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The Underdog
A Short Story
by Agatha Christie
Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
Copyright © 2011 Agatha Christie Ltd.
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EPub Edition © 2011 ISBN: 9780007451951
Version: 2017-04-15
Contents
Copyright
The Underdog
‘The Underdog’ was first published in the USA in Mystery Magazine, 1 April 1926, then in London Magazine, October 1926.
Lily Margrave smoothed her gloves out on her knee with a nervous gesture, and darted a glance at the occupant of the big chair opposite her.
She had heard of M. Hercule Poirot, the well-known investigator, but this was the first time she had seen him in the flesh.
The comic, almost ridiculous, aspect that he presented disturbed her conception of him. Could this funny little man, with the egg-shaped head and the enormous moustaches, really do the wonderful things that were claimed for him? His occupation at the moment struck her as particularly childish. He was piling small blocks of coloured wood one upon the other, and seemed far more interested in the result than in the story she was telling.
At her sudden silence, however, he looked sharply across at her.
‘Mademoiselle, continue, I pray of you. It is not that I do not attend; I attend very carefully, I assure you.’
He began once more to pile the little blocks of wood one upon the other, while the girl’s voice took up the tale again. It was a gruesome tale, a tale of violence and tragedy, but the voice was so calm and unemotional, the recital was so concise that something of the savour of humanity seemed to have been left out of it.
She stopped at last.
‘I hope,’ she said anxiously, ‘that I have made everything clear.’
Poirot nodded his head several times in emphatic assent. Then he swept his hand across the wooden blocks, scattering them over the table, and, leaning back in his chair, his fingertips pressed together and his eyes on the ceiling, he began to recapitulate.
‘Sir Reuben Astwell was murdered ten days ago. On Wednesday, the day before yesterday, his nephew, Charles Leverson, was arrested by the police. The facts against him as far as you know are: – you will correct me if I am wrong, Mademoiselle – Sir Reuben was sitting up late writing in his own special sanctum, the Tower room. Mr Leverson came in late, letting himself in with a latch-key. He was overheard quarrelling with his uncle by the butler, whose room is directly below the Tower room. The quarrel ended with a sudden thud as of a chair being thrown over and a half-smothered cry.
‘The butler was alarmed, and thought of getting up to see what was the matter, but as a few seconds later he heard Mr Leverson leave the room gaily whistling a tune, he thought nothing more of it. On the following morning, however, a housemaid discovered Sir Reuben dead by his desk. He had been struck down by some heavy instrument. The butler, I gather, did not at once tell his story to the police. That was natural, I think, eh, Mademoiselle?’
The sudden question made Lily Margrave start.
‘I beg your pardon?’ she said.
‘One looks for humanity in these matters, does one not?’ said the little man. ‘As you recited the story to me – so admirably, so concisely – you made of the actors in the drama machines – puppets. But me, I look always for human nature. I say to myself, this butler, this – what did you say his name was?’
‘His name is Parsons.’
‘This Parsons, then, he will have the characteristics of his class, he will object very strongly to the police, he will tell them as little as possible. Above all, he will say nothing that might seem to incriminate a member of the household. A house-breaker, a burglar, he will cling to that idea with all the strength of extreme obstinacy. Yes, the loyalties of the servant class are an interesting study.’
He leaned back beaming.
‘In the meantime,’ he went on, ‘everyone in the household has told his or her tale, Mr Leverson among the rest, and his tale was that he had come in late and gone up to bed without seeing his uncle.’
‘That is what he said.’
‘And no one saw reason to doubt that tale,’ mused Poirot, ‘except, of course, Parsons. Then there comes down an inspector from Scotland Yard, Inspector Miller you said, did you not? I know him, I have come across him once or twice in the past. He is what they call the sharp man, the ferret, the weasel.
‘Yes, I know him! And the sharp Inspector Miller, he sees what the local inspector has not seen, that Parsons is ill at ease and uncomfortable, and knows something that he has not told. Eh bien, he makes short work of Parsons. By now it has been clearly proved that no one broke into the house that night, that the murderer must be looked for inside the house and not outside. And Parsons is unhappy and frightened, and feels very relieved to have his secret knowledge drawn out of him.
‘He has done his best to avoid scandal, but there are limits; and so Inspector Miller listens to Parsons’ story, and asks a question or two, and then makes some private investigations of his own. The case he builds up is very strong – very strong.
