Last Seen: A gripping psychological thriller, full of secrets and twists. Lucy Clarke
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How much we need it.
Standing at the edge of the deck, I glance across to Isla’s hut. It stands shoulder to shoulder with ours – exactly five feet between them. In the summer that our boys turned seven, Jacob and Marley had fastened sheets above the shaded pathway running between the huts, calling it their Secret Sand Tunnel. Their games usually involved wanting to be in the water, or making dens in the wooded headland at the far end of the sandbank, so Isla and I were delighted to have them playing close by where we could hear the soft murmur of their chatter through the wooden walls of our huts, like mice in the eaves of a home.
In the clear morning light, I notice how tired Isla’s hut looks. The plywood shutters, which were hurriedly fixed across the windows last night, give the air of eviction, and the deck is empty of her faded floral sun-chair and barbecue. Several planks of decking are beginning to rot, mould lining the grooves. The yellow paintwork of the hut is peeling and flaking, and the sight saddens me, remembering how bright and vivid her hut was the first year she owned it – sherbet lemon yellow, she called the colour.
I feel my throat closing. Everything felt so fresh at the beginning. That first summer we met, I remember my father asking hopefully, ‘Is there a boy?’
I’d laughed. In a way, meeting Isla was like falling in love. We wanted to spend every free moment together. We would call each other after school, and have long, laughter-filled conversations that made my cheeks ache from smiling so hard, and my ear pink from being pressed close to the phone. My exercise books were filled with doodles of her name, and I’d find ways to bring her into conversation, just so she would feel present and real to me. Our friendship burst to life like a butterfly shedding its chrysalis: together we were bright and beautiful and soaring.
What happened to those two girls?
You didn’t want me here, Isla hissed last night before leaving to catch her flight.
I wondered if I’d feel guilty this morning. Regret the things I’d said to her.
I pull my shoulders back. I don’t.
I’m relieved she’s gone.
It was so close to being perfect.
We were best friends.
We spent our summers living on a sandbank in beach huts next door to one another.
We fell pregnant in the same year – and gave birth to sons three weeks apart.
Our boys grew up together with the beach as their playground.
It seemed impossible, back then, to imagine that anything could come between us.
Yet perfect is a high spire to dance on – and below there’s nothing but a very long drop …
Summer 1991
A strong briny scent rose from the stacks of blackened lobster pots, where a flock of starlings hopped and chattered, iridescent feathers catching in the sunlight. At the harbour edge, the water gurgled and slopped. Sarah crouched down and dipped her forefinger into the water, then brought it to her lips and sucked it. She thought for a moment, then said, ‘Notes of engine oil, fish guts and swan shit.’
I grinned. I’d known Sarah for precisely one hour and forty-five minutes, but already we were friends. She had a good laugh – mischievous and surprisingly loud – yet there was something almost apologetic about the way she lifted a hand to her mouth as if to contain it.
Right now we were meant to be crammed into a sweltering studio taking part in a week-long drama workshop. I had my mum’s Reiki clients to blame for losing a whole week of the summer holidays; Sarah said she’d signed herself up as it was better than being at home. During the first break, we’d sat on the sun-warmed steps outside, drinking cans of Cherry Coke, and decided we wouldn’t be going back indoors.
Sarah placed her hands on the railings. Her bitten fingernails were painted pink, the polish faded at the edges. She looked across the water to the golden stretch of sand ahead of us. ‘Where’s that?’
‘Longstone Sandbank.’ It was flanked by a meandering natural harbour on one side, and on the other by the open sea. ‘You’ve never been?’
She shook her head. ‘We only moved here a month ago. Is it an island?’
‘Almost.’ The sandbank was no more than half a mile long, and was separated from the quay by a fast-moving channel of water. Dotted along its spine were a rabble of brightly coloured wooden beach huts. I always thought it looked as though the sandbank had tried its hardest to escape the mainland – and it had succeeded, except for the slimmest touch of land still tethering it to a wooded headland at its far end.
‘How do you get there?’
‘By boat,’ I said, nodding towards the ferry that was bobbing across the harbour, orange fenders strapped to its sides. The engine growled against the running tide as it motored towards the quayside. We watched as the round-faced captain leant out to loop a rope around a thick wooden post.
‘Wanna go there?’ I asked.
Sarah’s green eyes glittered as they met mine. ‘Yes.’
We climbed on to the wooden boat, handing the captain our fifty-pence pieces, and moved to the bench at the back. Kneeling up on the seat, we rested our chins on top of folded arms so we could watch the wake the ferry created as it pulled away.
I glanced across at Sarah. The sun illuminated her clear, smooth face, and the delicate curve of her small mouth. She grinned at me. ‘Who knew drama club would be so much fun?’
The ferry crossing only took a few minutes and we hopped from the boat and moved down the rickety jetty, our sandals clanking against the wooden planks. Reaching the beach, Sarah’s gaze flitted over the huts as she exclaimed, ‘They’re like little houses. Look! They have proper kitchens – and beds!’
‘You can sleep in them during the summer,’ I told her, pointing out a hut with a wooden ladder leading up to a mezzanine. ‘Imagine waking up here!’
A low, rhythmic boom hinted at the sea that lay