vol. xviii.; Independent Review, Feb. 1904; Fortnightly Review, Feb. 1904; Contemporary Review, Aug. 1897; C.F.G. Masterman's In Peril of Change, 1905, pp. 68-73; Atlantic Monthly, xciii. 280; Upton Letters, 1905, p. 206.]
THE HOUSE OF COBWEBS
It was five o'clock on a June morning. The dirty-buff blind of the lodging-house bedroom shone like cloth of gold as the sun's unclouded rays poured through it, transforming all they illumined, so that things poor and mean seemed to share in the triumphant glory of new-born day. In the bed lay a young man who had already been awake for an hour. He kept stirring uneasily, but with no intention of trying to sleep again. His eyes followed the slow movement of the sunshine on the wall-paper, and noted, as they never had done before, the details of the flower pattern, which represented no flower wherewith botanists are acquainted, yet, in this summer light, turned the thoughts to garden and field and hedgerow. The young man had a troubled mind, and his thoughts ran thus:—
'I must have three months at least, and how am I to live?… Fifteen shillings a week—not quite that, if I spread my money out. Can one live on fifteen shillings a week—rent, food, washing?… I shall have to leave these lodgings at once. They're not luxurious, but I can't live here under twenty-five, that's clear…. Three months to finish my book. It's good; I'm hanged if it isn't! This time I shall find a publisher. All I have to do is to stick at my work and keep my mind easy…. Lucky that it's summer; I don't need fires. Any corner would do for me where I can be quiet and see the sun…. Wonder whether some cottager in Surrey would house and feed me for fifteen shillings a week?… No use lying here. Better get up and see how things look after an hour's walk.'
So the young man arose and clad himself, and went out into the shining street. His name was Goldthorpe. His years were not yet three-and-twenty. Since the age of legal independence he had been living alone in London, solitary and poor, very proud of a wholehearted devotion to the career of authorship. As soon as he slipped out of the stuffy house, the live air, perfumed with freshness from meadows and hills afar, made his blood pulse joyously. He was at the age of hope, and something within him, which did not represent mere youthful illusion, supported his courage in the face of calculations such as would have damped sober experience. With boyish step, so light and springy that it seemed anxious to run and leap, he took his way through a suburb south of Thames, and pushed on towards the first rising of the Surrey hills. And as he walked resolve strengthened itself in his heart. Somehow or other he would live independently through the next three months. If the worst came to the worst, he could earn bread as clerk or labourer, but as long as his money lasted he would pursue his purpose, and that alone. He sang to himself in this gallant determination, happy as if some one had left him a fortune.
In an ascending road, quiet and tree-shadowed, where the dwellings on either side were for the most part old and small, though here and there a brand-new edifice on a larger scale showed that the neighbourhood was undergoing change such as in our time destroys the picturesque in all London suburbs, the cheery dreamer chanced to turn his eyes upon a spot of desolation which aroused his curiosity and set his fancy at work. Before him stood three deserted houses, a little row once tenanted by middle-class folk, but now for some time unoccupied and unrepaired. They were of brick, but the fronts had a stucco facing cut into imitation of ashlar, and weathered to the sombrest grey. The windows of the ground floor and of that above, and the fanlights above the doors, were boarded up, a guard against unlicensed intrusion; the top story had not been thought to stand in need of this protection, and a few panes were broken. On these dead frontages could be traced the marks of climbing plants, which once hung their leaves about each doorway; dry fragments of the old stem still adhered to the stucco. What had been the narrow strip of fore-garden, railed from the pavement, was now a little wilderness of coarse grass, docks, nettles, and degenerate shrubs. The paint on the doors had lost all colour, and much of it was blistered off; the three knockers had disappeared, leaving indications of rough removal, as if—which was probably the case—they had fallen a prey to marauders. Standing full in the brilliant sunshine, this spectacle of abandonment seemed sadder, yet less ugly, than it would have looked under a gloomy sky. Goldthorpe began to weave stories about its musty squalor. He crossed the road to make a nearer inspection; and as he stood gazing at the dishonoured thresholds, at the stained and cracked boarding of the blind windows, at the rusty paling and the broken gates, there sounded from somewhere near a thin, shaky strain of music, the notes of a concertina played with uncertain hand. The sound seemed to come from within the houses, yet how could that be? Assuredly no one lived under these crazy roofs. The musician was playing 'Home, Sweet Home,' and as Goldthorpe listened it seemed to him that the sound was not stationary. Indeed, it moved; it became more distant, then again the notes sounded more distinctly, and now as if the player were in the open air. Perhaps he was at the back of the houses?
On either side ran a narrow passage, which parted the spot of desolation from inhabited dwellings. Exploring one of these, Goldthorpe found that there lay in the rear a tract of gardens. Each of the three lifeless houses had its garden of about twenty yards long. The bordering wall along the passage allowed a man of average height to peer over it, and Goldthorpe searched with curious eye the piece of ground which was nearest to him. Many a year must have gone by since any gardening was done here. Once upon a time the useful and ornamental had both been represented in this modest space; now, flowers and vegetables, such of them as survived in the struggle for existence, mingled together, and all alike were threatened by a wild, rank growth of grasses and weeds, which had obliterated the beds, hidden the paths, and made of the whole garden plot a green jungle. But Goldthorpe gave only a glance at this still life; his interest was engrossed by a human figure, seated on a campstool near the back wall of the house, and holding a concertina, whence, at this moment, in slow, melancholy strain, 'Home, Sweet Home' began to wheeze forth. The player was a middle-aged man, dressed like a decent clerk or shopkeeper, his head shaded with an old straw hat rather too large for him, and on his feet—one of which swung as he sat with legs crossed—a pair of still more ancient slippers, also too large. With head aside, and eyes looking upward, he seemed to listen in a mild ecstasy to the notes of his instrument. He had a round face of much simplicity and good-nature, semicircular eyebrows, pursed little mouth with abortive moustache, and short thin beard fringing the chinless lower jaw. Having observed this unimposing person for a minute or two, himself unseen, Goldthorpe surveyed the rear of the building, anxious to discover any sign of its still serving as human habitation; but nothing spoke of tenancy. The windows on this side were not boarded, and only a few panes were broken; but the chief point of contrast with the desolate front was made by a Virginia creeper, which grew luxuriantly up to the eaves, hiding every sign of decay save those dim, dusty apertures which seemed to deny all possibility of life within. And yet, on looking steadily, did he not discern something at one of the windows on the top story—something like a curtain or a blind? And had not that same window the appearance of having been more recently cleaned than the others? He could not be sure; perhaps he only fancied these things. With neck aching from the strained position in which he had made his survey over the wall, the young man turned away. In the same moment 'Home, Sweet Home' came to an end, and, but for the cry of a milkman, the early-morning silence was undisturbed.
Goldthorpe pursued his walk, thinking of what he had seen, and wondering what it all meant. On his way back he made a point of again passing the deserted houses, and again he peered over the wall of the passage. The man was still there, but no longer seated with the concertina; wearing a round felt hat instead of the straw, he stood almost knee-deep in vegetation, and appeared to be examining the various growths about him. Presently he moved forward, and, with head still bent, approached the lower end of the garden, where, in a wall higher than that over which Goldthorpe made his espial, there was a wooden door. This the man opened with a key, and, having passed out, could be heard to turn a lock behind him. A minute more, and this short, respectable figure came into sight at the end of the passage. Goldthorpe could not resist the opportunity thus offered. Affecting to turn a look of interest towards the nearest roof, he waited until the stranger was about to pass him, then, with civil greeting, ventured upon a question.
'Can you tell me how these houses come to be in this neglected state?'
The
