorely dimmed, through the fog-laden, self-shadowed atmosphere of his microcosm. For the time, I repeat, he is not a lover only, but something of a friend, with a reflex touch of his own far-off childhood. To the youth of my history, in the light of his love—a light that passes outward from the eyes of the lover—the world grows alive again, yea radiant as an infinite face. He sees the flowers as he saw them in boyhood, recovering from an illness of all the winter, only they have a yet deeper glow, a yet fresher delight, a yet more unspeakable soul. He becomes pitiful over them, and not willingly breaks their stems, to hurt the life he more than half believes they share with him. He cannot think anything created only for him, any more than only for itself. Nature is no longer a mere contention of forces, whose heaven and whose hell in one is the dull peace of an equilibrium; but a struggle, through splendour of colour, graciousness of form, and evasive vitality of motion and sound, after an utterance hard to find, and never found but marred by the imperfection of the small and weak that would embody and set forth the great and mighty. The waving of the tree-tops is the billowy movement of a hidden delight. The sun lifts his head with intent to be glorious. No day lasts too long, no night comes too soon: the twilight is woven of shadowy arms that draw the loving to the bosom of the Night. In the woman, the infinite after which he thirsts is given him for his own.
Man’s occupation with himself turns his eyes from the great life beyond his threshold: when love awakes, he forgets himself for a time, and many a glimpse of strange truth finds its way through his windows, blocked no longer by the shadow of himself. He may now catch even a glimpse of the possibilities of his own being—may dimly perceive for a moment the image after which he was made. But alas! too soon, self, radiant of darkness, awakes; every window becomes opaque with shadow, and the man is again a prisoner. For it is not the highest word alone that the cares of this world, the deceitfulness of riches, and the lust of other things entering in, choke, and render unfruitful. Waking from the divine vision, if that can be called waking which is indeed dying into the common day, the common man regards it straightway as a foolish dream; the wise man believes in it still, holds fast by the memory of the vanished glory, and looks to have it one day again a present portion of the light of his life. He knows that, because of the imperfection and dulness and weakness of his nature, after every vision follow the inclosing clouds, with the threat of an ever during dark; knows that, even if the vision could tarry, it were not well, for the sake of that which must yet be done with him, yet be made of him, that it should tarry. But the youth whose history I am following is not like the former, nor as yet like the latter.
From whatever cause, then, whether of fault, of natural law, or of supernal will, the flush that seemed to promise the dawn of an eternal day, shrinks and fades, though, with him, like the lagging skirt of the sunset in the northern west, it does not vanish, but travels on, a withered pilgrim, all the night, at the long last to rise the aureole of the eternal Aurora. And now new paths entice him—or old paths opening fresh horizons. With stronger thews and keener nerves he turns again to the visible around him. The changelessness amid change, the law amid seeming disorder, the unity amid units, draws him again. He begins to descry the indwelling poetry of science. The untiring forces at work in measurable yet inconceivable spaces of time and room, fill his soul with an awe that threatens to uncreate him with a sense of littleness; while, on the other side, the grandeur of their operations fills him with such an informing glory, the mere presence of the mighty facts, that he no more thinks of himself, but in humility is great, and knows it not. Rapt spectator, seer entranced under the magic wand of Science, he beholds the billions of billions of miles of incandescent vapour begin a slow, scarce perceptible revolution, gradually grow swift, and gather an awful speed. He sees the vapour, as it whirls, condensing through slow eternities to a plastic fluidity. He notes ring after ring part from the circumference of the mass, break, rush together into a globe, and the glowing ball keep on through space with the speed of its parent bulk. It cools and still cools and condenses, but still fiercely glows. Presently—after tens of thousands of years is the creative presently—arises fierce contention betwixt the glowing heart and its