garden, seen any white gauze folderols. The three voices made the air well acquainted with the affair.
However, Eve was not to be baffled; she remembered distinctly having had the love-ribbon in her hands on the day she first proposed the dress; it must be found, and she sat down again at the open casement, intrenched behind twenty boxes of like treasure, in any one of which the thing might have hidden itself away, while her mother came up and established herself with a fan at the other window, and Paula, descending from her perch, rummaged the neighboring dressing-room.
On the opposite side of the street stretched a long strip of shaven turf, known as the Parade, yet seldom used for anything but summer-evening strolls, and below its velvet terraces, in a green dimple, lay a pool, borrowing all manner of umberous stains from the shore, and yet in its very heart contriving to reflect a part of heaven. Languishing elm-trees lined its edge, and beneath the boughs, whose heavily drooping masses seemed like the grapes of Eshcol, rude benches offered rest to the weary.
On one of these benches now sat a person profoundly occupied in carving something into its seat. If he could easily have heard the voices in the dwelling opposite, he had not once glanced up. Now and then he paused and leaned his head upon the arm that lay along the rail, then again he pursued his task. Once, when his progress, perhaps, had exceeded expectation, or the striking of a clock beneath some distant spire announced no need of haste, he laid down his knife, left his occupation, and came to lean against the low fence beneath Eve's window and gaze daringly up. Eve did not see him. Her mother did, and held her breath lest Eve should turn that way, and, having directed Eve's glance elsewhere, shook her fan at the bold boy. But there was no insolence in Luigi's gaze. He seemed merely wishing that his work should be marked; and, having attracted fit attention, he returned quietly to the bench and the carving once more.
At length the sun hung high over the west, preparing to fall into his hidden resting-place that colored all the cloudless heaven with its mounting tinge. Luigi rose and inspected his work. Then again he crossed the street and stood below Eve's window. It was a long time that he leaned with his arms folded on the bar of the low paling. Perhaps he meant that she should look at him. She had closed the last of her receptacles, and, dismissing the matter, for want of better employment, her scissors were tinkering upon a tiny hand-glass with a setting thickly crusted in crystals, a trifle that one clear day a sailor diving from her father's ship had found upon the bottom of the sea,—a very mermaid's glass dropped in some shallow place for Eve herself, a glass that had reflected the rushing of the storm, the sliding of the keel above, the face of many a drowning mariner. Careless of all that, at the moment, she held it up now to the light to see if further furbishing could brighten it, and as she did so was hastily checked. She had caught sight of a dark face just framed and mirrored, the sad eyes raised and resting on her own, luminous no more, but heavy, and longing, and dull with a weight of woe. At the same moment, Paula, who had by no means abandoned the lost love-ribbon, cried from within,—
"Well, Miss, the lutestring has been spirited away, and no less. I've searched the house through, and nobody has it."
"Qualcheduno l' ha," breathed a sweet, melancholy tone from below; and they turned and saw it in Luigi's hands, the frosty film of gossamer. He held it up a moment, pressed it to his lips, folded it again into his breast; and if it was plain that somebody had it, it was plainer still that somebody meant to keep it. And then, as if twin stars were bending over him out of the bluest deeps of heaven, Luigi kept Eve's eyes awhile suspended on his despairing gaze, and without other word or gesture turned and went away.
Many days afterward, when it was certain that the little foreign image-vender had indeed departed, Eve stole over to the bench beneath the lofty arches of the elm-tree, all checkered with flickering sunlight, and endeavored to read the sentence carved thereon. It was at first undecipherable, and then, the text conquered, not easy for her to comprehend. But when she had made it hers, she rose, bathed with blushes, and stole away home again, feeling only as if Luigi had laid a chain upon her heart.
Years have fled. The little legend yet remains cut deep into the wood, though he returns no more, and though, since then, her
"Part in all the pomp that fills
The circuit of the summer hills
Is that her grave is green."
Rain and snow have not effaced its intaglio, nor summer's dust, nor winter's wind; and if you ever pass it, you yet may read,—
AMOR QUE A NULLO
AMATO
AMAR PERDONA.
COMMUNICATION
Whether virtue can be taught is a question over which Plato lingers long. And it is a curious illustration of the different eyes with which different men read, that some students of Plato are confident he answers the question in the affirmative, while others are equally sure that he gives it an unqualified negative. "Plato," says Schwegler, "holds fast to the opinion that virtue is science, and therefore to be imparted by instruction." "We are told," says Burgess, one of Bohn's translators, "that, as virtue is not a science, it cannot, like a science, be made a subject of teaching." Professor Blackie, again, an open-minded and eloquent scholar, cannot doubt that virtue may be verbally imparted, nor, therefore, that the great Athenian thinker so believed and affirmed.
What is the voice of common sense and the teaching of history touching this matter? Can a liberal and lofty nature be included in words, and so passed over to another? Elevation of character, nobility of spirit, wealth of soul,—is any method known, or probably ever to be known, among men, whereby these can be got into a text-book, and then out of the text-book into a bosom wherein they had no dwelling before? Alas, is not the story of the world too full of cases in which the combined eloquence of verbal instruction, vital influence, and lustrous example, aided even by all the inspirations of the most majestic and moving presence, have failed utterly to shape the character of disciples? Did Alcibiades profit greatly by the conversation of Socrates? Was Judas extremely ennobled by the companionship of Jesus? Was it to any considerable purpose that the pure-minded, earnest, affluent Cicero strewed the seeds of Stoic culture upon the wayside nature of his son? Did Faustina learn much from Antoninus Pius, or Commodus from Marcus Aurelius?
I think we must assume it as the judgment of common sense that there neither is nor is likely to be any educational mortar wherein a fool may be so brayed that he shall come forth a wise man. The broad, unequivocal sentence of history seems to be that whoever is not noble by nature will hardly be rendered so by art. Education can do much; it can foster nobilities, it can discourage vices; but literal conveyance of lofty qualities, can it effect that? Can it create opulence of soul in a sterile nature? Can it cause a thin soil to do the work of a deep one? We have seen harsh natures mellowed, violent natures chastened, rough ones refined; but who has seen an essentially mean nature made large-hearted, self-forgetful, fertile of grandest faiths and greatest deeds? Who has beheld a Thersites transformed into an Achilles? Who a Shylock, Iago, or Regan changed into an Antonio, Othello, or Cordelia, or a Simon Magus into a Paul? What virtue of nature is in a man culture may bring out; but to put nature into any man surpasses her competence.
Nay, it would even seem that in some cases the finest openings and invitations for what is best in man must operate inversely, and elicit only what is worst in him. Every profoundest truth, when uttered with fresh power in history, polarizes men, accumulating atheism at one pole, while collecting faith and resolve at the other. As the sun bleaches some surfaces into whiteness, but tans and blackens others, so the sweet shining of Truth illumines some countenances with belief, but some it darkens into a scowl of hate and denial. The American Revolution gave us George Washington; but it gave us also Benedict Arnold. One and the same great spiritual emergency in Europe produced Luther's Protestantism and Loyola's Jesuitism. Our national crisis has converted General Butler; what has it done for Vallandigham?
It were easy to show that the deepest intelligence of the
