p>The Mirror of Literature, Amusement, and Instruction / Volume 12, No. 328, August 23, 1828
ANCIENT PLAN OF OXFORD CASTLE
By these mysterious ties the busy pow'r
Of mem'ry her ideal train preserves
Intire; or, when they would elude her watch,
Reclaims their fleeting footsteps from the waste
Of dark oblivion.
Gentle, courteous, and patient reader—to understand the above plan, it is requisite that you carry your mind's eye back to those troublous times when men enjoyed no protection, but in opposing force to force; and to a period when every man's house was his castle, though not in the metaphorical sense we have since been accustomed to apply these words, viz. to the protection and security of British subjects.
Few portions of our island have been more amply illustrated, by antiquarians, than OXFORD; and from one of these we learn that a Keep Tower, or Castle, existed here a considerable time before the conquest; for Alfred lived here; and Harold Harefoot was crowned and resided here; and one of Alfred's sons struck money here. Hearne has likewise identified this fact by the very ancient and original arms of Oxford, which have a castle represented, with a large ditch and bridge. Upon the same authority we learn that Offa "built walls at Oxford," and by him, therefore, a Saxon castle was originally built at Oxford.
Leland, Dugdale, and Camden, on the other hand, affirm that the castle at Oxford was built by Robert D'Oiley, who came into England with William the Conqueror; and the Chronicles of Osney Abbey, preserved in the Cottonian library, even ascertain the precise date of this great baron's undertaking, viz. A.D. 1071. No question, therefore, can remain, but that this illustrious chieftain either repaired or rebuilt the castle; but as we have shown, upon equal authority, there was a Saxon castle, fit for a royal residence at Oxford, long previous to D'Oiley's time. About the year 1794, several Saxon remains were discovered here; but our engraving represents the castle in Norman times, with Robert D'Oiley's magnificent additions, and is a facsimile of a plan by Ralph Agas, in 1538, which, allowing a little for bad or unskilful drawing, may be taken as a perfect specimen of Norman military architecture, and will, we are persuaded, be received by our readers as a popular and interesting illustration of the warlike character of the age in which the castle was erected.
For the description we are indebted to a MS. account of Anthony Wood, in the Bodleian library, who informs us that at one of its entrances was "a large bridge, which led into a long and broad entry, and so to the chief gate of the castle, the entry itself being fortified, on each side, with a large embattled wall; and having several passages above, from one side to the other, with open spaces between them, through which, in times of storm, whenever any enemy had broken through the first gates of the bridge, and was gotten into the entry, scalding water or stones might be cast down to annoy them."
On passing through the gate, at the end of this long entry, the fortification stretched itself, on the left hand, in a straight line, till it came to a round tower, that was rebuilt in the 19th of Henry III.1 And from thence went a fair embattled wall, guarded for the most part with the mill-stream underneath, till it came to the high tower joining to St. George's church.2
From hence, says the manuscript, the wall went to another gate, now quite down, opposite to the abovementioned; and leading to Osney, over another bridge; close to which joined that lofty and eminent mount, sometime crowned with an embattled tower. The manuscript adds, that for the greater defence of this castle, there was, on one of the sides of it, a barbican; which seems to have not merely been a single tower, but (according to an ancient deed) a place, or outwork, containing several habitations; and from other accounts it further appears, that there were more barbicans than one.
The ruins of certain other towers of the castle, besides the barbicans, and those already described, are also said to have been standing till 1649; when they were pulled down to erect new bulwarks for the parliamentary garrison.
This is an abstract of Anthony Wood's manuscript, which agrees with Agas's drawing, except that in his sketch, the tower between the gate-tower and St. George's, is represented square instead of being round. Antiquarians also infer that in the drawing it was intended to represent the great keep-tower as standing upon the top of the mount, and not by the side of it.3
Some discoveries made in 1794, throw much light on the history of the castle, and warrant a conclusion that in its area were several buildings. Wells were then cleared out, and among the rubbish were found horses' bones, dogs' bones, horse-shoes, and human skeletons; the appearance of the latter is not easily accounted for, unless they were the bodies of malefactors, who had been executed on the gallows placed near the castle, in later ages, that might have been flung in here, instead of being buried under the gibbet. We must however pass over many interesting facts, and content ourselves with a mere reference to the empress Maud being besieged here in 1141, and her miraculous flight with three knights, all escaping the eyes of the besiegers by the brightness of their raiment; Maud having just previously escaped from the castle of the Devizes, as a dead corpse, in a funeral hearse or bier. The reader will not be surprised at the decay of the castle, when he is informed that it was in a dilapidated state in the reign of Edward III.
The castle was situate on the west side of the city of Oxford, on the site of the present county gaol. In 1788 little remained except the tower, which was for some time used as the county prison, and part of the old wall could then be traced 10 feet in thickness. In the castle-yard were the remains of the ancient sessions-house, in which, at the Black Assize, in 1577, the lieutenant of the county, two knights, eighty esquires and justices, and almost all the grand jury, died of a distemper, brought thither and communicated by the prisoners; and nearly one hundred scholars and townsmen fell victims to the same disorder.
We have been somewhat minute in the preceding description, but we hope not more so than the exhaustless curiosity of the public on such subjects appears to warrant. Indeed, these interesting details are only a tithe portion of what we might have abridged. The warlike habits of our ancestors are always attractive topics for inquirers into the history of mankind, and their study is not
Dull and crabbed as some fools suppose,
but a treasury or depository of useful knowledge, by enabling the inquirer to draw many valuable inferences from the comparative states of men in the several ages he seeks to illustrate. The enthusiasm of such pursuits is, likewise, an everlasting source of delight; for who can visit such shrines as Netley, St. Albans, or Melrose, without feeling that he is on holy ground; and although we are equally active in our notice of the architectural triumphs of our own times, we must not entirely leave the proud labours of by-gone ages to be clasped in the ponderous folio, or to moulder and lie neglected on the upper shelves of our libraries.
We have to acknowledge the loan of the original of the engraving, from a lineal descendant of D'OILEY4, the founder or repairer of the Castle at Oxford—a name not altogether unknown to our readers.
THE "INTELLECTUAL CAT."
The cat mania has hitherto been more popular in France than in England. To be sure, we have the threadbare story of Whittington and his cat; Mrs. Griggs and her 86 living and 28 dead cats; Peter King and his two cats in rich liveries; Foote's concert of cats; and the newspaper story of tortoiseshell male cats—but in France, cats keep better company, or at least are associated with better names. Thus, MOLIERE had his favourite cat; Madame de Puis, the celebrated harpplayer, settled a pension on her feline friend, which caused a law-suit, and brought into action all the most celebrated lawyers of France; and M. L'Abbe de Fontenu was in the habit
The sum of 144
By an odd mode of expression in the MS., it should seem as if this tower itself, or at least some building adjoining it, was formerly made use of as a
Grose fell into an error on this point, in his 3rd volume of Antiquitica, for in his copy of Aga's plan, he placed a large keep tower just at the foot of an artificial mount—an anomaly in fortification. The same punster who described
When Robert D'Oiley, in the reign of Henry V. built the abbey at Osney, for monks and regulars, and gave them the revenues, &c. of the church of St. George, in the Castle, it is said in the Osney chronicle, that there "Robert Pulen began to read at Oxford the Holy Scriptures, which had fallen into neglect in England. And after both the church of England and that of France had profited greatly by his doctrine, he was called away by Pope Lucius II., who made him chancellor of the holy Roman church." This short effort, to which the Pope's preferment put a stop, seems to have been the true origin of the DIVINITY LECTURE, and of the DIVINITY SCHOOLS at Oxford; and of the studies of the SORBONNE at Paris.
