What's Mine's Mine — Volume 2. George MacDonald
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Alister had a great love of music, which however had had little development except from the study of the violin, with the assistance of a certain poor enough performer in the village, and what criticism his brother could afford him, who, not himself a player, had heard much good music. But Alister was sorely hampered by the fact that his mother could not bear the sound of it. The late chief was one of the few clergymen who played the violin; and at the first wail of the old instrument in the hands of his son, his widow was seized with such a passion of weeping, that Alister took the utmost care she should never hear it again, always carrying it to some place too remote for the farthest-travelling tones to reach her. But this was not easy, for sound will travel very far among the hills. At times he would take it to the room behind Annie's shop, at times to the hut occupied by Hector of the Stags: there he would not excruciate his host at least, and Rob of the Angels would endure anything for his chief. The place which he most preferred was too distant to be often visited; but there, soon after Christmas, the brothers now resolved to have a day together, a long talk, and a conference with the violin. On a clear frosty morning in January they set out, provided for a night and two days.
The place was upon an upland pasture-ground, yet in their possession: no farm was complete without a range in some high valley for the sheep and cattle in summer. On the north of this valley stood a bare hilltop, whose crest was a limestone rock, rising from the heather about twenty feet. Every summer they had spent weeks of their boyhood with the shepherds, in the society of this hill, and one day discovered in its crest a shallow cave, to which thereafter they often took their food, and the book they were reading together. There they read the English Ossian, troubled by no ignorant unbelief; and there they made Gaelic songs, in which Alister excelled, while Ian did better in English.
When Ian was at home in the university-vacations, they were fonder than ever of going to the hill. There Ian would pour out to Alister of the fullness of his gathered knowledge, and there and then they made their first acquaintance with Shakspere. Ian had bought some dozen of his plays, in smallest compass and cleanest type, at a penny a piece, and how they revelled in them the long summer evenings! Ian had bought also, in a small thick volume, the poems of Shelley: these gave them not only large delight, but much to talk about, for they were quite capable of encountering his vague philosophy. Then they had their Euclid and Virgil—and even tried their mental teeth upon Dante, but found the Commedia without notes too hard a nut for them. Every fresh spring, Ian brought with him fresh books, and these they read in their cave. But I must not forget the cave itself, which also shared in the progress of its troglodytes.
The same week in which they first ate and read in it, they conceived and began to embody the idea of developing the hollow into a house. Foraging long ago in their father's library for mental pabulum, they had come upon Belzoni's quarto, and had read, with the avidity of imaginative boys, the tale of his discoveries, taking especial delight in his explorations of the tombs of the kings in the rocks of Beban el Malook: these it was that now suggested excavation.
They found serviceable tools about the place at home, and the rock was not quite of the hardest. Not a summer, for the last seventeen years, had passed without a good deal being done, Alister working alone when Ian was away, and the cave had now assumed notable dimensions. It was called by the people uamh an ceann, the cave of the chief, and regarded as his country house. All around it was covered with snow throughout the winter and spring, and supplied little to the need of man beyond the blessed air, and a glorious vision of sea and land, mountain and valley, falling water, gleaming lake, and shadowy cliff.
Crossing the wide space where so lately they had burned the heather that the sheep might have its young shoots in the spring, the brothers stood, and gazed around with delight.
"There is nothing like this anywhere!" said Ian.
"Do you mean nothing so beautiful?" asked Alister.
"No; I mean just what I say: there is nothing like it. I do not care a straw whether one scene be more or less beautiful than another; what I do care for is—its individual speech to my soul. I feel towards visions of nature as towards writers. If a book or a prospect produces in my mind a mood that no other produces, then I feel it individual, original, real, therefore precious. If a scene or a song play upon the organ of my heart as no other scene or song could, why should I ask at all whether it be beautiful? A bare hill may be more to me than a garden of Damascus, but I love them both. The first question as to any work of art is whether it puts the willing soul into any mood at all peculiar; the second, what that mood is. It matters to me little by whom our Ossian was composed, and it matters nothing whoever may in his ignorance declare that there never was an Ossian any more than a Homer: here is a something that has power over my heart and soul, works upon them as not anything else does. I do not ask whether its power be great or small; it is enough that it is a peculiar power, one by itself; that it puts my spiritual consciousness in a certain individual condition, such in character as nothing else can occasion. Either a man or a nation must have felt to make me so feel."
They were now climbing the last slope of the hill on whose top stood their playhouse, dearer now than in their boyhood. Alister occasionally went there for a few hours' solitude, and Ian would write there for days at a time, but in general when they visited the place it was together. Alister unlocked the door and they entered.
Unwilling to spend labour on the introductory, they had made the first chamber hardly larger than the room required for opening the door. Immediately within, another door opened into a room of about eight feet by twelve, with two small windows. Its hearth was a projection from the floor of the live stone; and there, all ready for lighting, was a large pile of peats. The chimney went up through the rock, and had been the most difficult part of their undertaking. They had to work it much wider than was necessary for the smoke, and then to reduce its capacity with stone and lime. Now and then it smoked, but peat-smoke is sweet.
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