greatness here but "stalks an empty name."Around, above, how sorrow builds her throne,
To snatch from death's embrace each treasure gone.
See, how the horrid phantom bends his bow,
And points his dart to lay that victim low!1
She sinks, she falls, and her fond husband's breast
Is the cold pillow to that marble rest!
But softly tread upon the sacred ground,
Where Britain's bards lie sepulchred round.
Sons of the muse, who woke the magic spell,
From the deep windings of "Apollo's shell!"
Mute is each lyre, their silent strings are bound
With willow, yew, and cypress wreath'd around.
Their hopes, joys, sorrows, rest within the grave
Admiring nations to their relics gave.
Hail, mighty shades! bright spirits of the past;
Here may your ashes sleep while time shall last.
Let kindred genius shed the pensive tear,
And grace with votive elegy each bier.
While far beyond this melancholy vale,
When faded sorrow tells her mournful tale,
"O'er this dim spot of earth," in regions fair
Your spirits dwell, and joys eternal share.
Kirton Lindsey.
THE COSMOPOLITE
THE TIMES NEWSPAPER
We are not about to write an advertisement for this advertised of all advertisers—nor to talk of its square feet—its crowded broadside—or the myriads of letters that make it resemble a sea of animalculae. We are content to leave all the pride of its machinery to Messrs. Applegath and Cowper, and the clang of its engine to the peaceful purlieus of Printing-house Square. Yet these are interesting items in the advancement of science, and in the history of mankind; for whether taken mechanically or morally, the Times is, without exception, the newspaper of all newspapers, "the observed of all observers" and altogether, the most extraordinary production of this or any other age.
But we are more anxious to reach what may be called the philosophy of a newspaper—that broad volume of human life, in which "the follies, vices, and consequent miseries of multitudes are displayed." To prove this, only let the reader glance over the twenty-four columns of a Times newspaper, and attempt a calculation of the many thousand events that spring from and are connected with their contents. Yet this sheet is but as it were a day in the life of man—a mere thread of the mingled yarn of his existence—and 313 such sheets, or 1,252 such folios make but a year of his history. The subject is too vast and comprehensive for continued contemplation, for it is like all other wheels of vicissitude; we become giddy by looking too steadfastly on its twinings.
Let us take one side of any recent Times newspaper—say that of Thursday last—and attempt something like an abstract of its memorabilia. This may appear for us a toilsome task, but if the reader be not fatigued also, our time will not be misspent. Begin "at the beginning" with the old English title, broken by the royal arms—like a blocking-course; and the No. and date in a sort of typographical entablature. The first side is filled by 188 advertisements, for the most part, classed according to their objects.
Thus, we start, and not unappropriately, with notices of vessels to sail for India and the new settlement on Swan River. What temptations for adventure and avarice—what associations of industry and indolence—luxury and squalid misery—do these announcements create in the reflective mind. The nabob in his chintz—the speculator with his last hundred—and the half-starved agriculturist—are but sorry portraits beside the class to whom the next notice is addressed.—Packets to Calais, Dieppe, and Margate—necessity on her last leg, and luxury on the fantastic toe—the wasted mind and famished visage beside hoyden mirth and bloated luxury. Then the South American Mining Association Deed "lies for signature:"—what a relief in this sheet of chiaro-scuro—a kind of tinsel to set off its grave parts, with gold dust enough to blind half its readers. To this little flash of golden light succeeds shade—Chancery and creditors' notices—proving debts and consciences—followed by civil contracts for Bridewell and building a Lunatic Asylum in Kent. The association is too obvious, and verily, the maker-up of the Times newspaper is a Hogarth in his way; for what Hogarth did with pencil and brush, he does with metallic types. Next is a Saw Mill to be sold cheap, constructed for the express purpose of being sent to the Swan River settlement—how fortunate—for surely any idle wight would make his way with such assistance, especially as the machine is "on improved principles." Luxury again—paper-hangings, French lamps, and French roses—necessity again—Money on mortgage, and bills discounted: how obvious the connexion—the very cause and effect—the lamps will not burn without oil, and the roses will not bloom without money—at least they will only waste their fragrance in the desert air of the nursery-ground.
The second column begins with a solicitor's inquiry for a person long unheard of, who, if alive, "may hear of somewhat very considerably to his advantage"—any person proving his death, shall be rewarded. Next is a notice from the City Chamber Court of Stralsund, of a man who has been missing twenty years, and unless he informs the court of his existence on or before Lady-day, 1830, he will be declared dead—poor fellow—yet how many would rejoice at such an opportunity of escaping from their worldly cares. Next comes a little string of Anniversaries of Charities—followed by Exhibitions of the Fine Arts—had their position been reversed, the effect would have been better; for fine painting prepares the heart for acts of benevolence, and kindleth all its best feelings. Portraits of the Rev. Matthew Wilks and Pope Pius VII. (the latter a splendid mezzotinto from Sir T. Lawrence's picture) are followed by a "Speaking French Grammar," a very good companion for any Englishman about to visit the continent; for with many, their stock of French does not last out their cash. Next is fourteen years of the Morning Post to be sold—a bargain for a fashionable novelist, and in fact, a complete stock-in-trade for any court or town Adonis; a perfect vocabulary of fashion, detailing the rise and progress of all the fashionable arts since the peace—the gazette appointments and disappointments—and elopements and faux pas, sufficient for all the comedy-writers of the present century—the respective claims of Spanish Refugees and Spitalfields Weavers—charitable concerts and opera benefits—and all the lumber and light artillery of the grand monde.
The third column is almost entirely occupied by "Wanted" advertisements and we had resolved to pass over all their "Wants;" had not some of them occurred to us as rather singular, even in these times of general distress. The first of these is for a respectable middle-aged woman, as lady's maid—"to understand dress-making, millinery, hair-dressing, getting-up fine linen, and to be useful and obliging." All this is reasonable enough; but mark the inducement: "a clever person fond of the country, and who can bear confinement, will find this a comfortable situation!" "This is too much." Another is for a butler and a valet, to "undertake the care and responsibility of a numerous family:" another is a young man for "a situation in any shop or warehouse, not particular what:" another of "a nurse, who can cut and make children's dresses, and instruct them in reading and spelling;" a school-assistant "to fill the second desk," &c. Next come a few characteristics of a scientific age—as patent trouser-straps, to "prevent the dirt getting between the strap and the boot, &c.;" and patent springs for waistcoat backs—to cause the clothes to fit well to the shape, &c.—and, above all, a legitimate, scientific Diaphane parasol.
The "Wants" are resumed in the fourth column. One is a young man to be able to walk well; "it is immaterial what he has been accustomed to."
In
The tomb of Mrs. Nightingale.
