Mary Marston. George MacDonald
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Whether William Marston was right or wrong in his ideas about the rite of baptism—probably he was both—he was certainly right in his relation to that which alone makes it of any value—that, namely, which it signifies; buried with his Master, he had died to selfishness, greed, and trust in the secondary; died to evil, and risen to good—a new creature. He was just as much a Christian in his shop as in the chapel, in his bedroom as at the prayer-meeting.
But the world was not now much temptation to him, and, to tell the truth, he was getting a good deal tired of the shop. He had to remind himself, oftener and oftener, that in the mean time it was the work given him to do, and to take more and more frequently the strengthening cordial of a glance across the shop at his daughter. Such a glance passed through the dusky place like summer lightning through a heavy atmosphere, and came to Mary like a glad prophecy; for it told of a world within and beyond the world, a region of love and faith, where struggled no antagonistic desires, no counteracting aims, but unity was the visible garment of truth.
The question may well suggest itself to my reader—How could such a man be so unequally yoked with such another as Turnbull?—To this I reply that Marston's greatness had yet a certain repressive power upon the man who despised him, so that he never uttered his worst thoughts or revealed his worst basenesses in his presence. Marston never thought of him as my reader must soon think—flattered himself, indeed, that poor John was gradually improving, coming to see things more and more as he would have him look on them. Add to this, that they had been in the business together almost from boyhood, and much will be explained.
An open carriage, with a pair of showy but ill-matched horses, looking unfit for country work on the one hand, as for Hyde Park on the other, drew up at the door; and a visible wave of interest ran from end to end of the shop, swaying as well those outside as those inside the counter, for the carriage was well known in Testbridge. It was that of Lady Margaret Mortimer; she did not herself like the Margaret , and signed only her second name Alice at full length, whence her friends generally called her to each other Lady Malice. She did not leave the carriage, but continued to recline motionless in it, at an angle of forty-five degrees, wrapped in furs, for the day was cloudy and cold, her pale handsome face looking inexpressibly more indifferent in its regard of earth and sky and the goings of men, than that of a corpse whose gaze is only on the inside of the coffin-lid. But the two ladies who were with her got down. One of them was her daughter, Hesper by name, who, from the dull, cloudy atmosphere that filled the doorway, entered the shop like a gleam of sunshine, dusky-golden, followed by a glowing shadow, in the person of her cousin, Miss Yolland.
Turnbull hurried to meet them, bowing profoundly, and looking very much like Issachar between the chairs he carried. But they turned aside to where Mary stood, and in a few minutes the counter was covered with various stuffs for some of the smaller articles of ladies' attire.
The customers were hard to please, for they wanted the best things at the price of inferior ones, and Mary noted that the desires of the cousin were farther reaching and more expensive than those of Miss Mortimer. But, though in this way hard to please, they were not therefore unpleasant to deal with; and from the moment she looked the latter in the face, whom she had not seen since she was a girl, Mary could hardly take her eyes off her. All at once it struck her how well the unusual, fantastic name her mother had given her suited her; and, as she gazed, the feeling grew.
Large, and grandly made, Hesper stood "straight, and steady, and tall," dusky-fair, and colorless, with the carriage of a young matron. Her brown hair seemed ever scathed and crinkled afresh by the ethereal flame that here and there peeped from amid the unwilling volute rolled back from her creamy forehead in a rebellious coronet. Her eyes were large and hazel; her nose cast gently upward, answering the carriage of her head; her mouth decidedly large, but so exquisite in drawing and finish that the loss of a centimetre of its length would to a lover have been as the loss of a kingdom; her chin a trifle large, and grandly lined; for a woman's, her throat was massive, and her arms and hands were powerful. Her expression was frank, almost brave, her eyes looking full at the person she addressed. As she gazed, a kind of love she had never felt before kept swelling in Mary's heart.
Her companion impressed her very differently.
Some men, and most women, counted Miss Yolland strangely ugly. But there were men who exceedingly admired her. Not very slight for her stature, and above the middle height, she looked small beside Hesper. Her skin was very dark, with a considerable touch of sallowness; her eyes, which were large and beautifully shaped, were as black as eyes could be, with light in the midst of their blackness, and more than a touch of hardness in the midst of their liquidity; her eyelashes were singularly long and black, and she seemed conscious of them every time they rose. She did not use her eyes habitually, but, when she did, the thrust was sudden and straight. I heard a man once say that a look from her was like a volley of small-arms. Like Hesper's, her mouth was large and good, with fine teeth; her chin projected a little too much; her hands were finer than Hesper's, but bony. Her name was Septimia; Lady Margaret called her Sepia, and the contraction seemed to so many suitable that it was ere long generally adopted. She was in mourning, with a little crape. To the first glance she seemed as unlike Hesper as she could well be; but, as she stood gently regarding the two, Mary, gradually, and to her astonishment, became indubitably aware of a singular likeness between them. Sepia, being a few years older, and in less flourishing condition, had her features sharper and finer, and by nature her complexion was darker by shades innumerable; but, if the one was the evening, the other was the night: Sepia was a diminished and overshadowed Hesper. Their manner, too, was similar, but Sepia's was the haughtier, and she had an occasional look of defiance, of which there appeared nothing in Hesper. When first she came to Durnmelling, Lady Malice had once alluded to the dependence of her position—but only once: there came a flash into rather than out of Sepia's eyes that made any repetition of the insult impossible and Lady Malice wish that she had left her a wanderer on the face of Europe.
Sepia was the daughter of a clergyman, an uncle of Lady Malice, whose sons had all gone to the bad, and whose daughters had all vanished from society. Shortly before the time at which my narrative begins, one of the latter, however, namely Sepia, the youngest, had reappeared, a fragment of the family wreck, floating over the gulf of its destruction. Nobody knew with any certainty where she had been in the interim: nobody at Durnmelling knew anything but what she chose to tell, and that was not much. She said she had been a governess in Austrian Poland and Russia. Lady Margaret had become reconciled to her presence, and Hesper attached to her.
Of the men